Saison 2008-2009 : who we heard !
17 Nov 2008:
George Vance & Marco Boubille
8 Déc 2008 :
Alexander Dickow, Martin Richet,
& Thomas Vercruysse
19 Jan 2009 :
Marie Etienne & Marilyn Hacker
9 Fév 2009 :
Marie-Louise Chapelle, Michelle Naka-Pierce,
& Chris Pusateri
avec des traductions de Divya Babin, Rémi Ferrier,
François Peaudecerf & Vasilena Kossastakis.
14 Avril 2009 :
Adeena Karasick & Gwenaëlle Stubbe
12 Mai 2009 :
Alikah Oliver & Virginie Lalucq
avec des traductions de Martin Richet.
16 Juin 2009 :
David Lespiau & Cole Swensen
avec des traductions de Nicolas Pesquès
7 Juil. 2009 :
Mark Wallace & K. Lorraine Graham
Leurs Livres et Leurs éditeurs :
Marco Boubille : Loi n (
éditions Les Petits matins, octobre 2008).
Marie-Louise Chapelle: Mettre (
Theatre Typographique, 2006) et avec Emmanuelle Pidoux: Corps finis quelconques et fractions qui s’en déduisent par la méthode de l’approximation (1999), La fille avec laquelle j’allais à l’hôtel (2000), & Plus-value (2001).
Alexander Dickow: Caramboles (Argol Editions, 2008), is written in French and English/écrit en français et en anglais.
Marie Etienne : L'enfant et le soldat (La Table Ronde, 2006), Blanc clos, (La Répétition,
1977), Le point d’aveuglement, (Beauvoir-sur-Mer, 1978), La Longe, (Temps actuel, 1981), Lettres d’Idumée, (Paris, Seghers, 1982),
Le sang du guetteur, (
Actes sud, 1985), Les Barbares, (lettres de casse, 1986), La face et le lointain, (Ipomée, 1986),
Eloge de la rupture, (Ulysse fin de siècle, 1991), Katana, (Scanéditions / La dispute, 1993), Anatolie, (
Flammarion, 1997, prix Mallarmé),
Roi des cent cavaliers, (
Flammarion, 2002) et
Les Passants 
intérieurs, (Virgile, 2004),
Dormans (Flammarion, 2006). Anthologies :
Poésies des lointains, anthologie de la poésie contemporaine, (
Actes Sud, 1995) et 56 poètes pour Aragon, (Dumerchez, 1997). Des récits et des écrits sur le théâtre : Clémence, (Balland, 1999), Antoine Vitez, le roman du théâtre, (Balland, 2000), Sensò, la guerre, (Balland, 2002),
L'Inconnue de la Loire, (
La Table Ronde, 2004),
Les soupirants, (Éditions Virgile, 2005), "Antoine Vitez, professeur au Conservatoire", (les Voies de la création théâtrale, CNRS, 1981) "Le fil de la pelote" (Antoine Vitez metteur et scène et pédagogue), (Les Cahiers de la Comédie Française, 1992) et "Antoine Vitez, visage d’un poète", (Poésie 95).
Marie Etienne IN ENGLISH : The book “
King of a Hundred Horseman” (Farrar Strauss & Giroux, 2008) translated by Marilyn Hacker, winner of the 1st Robert Fagles Translation Prize.
K. Lorraine Graham: “
Terminal Humming” (
Edge Books, 2009), as well as the recording
“Moving Walkways” (
Narrowhouse Recordings, 2006). Chapbooks, including “And so for you there is no heartbreak” (
Dusie Kollektiv, 2008), “Diverse Speculations Descending Therefrom” (
Dusie Kollektiv, 2007), “See It Everywhere” (
Big Game Books, 2006), With Mark Wallace, 1994-2004 (Subpoetics Self-Publish or Perish, 2004), “
Dear [Blank] I Believe in Other Worlds” (
Phylum Press, 2003) and “It Does Not Go Back” (Subpoetics Self-Publish or Perish, 2002). “Large Waves to Large Obstacles” from
Take Home Project.
Marilyn Hacker: Essays on Departure: New & Selected Poems 1980-2006 (
Carcanet, UK, 2007), then at
W. W. Norton & Co:
Desesperanto: Poems 1999-2001, (2003),
First Cities: Collected Early Poems (2003)
Squares & Courtyards (2000),
Winter Numbers (1994), and Selected Poems, 1965-1990 (1994),
Love, Death, and the Changing of the Seasons: Poems (1995). Earlier works: Presentation Piece (Viking, 1974), Separations (Knopf, 1976), Taking Notice (Knopf, 1980), Assumptions (Knopf, 1985), and Going Back to the River (Random House, 1990). Section editor for France for the
collective anthology:
New European Poets (
Graywolf Press, 2008).
Translations: Marie Etienne's “
Roi des cent cavaliers / King of a Hundred Horsemen” (1st Robert Fagles Translation Prize, Farrar Strauss & Giroux, 2008); Guy Goffette’s Charlston Blues (Univeristy of Chicago Press, 2007); Vénus Khoury-Ghata’s
Nettles (
Graywolf Press) and
Alphabets of Sand (Carcanet Press, UK), Emmanuel Moses’
Last News of Mr Nobody : Selected Poems (
Other Press, 2004). 3 collections by Claire Malroux: Edge (Wake Forest UP, 1996), Birds & Bison (Sheep Meadow Press, 2005) & A Long Gone Sun (Sheep Meadow Press, 2000) and others of works by André Velter, Hédi Kaddour, Nicole Brossard, Marie Etienne, Anne Hébert, & Habib Tengour.
Marilyn Hacker en français: Fleuves et retours, traduit par Jean Migrenne, (Amiot-Lenganey éds, 1993), et
La Rue palimpseste, traduit par Claire Malroux, (éditions de
La Différence, 2004).
Adeena Karasick: Amuse Bouche: Tasty Treats for the Mouth (
Talonbooks 2009), The
House That Hijack Built (
Talonbooks, 2004),
The Arugula Fugues (
Zasterle Press, 2001),
Dyssemia Sleaze (Talonbooks, Spring 2000),
Genrecide (Talonbooks, 1996),
Mêmewars (Talonbooks, 1994), and
The Empress Has No Closure (
Talonbooks, 1992).
Virginie Lalucq : Couper les tiges (sur
ActMem/Comp'act, 2001),
Fortino Samano (avec Jean-Luc-Nancy,
Galilée 2004). Elle a participé à l'anthologie
Autres territoires, dirigée par Henri Deluy dans laquelle elle écrit « Cisailles, butée, copeaux ».
David Lespiau : Opération Lindbergh, (
Contrat Maint, 2002),
L’épreuve du Prussien, (
Le Bleu du ciel, 2003),
La poursuite de Tom, (
Farrago/Léo Scheer, 2003), La mort dans l’eau l’âme download (85 polaroïds de plage), (Spectres Familiers, 2003), Spirit II, (
Contrat Maint, 2004), [Autocuiseur], (éditions de l’Attente, H.C., 2004), La poule est un oiseau autodidacte, (éditions de l’Attente, 2005),
De l'électricité comme moteur, (éditions de l’Attente, 2006),
Réduction de la révolution la nuit, (
Contrat Maint, 2005), Quatre morcellements ou l'affaire du volume restitué, (Le Bleu du ciel, 2006), [or est un mot minuscule], (éditions de l’Attente, H.C. 2006),
La fille du département Fiction, (éditions de l’Attente, 2007), Scan de felo, (Amastra-N-Gallar, 2008), Supplément Celmins, (Little Single, 2008), Djinn jaune, (éditions de l’Attente, 2008), Peliqueiros, prose, (Amastra-N-Gallar, 2009),
Oh un lieu d’épuisement, (
Contrat maint, 2009),
Ouija-Board (
Héros-Limite , 2009--version américaine : Cole Swensen ; version allemande : Cosima Weiter). Sa Traduction de
Light travels, Keith & Rosmarie Waldrop, a été publié aux éditions de l’Attente, 2006.
Michelle Naka Pierce: Beloved Integer (BootStrap Press & PubLush, 2007) and a collaboration with Veronica Corpuz
TRI/VIA (
PUB LUSH & Erudite Fangs, 2003).
Chapbooks: As transient as square or inside 32 (
tir aux pigeons, 2008). In anthologies
For the Time Being: The Bootstrap Book of Poetic Journals and
Saints of Hysteria: A Half-Century of Collaborative American Poetry(Soft Skull Press, 2007).
Akilah Oliver: A Toast in the House of Friends (CoffeeHouse, 2009),
a(A)ugust (Yo-Yo Labs, 2007),
The Putterer’s Notebook (Belladonna, 2006), An Arriving Guard of Angels, Thusly Coming to Greet (Farfalla, 2004). Prose poetry
the she said dialogues: flesh memory (Smokeproof/Erudite Fangs, 1999) PEN American Center’s “Beyond Margins/Open Book” award. Critical study in performance theory on her performance group The Sacred Nature Nature Girls is found in
In Other Los Angeleses: Multicentric Performance Art, (Meiling Cheng, Univ. of CA Press, 2002).
Nicolas Pesquès: aux éditions André Dimanche : La face nord de Juliau, 1988, L’intégrale des chemins, 1993, La face nord de Juliau, deux, 1997, Madras, journal, 1997, La face nord de Juliau, trois, quatre, 2000, Gilles Aillaud, 2001, Non stop (Jan Voss), 2004, La face nord de Juliau, cinq, 2007, La face nord de Juliau, six, 2007. Aux éditions du Limon : Incarnation le simple, 1991, Un carré de 25 poèmes d’herbe, 1992, Trois poèmes: 1 No Where / 2 Bouquet / 3 Histégé, 1995, Réflexion (avec Anne Deguelle), 1999, Balises pour Jacques Dupin, Fourbis,1994, Réduction, Ed. de,1995, Sur Nicolas Pesquès, Revue Scherzo, numéro spécial 14/15, 2002.
Pesquès In English: Physis (Parlor/Free Press Editions, translated by Cole Swensen, ).
Chris Pusateri: Anon (
BlazeVOX Books, 2008) and
Berserker Alphabetics (
xPressed, 2003--available in pdf form online, just click the title here). Chapbooks: DC Poems (
Tir aux Pigeons, 2008), VI Fictions (Gong Press) and Flowers in Miniature (
Big Game Books, DC, 2006).
Martin Richet : Bureau vertical / Onze pour Table, (Les
Cahiers de la Seine, 2006). Traductions de Gertrude Stein, Stacy Doris, Robert Grenier, Hannah Wiener, Carla Harryman, Robert Creeley, Barrett Watten, Bruce Andrews, Alan Davies et Lyn Hejinian.
Gwenaëlle Stubbe: Le héros et sa créature (
le Cormier, 2002) ; L’incroyable histoire du grand Gelbe, pièce de théâtre co-écrite avec Laurence Vielle (l’Ambedui, 2000) ;
Un serpent de fumée, poésie illustrée par Camille de Taeye, préface de Marcel Moreau (éditions
la Pierre d’Alun, 1999) et
Salut salut Marxus (éditions
Al Dante, 2006).
Cole Swensen: Ours (Univ of CA, 2008),
The Glass Age (Alice James Books, 2007),
The Book of a Hundred Hands, (Univ of IA, 2005),
Goest (2004) which was a National Book Award finalist,
Such Rich Hour, (Univ of IA, 2001),
Oh, (
Apogee, 2000),
Try, (Univ. of IA, 1999), Noon (Sun & Moon Press, 1997, now at
Green Integer),
Numen (
Burning Deck, 1995), Park, (Floating Island, 1991), New Math, (William Morrow & Co., 1988), & It's Alive, She Says (Floating Island, 1984). Co-editor of the 2009 “American Hybrid” Norton Anthology. Translations of French poets: Nicolas Pesquès :
Physis (
Parlor Press, 2007), Jean Fremon : Island of the Dead (
Green Integer, PEN Translation award 2004), 4 books by Olivier Cadiot
Colonel Zoo (Green Integer),
Future, Former, Fugitive (Roof, 2003), Art Poetic (Sun & Moon, 1999), & Past Travels (1994); Pascalle Monnier :
Bayart (
Black Square Editions, 2002), Pierre Alferi :
Natural Gaits (Sun & Moon, 1995), & Jean Tortel’s Interrmittances II (1994).
SWENSEN En Français: Si riche heure, (
Corti, 2007, traduit par Maïtreyi et Nicholas Pesquès),
Nef, (
Les Petits Matins, 2005, traduit par Rémi Bouthonnier), Numen, (Créaphis, traduction collective, Fondation Royaumont, 1994), et Parc 1 et Parc 2, (Format Américain, 1995) traduit par Pierre Alferi.
George Vance: chapbooks
Bent Time (2006), and
Xmas Collage (2009) are available directly from the author.
Thomas Vercruysse: Théâtre, S'il est amour du pardon in Sans origine fixe (Théâtre du Pélican, SUC, 2006), Poésie Solennité du vide (éd.
Contre-allées, 2001) Profil du chant
(éd.Encres vives, 2005) et
Vertige de la flamme (éd.
L'Harmattan, 2008).
Mark Wallace: “
Felonies of Illusion” (Aerial/Edge Books, 2008), "
Nothing Happened and Besides I Wasn't There"(
Edge Books, 1999), “
Temporary Worker Rides A Subway”(
Green Integer, 2007 won the 2002 Gertrude Stein Poetry Award), “
Walking Dreams: Selected Early Tales” (
BlazeVox Books, 2007), “
Haze: Essays, Poems, Prose” (
Edge/Aerial Books, 2004), “Dead Carnival”. Along with Steven Marks, he edited “
Telling It Slant: Avant Garde Poetics of the 1990s” (
University of Alabama Press), a collection of 26 essays by different writers.
volumes of poetry, and is one of the most internationally acclaimed poets alive today. Best known for his use of unique orthography and for incorporating visual elements in his printed poetry, and his performances of “concrete sound” poetry, sound effects and chanting, critics have called him a visionary a linguistic mystic, shaman, prophet and a “one man civilization”, whose voice and words are featured on the Chemical Brothers award winning cd, We Are The Night. bissett is also a world renowned artist with recent shows in Whitbey Island, at the Rob Shouten Gallery in Washington State, The Cowichan Arts Center, Duncan BC as well as previous one person shows at The Vancouver Art Gallery Modern Fuel Kingston, Art Gallery Pteros Art Gallery Toronto, and The Upstairs Gallery in Toronto. His recent Cd’s are: “ths is erth thees ar peopul”, “luddites 86-91” and “deth interrupts th dansing” with Pete Dako. In 2007, bissett was awarded a lifetime achievement award from BC Bookworld; a lifetime of “work charged with the energy and formal ingenuity of enduring art". (Len Early) "bill bissett is a one-man civilization... he is a lesson to us all." -- James Reaney "bill bissett is my astral twin" -- Margaret Atwood "The greatest living poet today" -- Jack Kerouac on bill bissett, Paris Review For more, see the Bill Bissett HOME SITE: http://www.billbissett.com/
RACHEL BLAU DUPLESSIS: is the author of the long poem Drafts, begun in 1986, and collected most recently in two books published by Salt Publishing-- Pitch: Drafts 77-95 (2010) and The Collage Poems of Drafts (2011) Other volumes include Torques: Drafts 58-76 (Salt Publishing, 2007) as well as Drafts 1-38, Toll (Wesleyan U.P., 2001) and Drafts 39-57, Pledge, with Draft unnnumbered: Précis (Salt Publishing, 2004). Her forthcoming critical book (2012) is Purple Passages: Pound, Eliot, Zukofsky, Olson, Creeley and the Ends of Patriarchal Poetry from University of Iowa Press. In 2006, two books of her innovative essays were published: Blue Studios: Poetry and Its Cultural Work (2006), and the ground-breaking The Pink Guitar: Writing as Feminist Practice ([1990] 2006) both from University of Alabama Press. She has written several other critical books and co-edited three anthologies as well as editing The Selected Letters of George Oppen (1990). Her work in poetry and criticism has been translated into French, Italian, Spanish, Portuguese and Serbian, with book-length collections expected in French and Italian. A feature in Jacket2 on her work, edited by Patrick Pritchett, is going up in summer 2011, and will include considerations by Eric Keenaghan and Chris Tysh. Her websites are http://rachelblauduplessis.com/ as well as http://wings.buffalo.edu/epc/authors/duplessis
ADEENA KARASICK is an internationally acclaimed and award winning poet, media-artist and author of seven books of poetry and poetic theory, as well as 4 videopoems regularly showcased at International Film Festivals, including the audacious “I Got A Crush on Osama”, aired on Fox News. All her work is marked with an urban, Jewish, feminist aesthetic that continually challenges linguistic habits and normative modes of meaning production. For over 20 years her linguistically provocative, philosophically complex wordplay continues to excite audiences worldwide. She has recently been granted the “Exuberance is Beauty” Award for Amuse Bouche and the MPS Mobile Award for being the world’s first “Mobile Poet”, where her work is now on mobile devices (cell phones and smart phones and karaoke apparati throughout the world. Engaged with the art of combination and turbulence of thought, it is a testament to the creative and regenerative power of language and its infinite possibilities for pushing meaning to the limits of its semantic boundaries. Her writing has been described as "electricity in language" (Nicole Brossard), "plural, cascading, exuberant in its cross-fertilization of punning and knowing, theatre and theory" (Charles Bernstein) "a tour de force of linguistic doublespeak" (Globe and Mail) and "opens up the possibilities of reading" (Vancouver Courier). She lives, writes and teaches in New York City.
