tag:blogger.com,1999:blog-22153381803105728582024-03-04T21:05:17.844-08:00IVY WRITERS PARIS // Bilingual Reading Series // Lectures BilinguesMonthly bilingual experimental poetry reading series curated by Jennifer K. Dick and Michele Noteboom at Delaville Café and sometimes Berkeley Books of Paris // Cycle de lectures de poésie expérimentale bilingue mensuel au Delaville Café et parfois à la librairie Berkeley Books of Paris, co-organisé par Jennifer K. Dick et Michelle Noteboom. Unknownnoreply@blogger.comBlogger155125tag:blogger.com,1999:blog-2215338180310572858.post-12812280002098097282024-03-01T09:40:00.000-08:002024-03-01T09:40:11.088-08:00Ivy vous suggère le screening du filme Richard Dailey: inciting revery <p><span style="color: white; font-family: arial;">Due to an unexpected absence, the reading that had been planned for the 12th of March is rescheduled. However, we strongly suggest that you consider attending the screening of "Richard Daily: Insciting"</span></p><p><span style="color: #444444; font-family: arial;">Lecture IWP du 12 mars 2024 rapporté. Mais on vous suggère fortement la soirée de présentation du filme "Richard Daily: Inciting"</span></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2SLuIJlzWERt3_NVA8WySUi3JWgTcIsdSTEyaQJxX0LTWqyWpDHfYEMGCaUSbyaaPBWRZ6G5Mm6jRwJUmQfyG-sjFugGR2Hp2AXt-wi46_ZATr-9nWfsoUvaLoQjxGkBRhdkWA74PyQAn_wdzfnKHV-4BBIVTf2NsiXg7Ik_A95WzoJ2li0ubme1-1N8R/s800/inciting-revery_A5-flyer-1.jpg" imageanchor="1" style="font-family: arial; margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="564" data-original-width="800" height="452" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2SLuIJlzWERt3_NVA8WySUi3JWgTcIsdSTEyaQJxX0LTWqyWpDHfYEMGCaUSbyaaPBWRZ6G5Mm6jRwJUmQfyG-sjFugGR2Hp2AXt-wi46_ZATr-9nWfsoUvaLoQjxGkBRhdkWA74PyQAn_wdzfnKHV-4BBIVTf2NsiXg7Ik_A95WzoJ2li0ubme1-1N8R/w640-h452/inciting-revery_A5-flyer-1.jpg" width="640" /></a></div><span style="font-family: arial;"> <span style="font-size: large;"><b style="color: #ffe599;">Le 12 mars 2024, 18h30- 21h (<span>screening from </span>19h30-20h05)</b></span></span><p></p><div style="text-align: center;"><span style="font-family: arial; font-size: large;"><b style="color: #ffe599;">entrée libre</b></span></div><div style="text-align: center;"><span style="font-family: arial; font-size: large;"><span style="color: #ffe599;"><b>Les Voûtes<br clear="none" /></b></span></span></div><div style="color: black; text-align: center;"><span style="font-family: arial; font-size: large;"><b style="color: #ffe599;">19 Rue des Frigos, 75013 Paris</b></span></div><div><span style="color: #26282a; font-family: arial;"> </span></div><div><span style="color: #26282a; font-family: arial;">Organisé par PARIS HERETICS</span><span style="font-family: arial;"><br clear="none" /></span></div><div dir="ltr" style="font-size: 13px;"><span style="font-family: arial;">We are thrilled to invite you to the premiere screening of our first short film,<span style="font-size: large;"><b> <i>Richard Dailey: inciting revery</i>, which will take place on Tuesday, March 12th</b> at Les <span><span style="color: black;">Voûtes<b> </b></span></span>in Paris. //<span style="color: #134f5c;"> </span></span><span style="color: #444444; font-size: small;">Nous sommes ravis de vous inviter à la première de notre </span><span style="color: #444444; font-size: x-large;"><b>premier court métrage, <i>Richard Dailey : inciter à la rêverie</i>, qui aura lieu le mardi 12 mars</b> <span>à </span>Les Voûtes à Paris.</span></span></div><div dir="ltr" style="font-size: 13px;"><span style="font-family: arial;"><br clear="none" /></span></div><div dir="ltr" style="font-size: 13px;"><span style="font-family: arial;">The film was born from our <i>Heretics Interviews</i>
series, in which we film short video interviews featuring the artists
with whom we've worked. But as we were preparing to shoot his, Richard
Dailey made the decision to leave Paris for a house in Le Lot, in the
south of France. Moved by the loss of this poet, artist, and friend,
from our Paris scene, we followed him to the countryside, to conduct the
interview amidst his newly chosen surroundings. To ask him why he'd
left us, and what he'd found where he'd gone. Our questions opened up
more territory than we could cover in our traditional format, so the
project expanded into this, a half-hour documentary short. Richard was
generous enough to invite us candidly into his life, his art, his
studio. And we are proud to invite all of you to ride along with us as
we learn what led an American artist who'd spent nearly 40 years in
Paris, to write his next chapter in the tiny village of <span>Saint-Vincent-du-Pendit. ///<span style="color: #444444;"> </span></span><span style="color: #444444; font-size: small;">Le film fait partie de notre série <i>Heretics Interviews</i>,
dans laquelle nous filmons de courtes interviews vidéo mettant en
vedette les artistes avec lesquels nous avons travaillé. Mais alors que
nous nous préparions à tourner le sien, Richard Dailey a pris la
décision de quitter Paris pour une maison dans Le Lot, dans le sud de la
France. Ému par la perte de ce poète, artiste et ami de notre scène
parisienne, nous l'avons suivi à la campagne, pour mener l'entretien
dans son nouvel environnement choisi. Pour lui demander pourquoi il nous
avait quittés et ce qu'il avait trouvé là où il était allé. <span>Nos questions ont débordé le cadre de notre format traditionnel</span>, l<span>e projet s'est donc étendu à un court métrage </span>documentaire d'une demi-heure. Richard a eu la générosité de nous inviter dans sa vie, son art, son atelier. Et <span>nous sommes fiers de vous inviter à découvrir ce qui a conduit un artiste américain</span> qui a passé près de 40 ans à Paris à écrire son prochain chapitre dans le petit village de Saint-Vincent-du-Pendit</span><span style="color: #134f5c; font-size: small;">.</span></span></div><div dir="ltr" style="font-size: 13px;"><span style="font-family: arial;"><br clear="none" /></span></div><div dir="ltr" style="font-size: 13px;"><span style="font-family: arial;">The
film will be preceded by the premiere screening of a 2-minute video
clip produced by Paris Heretics for Richard's poem "I almost got away."
Both films will be shown in their original English version, with
subtitles in French. ///<br /></span><div dir="ltr"><span style="color: #444444; font-family: arial; font-size: small;">Le film sera précédé de la projection en
avant-première d'une vidéo clip de 2 minutes produite par Paris Heretics
pour le poème de Richard "Je m'en suis presque échappé". <span>Les deux films seront projetés en version originale anglaise, sous-titrés en français.</span></span></div><div><span style="font-family: arial; font-size: x-small;"><br /></span></div></div><div dir="ltr" style="font-size: 13px;"><span style="font-family: arial;"><b><span style="font-size: large;">Doors will open at 18h30,
</span></b>and the screening will begin at 19h30 sharp. Lights will go down for
the screening, and the door to the salle will close, so we hope you'll
join us a bit earlier for a drink before the film. Afterwards, we invite
you to stay for a brief Q&A, music, and regional refreshments from
Le Lot. The event is free and open to the public.//<span style="color: #444444; font-size: large;"><b>Les portes ouvriront à 18h30 et la projection
débutera à 19h30 précises.</b></span><span style="color: #444444; font-size: x-small;"> </span><span style="color: #444444; font-size: small;">Les lumières s'éteindront pour la projection
et la porte de la salle se fermera, nous espérons donc que vous nous
rejoindrez un peu plus tôt pour prendre un verre avant le film. Ensuite,
nous vous invitons à rester pour une brève séance de
questions-réponses, de la musique et des <span>rafraîchissements régionaux du Lot</span>. L'événement est gratuit et ouvert au public.</span></span></div><div dir="ltr" style="font-size: 13px;"><span style="font-family: arial;"><br clear="none" /></span></div><div style="font-size: 13px;"><div><span style="font-family: arial;"><br clear="none" /></span></div><div><div dir="ltr" style="color: black; font-size: 16px;"><i style="font-family: arial;"><b>I almost got away</b></i></div><div dir="ltr" style="color: black; font-size: 16px;"><span style="font-family: arial;">vostfr 2m09</span></div><div dir="ltr" style="color: black; font-size: 16px;"><span style="font-family: arial;"><br clear="none" /></span></div><div dir="ltr" style="color: black; font-size: 16px;"><b style="font-family: arial;"><i>Richard Dailey: inciting revery</i></b></div><div dir="ltr" style="color: black; font-size: 16px;"><span style="font-family: arial;">vostfr 32m43</span></div><div dir="ltr" style="color: black; font-size: 16px;"><span style="font-family: arial;"><br clear="none" /></span></div><div dir="ltr" style="color: black; font-size: 16px;"><span style="font-family: arial;"><br clear="none" /></span></div><div dir="ltr" style="color: black; font-size: 16px;"><b style="font-family: arial;">Le 12 mars 2024, 18h30- 21h (<span>screening from </span>19h30-20h05)</b></div><div dir="ltr" style="color: black; font-family: Helvetica Neue,Helvetica,Arial,sans-serif; font-size: 16px;"><b style="font-family: arial;">entrée libre</b></div><div dir="ltr" style="color: black; font-family: Helvetica Neue,Helvetica,Arial,sans-serif; font-size: 16px;"><b>Les Voûtes<br clear="none" /></b></div><div dir="ltr" style="color: black; font-family: Helvetica Neue,Helvetica,Arial,sans-serif; font-size: 16px;"><b>19 Rue des Frigos, 75013 Paris</b></div></div></div><div dir="ltr" style="color: black; font-family: Helvetica Neue,Helvetica,Arial,sans-serif; font-size: 16px;"><br clear="none" /></div><div dir="ltr" style="color: black; font-family: Helvetica Neue,Helvetica,Arial,sans-serif;"><span style="font-size: x-small;">Event page: </span><a data-saferedirecturl="https://www.google.com/url?q=https://www.facebook.com/events/1135681837458214&source=gmail&ust=1709395156058000&usg=AOvVaw27g0yk98kQ-DtZxwA-YX-3" href="https://www.facebook.com/events/1135681837458214" rel="nofollow" shape="rect" style="font-size: 13px;" target="_blank">https://www.facebook.<wbr></wbr>com/events/1135681837458214</a></div><p> </p><p><br /></p><p><br /></p><p align="justify"> </p>Jennifer K Dickhttp://www.blogger.com/profile/14819275106754521715noreply@blogger.com0tag:blogger.com,1999:blog-2215338180310572858.post-90172518447079369862024-01-31T09:46:00.000-08:002024-01-31T09:46:20.755-08:00Lecture le 6 février avec Laura Mullen, Lenaïg Cariou et Emilien Chesnot à Paris<!--[if gte mso 9]><xml>
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<p align="center" class="MsoNormal" style="text-align: center;"><b style="color: #93c47d;"><i style="mso-bidi-font-style: normal;"><span lang="FR" style="font-size: 18pt;">IVY Writers
Paris vous invite à une soirée de lectures </span></i></b></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b style="color: #93c47d;"><i style="mso-bidi-font-style: normal;"><span lang="FR" style="font-size: 18pt;">Le 6 février
2024 à 19h30 avec les auteurs</span></i></b></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b style="color: #f1c232;"><i style="mso-bidi-font-style: normal;"><span lang="FR" style="font-size: 22pt;">Laura Mullen</span></i></b></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b style="color: #f1c232;"><i style="mso-bidi-font-style: normal;"><span lang="FR" style="font-size: 22pt;">Emilien Chesnot</span></i></b></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b style="color: #f1c232;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 22pt;">et Lenaïg Cariou</span></i></b></p>
<p align="center" class="MsoNormal" style="text-align: center;"><span style="font-size: 9.0pt; mso-ansi-language: EN-US;">You are invited to an evening
of poetry readings in English and French with visiting authors</span></p>
<p align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; margin-left: -7.1pt; margin-right: -7.2pt; margin-top: 0cm; text-align: center;"><b style="mso-bidi-font-weight: normal;"><span style="font-size: 9.0pt; mso-ansi-language: EN-US;">Laura Mullen (USA), Lenaïg Cariou (coming in from Berlin) & Emilien
Chesnot (FR)</span></b><span style="font-size: 9.0pt; mso-ansi-language: EN-US;">. </span></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAg75jyKGClqheeuXsKuUVZCPvE1jjOQhjrvbs1NeFhjgNtYv_a_HxevzwmoZT7YxsWsbnBEb71hn1vQhPDMic0oCR7hxXjjlo3EZ3sI3lQFkfHBkvIhjZOIEPb0FXC38vzmkTRUCopCS_YrVR6QyQYu78ebKa5f8l0BJr0K-miWlRoWy_FzA0RU9t5rVD/s585/Ivy%206%20f%C3%A9vrier%20image.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="258" data-original-width="585" height="282" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAg75jyKGClqheeuXsKuUVZCPvE1jjOQhjrvbs1NeFhjgNtYv_a_HxevzwmoZT7YxsWsbnBEb71hn1vQhPDMic0oCR7hxXjjlo3EZ3sI3lQFkfHBkvIhjZOIEPb0FXC38vzmkTRUCopCS_YrVR6QyQYu78ebKa5f8l0BJr0K-miWlRoWy_FzA0RU9t5rVD/w640-h282/Ivy%206%20f%C3%A9vrier%20image.jpg" width="640" /></a></div><br /><p></p><p><!--[if gte mso 9]><xml>
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</p><p class="MsoNormal"><b><span style="color: #0b5394;"><span lang="FR"><span style="font-size: large;">6 février 2024 à 19h30</span></span></span></b><span lang="FR"><span style="mso-spacerun: yes;"> </span> à : Delaville Café, boulevard Bonne
Nouvelle, 75010</span></p>
<p class="MsoNormal" style="margin-left: 70.8pt; text-indent: 35.4pt;"><span lang="FR"><span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span><span style="mso-bidi-font-weight: bold;">Paris M° Bonne nouvelle (ligne 8 or 9) </span></span></p>
<p class="MsoNormal"><span style="mso-ansi-language: EN-US;"><span style="mso-spacerun: yes;">
</span></span><span lang="FR">RDv au bar avant de monter au 1er! </span><span style="mso-ansi-language: EN-US;">Meet at bar for drinks!</span></p>
<p class="MsoNormal"><span style="mso-ansi-language: EN-US;"> </span></p>
<p class="MsoNormal"><span lang="ES" style="font-size: 16.0pt; mso-ansi-language: ES;">BIOS:</span></p>
<p class="MsoNormal" style="text-align: center;"><b><span lang="FR" style="color: #f1c232;"><span style="font-size: x-large;">Lénaïg Cariou</span></span></b><span lang="FR" style="font-size: 16.0pt;"> </span></p><p class="MsoNormal" style="text-align: justify;"><span lang="FR" style="font-size: 16.0pt;">est auteure, traductrice et chercheuse qui résident
entre Berlin et Paris. Elle a deux livres qui vont paraître en 2024 –</span><i><span lang="FR" style="font-size: 16.0pt; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";"> A main levée</span></i><span lang="FR" style="font-size: 16.0pt; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";"> (LansKine) and <i>les dires </i>(POL). </span><span lang="FR" style="font-size: 16.0pt;">En parallèle d’une thèse en poésie
contemporaine à l’Université Paris 8, elle a cofondé en 2019 le collectif de
traduction queerféministe. Connexion Limitée avec qui elle traduit de la poésie
états-unienne en français, et inversement ; elles ont publié récemment
Mónica de la Torre, <em><span style="font-family: "Cambria",serif; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">The Happy End / Bienvenue à
tous</span></em> (Joca Seria, 2022), Eleni Sikelianos, <em><span style="font-family: "Cambria",serif; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">Ce que j’ai connu</span></em> (L’usage, 2023)
et, à paraître en 2024 : </span><span lang="FR" style="font-size: 16.0pt; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";">Andrienne
Rich (<i>Le rêve d'un langage commun</i>, L'Arche)</span><span lang="FR" style="font-size: 16.0pt;">. Elle a également coorganisé le Festival
Poet.e.s.s.e.s* (Paris, mais 2021) et a codirigé la revue <em><span style="font-family: "Cambria",serif; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">Point de chute</span></em> de 2020 à 2022. Ses
poèmes et traductions paraissent régulièrement en revues en Europe et en
Amérique du nord (<em><span style="font-family: "Cambria",serif; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">Po&sie, Sève, Sabir,
Loop, Radical(e), Jef Klak, Parmenar Online, Le Pied, L’écharde, Lychen,
Olga…). </span></em><em><span style="font-family: "Cambria",serif; font-style: normal; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;"></span></em></span></p>
<p class="MsoNormal" style="text-align: center;"><em><b><span style="font-family: "Cambria", serif; font-style: normal;"><span style="color: #f1c232; font-size: x-large;">Laura
Mullen</span></span></b></em></p><p class="MsoNormal" style="text-align: justify;">Mullen's <span style="font-size: 16.0pt; mso-ansi-language: EN-US;">collections of poetry include
<em><span style="font-family: "Cambria",serif; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">EtC</span></em><strong><span style="font-family: "Cambria",serif; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;"> <span style="mso-spacerun: yes;"> </span></span></strong><strong><span style="font-family: "Cambria",serif; font-weight: normal; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">(Solid Objects, November
2023),</span></strong><strong><span style="font-family: "Cambria",serif; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;"> </span></strong><cite><span style="font-family: "Cambria",serif; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">Complicated Grief</span></cite><span class="ouvrage">, (Solid Objects, 2015),</span></span><span style="font-size: large;"><cite><span style="font-family: "Cambria",serif; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;"> </span></cite><em><span style="font-family: "Cambria",serif; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">Enduring Freedom </span></em>(<span class="ouvrage">Otis Books /
Seismicity Editions,</span> 2012), <em><span style="font-family: "Cambria",serif; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">Dark
Archive </span></em>(U of CA Press, 2011), <em><span style="font-family: "Cambria",serif; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">Murmur </span></em>(Futurepoem,
2007), <em><span style="font-family: "Cambria",serif; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">Subject </span></em>(U of CA Press, 2005), <em><span style="font-family: "Cambria",serif; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">After I Was Dead </span></em>(U of GA Press, 1999),
<em><span style="font-family: "Cambria",serif; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">The Tales of Horror </span></em>(U of IL Press,
1999), and<em><span style="font-family: "Cambria",serif; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;"> The Surface </span></em>(1991),
which was a National Poetry Series selection. Known for writing book-length and
hybrid texts, Mullen’s work has been praised for its wild invention and play.
Her poems are included in anthologies such as <em><span style="font-family: "Cambria",serif; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">American Hybrid </span></em>(2009), <em><span style="font-family: "Cambria",serif; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">The Arcadia Project: North American Postmodern Pastoral </span></em>(2012),
and <em><span style="font-family: "Cambria",serif; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">I’ll Drown my Book: Conceptual Writing by Women
</span></em>(2012), among others<em><span style="font-family: "Cambria",serif; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">. </span></em>The
composer Jason Eckardt’s setting of her poem “The Distance (This)” was released
as <em><span style="font-family: "Cambria",serif; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">Undersong </span></em>by Mode records in 2011. Mullen’s
many honors and awards include foundations from the National Endowment for the
Arts, the Rona Jaffe Foundation, and the MacDowell Colony. She is the recipient
of the Ironwood’s Stanford Prize and a Creative Writing special interest
delegate for the Modern Language Association. Mullen teaches in the Summer
Writing Program at the Jack Kerouac School of Disembodied Poets at Naropa and was
the Kenan Chair in the Humanities at Wake Forest University until the end of
December. She has also translated works from French, including, most recently
Heros by Véronique Pittolo. For more, consult her webpage: <span lang="FR"><a href="https://www.lauramullen.biz/index.htm"><span lang="EN-US">https://www.lauramullen.biz/index.htm</span></a></span></span><span lang="FR" style="font-size: 16.0pt; mso-ansi-language: EN-US;"> </span><span style="font-size: 16.0pt; mso-ansi-language: EN-US;"></span></p>
<p class="MsoNormal" style="text-align: center;"><span style="color: #f1c232; font-size: x-large;"><b><span lang="FR">Emilien Chesnot</span></b><span lang="FR"> </span></span></p><p class="MsoNormal" style="text-align: justify;"><span style="color: #f1c232; font-size: x-large;"><span lang="FR"> </span></span><span style="color: white;"><span lang="FR" style="font-size: 16pt;">« a exercé contractuellement à
Rennes la charge de la mise à jour des registres d'état civil par l'apposition
de mentions en marge des actes. » <span style="mso-spacerun: yes;"> </span>Comme
Michelle Grangaud (<i>Etat civil, </i>P.O.L, 1998), il ne croit pas que
nous « ayons un nom ». « Avoir un nom » ? un rapport « grammaticalement,
logiquement frelaté », écrit-il.</span><span lang="FR" style="font-size: 16pt;"> </span><span lang="FR" style="font-size: 16pt;">Emilien
Chesnot, né en 1991, vient d'achever la rédaction d'un livre dédié à l'état
civil. </span></span><span lang="FR" style="color: black; font-size: 16.0pt; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";"><span style="mso-spacerun: yes;"> </span></span><span lang="FR" style="color: white; font-size: 16pt;">Un premier livre, avec l’artiste : Dominique Lardeux,
intitulé <em><span style="font-family: "Cambria",serif; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">faiblesse d’un seul</span></em>,
est paru en 2015 aux éditions Centrifuges, suivi d’<em><span style="font-family: "Cambria",serif; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">il est un air</span></em> aux éditions Aencrages&Co avec
l’artiste : Jean-Noël Bachès en 2016 et ensuite <em><span style="font-family: "Cambria",serif; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">In/carne</span></em> – avec l’artiste : Gilles du Bouchet (éditions
Æncrages & Co –2020), Et tout récemment, <em><span style="font-family: "Cambria",serif; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">Fentanyl
flowers</span></em> (éditions Théâtre Typographique – 2022),. </span><span lang="FR" style="color: white; font-size: 16pt;">Dernier livre
paru : <i>lem ouch</i>, supplément à la revue <i>niqui causse</i>.
Ses textes ont également paru dans d’autres revues, </span><span style="color: white;"><em><span lang="FR" style="font-family: "Cambria",serif; font-size: 16.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">Ouste</span></em><span lang="FR" style="font-size: 16.0pt;">, <em><span style="font-family: "Cambria",serif; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">Remue.net</span></em>,
<em><span style="font-family: "Cambria",serif; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">N47</span></em>, <em><span style="font-family: "Cambria",serif; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">Plexus-S, </span></em><i>Sitaudis</i>. et </span><span lang="FR" style="font-size: 16pt;">en français et en traduction en anglais par
Michelle Noteboom (co-fondatrice d’Ivy Writers Paris) dans <i>Senna Hoy.</i></span></span></p>
<p> </p><p align="justify"> </p>Jennifer K Dickhttp://www.blogger.com/profile/14819275106754521715noreply@blogger.com0tag:blogger.com,1999:blog-2215338180310572858.post-81476743393836355432023-11-08T19:24:00.001-08:002023-11-08T19:27:51.000-08:00Reading in English with Ivy and the Red Wheelbarrow on Nov 14th 2023<p>Ivy Writers Paris apologizes for the odd format of our blog. I will be trying to get this repaired. But please take note of our upcoming event:</p><p><br /></p><p>
</p><p style="direction: ltr; language: en-US; margin-bottom: 0pt; margin-left: 0in; margin-top: 0pt; mso-line-break-override: none; punctuation-wrap: hanging; text-align: center; unicode-bidi: embed; word-break: normal;"><span style="color: black; font-family: Calibri; font-size: 24pt; font-weight: bold; language: fr; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: +mn-cs; mso-bidi-theme-font: minor-bidi; mso-color-index: 1; mso-fareast-font-family: +mn-ea; mso-fareast-theme-font: minor-fareast; mso-font-kerning: 12.0pt; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: black; mso-style-textfill-fill-themecolor: text1; mso-style-textfill-type: solid;">IVY </span><span style="color: black; font-family: Calibri; font-size: 24pt; font-weight: bold; language: fr; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: +mn-cs; mso-bidi-theme-font: minor-bidi; mso-color-index: 1; mso-fareast-font-family: +mn-ea; mso-fareast-theme-font: minor-fareast; mso-font-kerning: 12.0pt; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: black; mso-style-textfill-fill-themecolor: text1; mso-style-textfill-type: solid;">Writers</span><span style="color: black; font-family: Calibri; font-size: 24pt; font-weight: bold; language: fr; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: +mn-cs; mso-bidi-theme-font: minor-bidi; mso-color-index: 1; mso-fareast-font-family: +mn-ea; mso-fareast-theme-font: minor-fareast; mso-font-kerning: 12.0pt; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: black; mso-style-textfill-fill-themecolor: text1; mso-style-textfill-type: solid;">
Paris invites </span><span style="color: black; font-family: Calibri; font-size: 24pt; font-weight: bold; language: fr; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: +mn-cs; mso-bidi-theme-font: minor-bidi; mso-color-index: 1; mso-fareast-font-family: +mn-ea; mso-fareast-theme-font: minor-fareast; mso-font-kerning: 12.0pt; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: black; mso-style-textfill-fill-themecolor: text1; mso-style-textfill-type: solid;">you</span><span style="color: black; font-family: Calibri; font-size: 24pt; font-weight: bold; language: fr; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: +mn-cs; mso-bidi-theme-font: minor-bidi; mso-color-index: 1; mso-fareast-font-family: +mn-ea; mso-fareast-theme-font: minor-fareast; mso-font-kerning: 12.0pt; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: black; mso-style-textfill-fill-themecolor: text1; mso-style-textfill-type: solid;"> to </span><span style="color: black; font-family: Calibri; font-size: 24pt; font-weight: bold; language: fr; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: +mn-cs; mso-bidi-theme-font: minor-bidi; mso-color-index: 1; mso-fareast-font-family: +mn-ea; mso-fareast-theme-font: minor-fareast; mso-font-kerning: 12.0pt; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: black; mso-style-textfill-fill-themecolor: text1; mso-style-textfill-type: solid;">join</span><span style="color: black; font-family: Calibri; font-size: 24pt; font-weight: bold; language: fr; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: +mn-cs; mso-bidi-theme-font: minor-bidi; mso-color-index: 1; mso-fareast-font-family: +mn-ea; mso-fareast-theme-font: minor-fareast; mso-font-kerning: 12.0pt; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: black; mso-style-textfill-fill-themecolor: text1; mso-style-textfill-type: solid;"> us
at RED WHEELBARROW on </span><span style="color: #eeeeee; font-family: Calibri; font-size: 28pt; font-weight: bold;">November</span><span style="color: #eeeeee; font-family: Calibri; font-size: 28pt; font-weight: bold;">
</span><span style="color: #eeeeee; font-family: Calibri; font-size: 28pt; font-weight: bold;">14th</span><span style="color: #eeeeee; font-family: Calibri; font-size: 28pt; font-weight: bold;">
a</span><span style="color: #eeeeee; font-family: Calibri; font-size: 28pt; font-weight: bold;">t
18h30</span><span style="color: #c00000; font-family: Calibri; font-size: 28pt; font-weight: bold; language: fr; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: +mn-cs; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: +mn-ea; mso-fareast-theme-font: minor-fareast; mso-font-kerning: 12.0pt; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #C00000; mso-style-textfill-type: solid;">
</span></p>
<p style="direction: ltr; language: en-US; margin-bottom: 0pt; margin-left: 0in; margin-top: 0pt; mso-line-break-override: none; punctuation-wrap: hanging; text-align: left; unicode-bidi: embed; word-break: normal;"><span style="color: black; font-family: Calibri; font-size: 24pt; font-weight: bold; language: fr; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: +mn-cs; mso-bidi-theme-font: minor-bidi; mso-color-index: 1; mso-fareast-font-family: +mn-ea; mso-fareast-theme-font: minor-fareast; mso-font-kerning: 12.0pt; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: black; mso-style-textfill-fill-themecolor: text1; mso-style-textfill-type: solid;">for an </span><span style="color: black; font-family: Calibri; font-size: 24pt; font-weight: bold; language: fr; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: +mn-cs; mso-bidi-theme-font: minor-bidi; mso-color-index: 1; mso-fareast-font-family: +mn-ea; mso-fareast-theme-font: minor-fareast; mso-font-kerning: 12.0pt; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: black; mso-style-textfill-fill-themecolor: text1; mso-style-textfill-type: solid;">evening</span><span style="color: black; font-family: Calibri; font-size: 24pt; font-weight: bold; language: fr; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: +mn-cs; mso-bidi-theme-font: minor-bidi; mso-color-index: 1; mso-fareast-font-family: +mn-ea; mso-fareast-theme-font: minor-fareast; mso-font-kerning: 12.0pt; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: black; mso-style-textfill-fill-themecolor: text1; mso-style-textfill-type: solid;"> of </span><span style="color: black; font-family: Calibri; font-size: 24pt; font-weight: bold; language: fr; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: +mn-cs; mso-bidi-theme-font: minor-bidi; mso-color-index: 1; mso-fareast-font-family: +mn-ea; mso-fareast-theme-font: minor-fareast; mso-font-kerning: 12.0pt; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: black; mso-style-textfill-fill-themecolor: text1; mso-style-textfill-type: solid;">poetry</span><span style="color: black; font-family: Calibri; font-size: 24pt; font-weight: bold; language: fr; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: +mn-cs; mso-bidi-theme-font: minor-bidi; mso-color-index: 1; mso-fareast-font-family: +mn-ea; mso-fareast-theme-font: minor-fareast; mso-font-kerning: 12.0pt; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: black; mso-style-textfill-fill-themecolor: text1; mso-style-textfill-type: solid;"> </span><span style="color: black; font-family: Calibri; font-size: 24pt; font-weight: bold; language: fr; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: +mn-cs; mso-bidi-theme-font: minor-bidi; mso-color-index: 1; mso-fareast-font-family: +mn-ea; mso-fareast-theme-font: minor-fareast; mso-font-kerning: 12.0pt; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: black; mso-style-textfill-fill-themecolor: text1; mso-style-textfill-type: solid;">with</span><span style="color: black; font-family: Calibri; font-size: 24pt; font-weight: bold; language: fr; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: +mn-cs; mso-bidi-theme-font: minor-bidi; mso-color-index: 1; mso-fareast-font-family: +mn-ea; mso-fareast-theme-font: minor-fareast; mso-font-kerning: 12.0pt; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: black; mso-style-textfill-fill-themecolor: text1; mso-style-textfill-type: solid;">
LEONARD SCHWARTZ</span></p><p style="direction: ltr; language: en-US; margin-bottom: 0pt; margin-left: 0in; margin-top: 0pt; mso-line-break-override: none; punctuation-wrap: hanging; text-align: left; unicode-bidi: embed; word-break: normal;"><span style="color: black; font-family: Calibri; font-size: 24pt; font-weight: bold; language: fr; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: +mn-cs; mso-bidi-theme-font: minor-bidi; mso-color-index: 1; mso-fareast-font-family: +mn-ea; mso-fareast-theme-font: minor-fareast; mso-font-kerning: 12.0pt; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: black; mso-style-textfill-fill-themecolor: text1; mso-style-textfill-type: solid;"> </span></p><p style="direction: ltr; language: en-US; margin-bottom: 0pt; margin-left: 0in; margin-top: 0pt; mso-line-break-override: none; punctuation-wrap: hanging; text-align: left; unicode-bidi: embed; word-break: normal;"><span style="color: black; font-family: Calibri; font-size: 24pt; font-weight: bold; language: fr; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: +mn-cs; mso-bidi-theme-font: minor-bidi; mso-color-index: 1; mso-fareast-font-family: +mn-ea; mso-fareast-theme-font: minor-fareast; mso-font-kerning: 12.0pt; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: black; mso-style-textfill-fill-themecolor: text1; mso-style-textfill-type: solid;"></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirofoIl2cgUKtgYhDXMEIfG-IcFWV_QynOksgYc-XGid8N7dlrydE6WoonBaEfnkZk5YB8RGYwKPYYvvVxdVXT4bY8XO6vtiPA_0ZQGmqD5kwrmJNST-pJ92uXuG5RASl8LYRRnnTVvAcNsmA5V3AjmEZ_dn6Joykhq7WaUEGPUl0eZk9msEmetG7yIbpz/s1500/web_Leonard_P0A9720.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirofoIl2cgUKtgYhDXMEIfG-IcFWV_QynOksgYc-XGid8N7dlrydE6WoonBaEfnkZk5YB8RGYwKPYYvvVxdVXT4bY8XO6vtiPA_0ZQGmqD5kwrmJNST-pJ92uXuG5RASl8LYRRnnTVvAcNsmA5V3AjmEZ_dn6Joykhq7WaUEGPUl0eZk9msEmetG7yIbpz/s320/web_Leonard_P0A9720.jpg" width="213" /> </a></div><div class="separator" style="clear: both; text-align: center;">AT: RED Wheelbarrow Bookshop</div><div class="separator" style="clear: both; text-align: center;">7/11 rue de Medicis, 75006 Paris</div><div class="separator" style="clear: both; text-align: center;">M°Cluny/Odéon or RER Luxembourg</div><div class="separator" style="clear: both; text-align: center;"> <br /></div><div class="separator" style="clear: both; text-align: center;">BIO</div><div class="separator" style="clear: both; text-align: center;">
<p style="direction: ltr; language: en-US; margin-bottom: 0pt; margin-left: 0in; margin-top: 0pt; mso-line-break-override: none; punctuation-wrap: hanging; text-align: justify; text-justify: inter-ideograph; unicode-bidi: embed; word-break: normal;"><span style="color: #fbe5d6; font-family: "Times New Roman"; font-size: 14pt; font-weight: bold; language: en-US; mso-ascii-font-family: "Times New Roman"; mso-bidi-font-family: +mn-cs; mso-bidi-theme-font: minor-bidi; mso-color-index: 5; mso-fareast-font-family: "Times New Roman"; mso-font-kerning: 12.0pt; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #FBE5D6; mso-style-textfill-fill-colortransforms: "lumm=20000 lumo=80000"; mso-style-textfill-fill-themecolor: accent2; mso-style-textfill-type: solid;">Leonard Schwartz </span><span style="color: #fbe5d6; font-family: "Times New Roman"; font-size: 14pt; language: en-US; mso-ascii-font-family: "Times New Roman"; mso-bidi-font-family: +mn-cs; mso-bidi-theme-font: minor-bidi; mso-color-index: 5; mso-fareast-font-family: "Times New Roman"; mso-font-kerning: 12.0pt; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #FBE5D6; mso-style-textfill-fill-colortransforms: "lumm=20000 lumo=80000"; mso-style-textfill-fill-themecolor: accent2; mso-style-textfill-type: solid;">is the
author of numerous books of poetry, including, most recently, </span><span style="color: #fbe5d6; font-family: "Times New Roman"; font-size: 14pt; font-style: italic; language: en-US; mso-ascii-font-family: "Times New Roman"; mso-bidi-font-family: +mn-cs; mso-bidi-theme-font: minor-bidi; mso-color-index: 5; mso-fareast-font-family: "Times New Roman"; mso-font-kerning: 12.0pt; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #FBE5D6; mso-style-textfill-fill-colortransforms: "lumm=20000 lumo=80000"; mso-style-textfill-fill-themecolor: accent2; mso-style-textfill-type: solid;">Actualities I: Transparent, to the Stone, Actualities
II and III: Two Burned Hotels</span><span style="color: #fbe5d6; font-family: "Times New Roman"; font-size: 14pt; language: en-US; mso-ascii-font-family: "Times New Roman"; mso-bidi-font-family: +mn-cs; mso-bidi-theme-font: minor-bidi; mso-color-index: 5; mso-fareast-font-family: "Times New Roman"; mso-font-kerning: 12.0pt; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #FBE5D6; mso-style-textfill-fill-colortransforms: "lumm=20000 lumo=80000"; mso-style-textfill-fill-themecolor: accent2; mso-style-textfill-type: solid;">, and</span><span style="color: #fbe5d6; font-family: "Times New Roman"; font-size: 14pt; font-style: italic; language: en-US; mso-ascii-font-family: "Times New Roman"; mso-bidi-font-family: +mn-cs; mso-bidi-theme-font: minor-bidi; mso-color-index: 5; mso-fareast-font-family: "Times New Roman"; mso-font-kerning: 12.0pt; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #FBE5D6; mso-style-textfill-fill-colortransforms: "lumm=20000 lumo=80000"; mso-style-textfill-fill-themecolor: accent2; mso-style-textfill-type: solid;"> Actualities IV/V Comic Earth</span><span style="color: #fbe5d6; font-family: "Times New Roman"; font-size: 14pt; language: en-US; mso-ascii-font-family: "Times New Roman"; mso-bidi-font-family: +mn-cs; mso-bidi-theme-font: minor-bidi; mso-color-index: 5; mso-fareast-font-family: "Times New Roman"; mso-font-kerning: 12.0pt; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #FBE5D6; mso-style-textfill-fill-colortransforms: "lumm=20000 lumo=80000"; mso-style-textfill-fill-themecolor: accent2; mso-style-textfill-type: solid;"> (2021, 2022, 2023, Goats & Compasses). </span><span style="color: #fbe5d6; font-family: "Times New Roman"; font-size: 14pt; font-style: italic; language: en-US; mso-ascii-font-family: "Times New Roman"; mso-bidi-font-family: +mn-cs; mso-bidi-theme-font: minor-bidi; mso-color-index: 5; mso-fareast-font-family: "Times New Roman"; mso-font-kerning: 12.0pt; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #FBE5D6; mso-style-textfill-fill-colortransforms: "lumm=20000 lumo=80000"; mso-style-textfill-fill-themecolor: accent2; mso-style-textfill-type: solid;">Heavy Sublimation </span><span style="color: #fbe5d6; font-family: "Times New Roman"; font-size: 14pt; language: en-US; mso-ascii-font-family: "Times New Roman"; mso-bidi-font-family: +mn-cs; mso-bidi-theme-font: minor-bidi; mso-color-index: 5; mso-fareast-font-family: "Times New Roman"; mso-font-kerning: 12.0pt; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #FBE5D6; mso-style-textfill-fill-colortransforms: "lumm=20000 lumo=80000"; mso-style-textfill-fill-themecolor: accent2; mso-style-textfill-type: solid;">(Talisman
House, 2018) and </span><span style="color: #fbe5d6; font-family: "Times New Roman"; font-size: 14pt; font-style: italic; language: en-US; mso-ascii-font-family: "Times New Roman"; mso-bidi-font-family: +mn-cs; mso-bidi-theme-font: minor-bidi; mso-color-index: 5; mso-fareast-font-family: "Times New Roman"; mso-font-kerning: 12.0pt; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #FBE5D6; mso-style-textfill-fill-colortransforms: "lumm=20000 lumo=80000"; mso-style-textfill-fill-themecolor: accent2; mso-style-textfill-type: solid;">Salamander:
A Bestiary</span><span style="color: #fbe5d6; font-family: "Times New Roman"; font-size: 14pt; language: en-US; mso-ascii-font-family: "Times New Roman"; mso-bidi-font-family: +mn-cs; mso-bidi-theme-font: minor-bidi; mso-color-index: 5; mso-fareast-font-family: "Times New Roman"; mso-font-kerning: 12.0pt; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #FBE5D6; mso-style-textfill-fill-colortransforms: "lumm=20000 lumo=80000"; mso-style-textfill-fill-themecolor: accent2; mso-style-textfill-type: solid;"> (</span><span style="color: #fbe5d6; font-family: "Times New Roman"; font-size: 14pt; language: en-US; mso-ascii-font-family: "Times New Roman"; mso-bidi-font-family: +mn-cs; mso-bidi-theme-font: minor-bidi; mso-color-index: 5; mso-fareast-font-family: "Times New Roman"; mso-font-kerning: 12.0pt; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #FBE5D6; mso-style-textfill-fill-colortransforms: "lumm=20000 lumo=80000"; mso-style-textfill-fill-themecolor: accent2; mso-style-textfill-type: solid;">Chax</span><span style="color: #fbe5d6; font-family: "Times New Roman"; font-size: 14pt; language: en-US; mso-ascii-font-family: "Times New Roman"; mso-bidi-font-family: +mn-cs; mso-bidi-theme-font: minor-bidi; mso-color-index: 5; mso-fareast-font-family: "Times New Roman"; mso-font-kerning: 12.0pt; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #FBE5D6; mso-style-textfill-fill-colortransforms: "lumm=20000 lumo=80000"; mso-style-textfill-fill-themecolor: accent2; mso-style-textfill-type: solid;"> Press, 2017), with painter Simon Carr, are also out
and about. His work in poetics </span><span style="color: #fbe5d6; font-family: "Times New Roman"; font-size: 14pt; font-style: italic; language: en-US; mso-ascii-font-family: "Times New Roman"; mso-bidi-font-family: +mn-cs; mso-bidi-theme-font: minor-bidi; mso-color-index: 5; mso-fareast-font-family: "Times New Roman"; mso-font-kerning: 12.0pt; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #FBE5D6; mso-style-textfill-fill-colortransforms: "lumm=20000 lumo=80000"; mso-style-textfill-fill-themecolor: accent2; mso-style-textfill-type: solid;">The New Babel: Toward a Poetics of the Mid-East
Crises </span><span style="color: #fbe5d6; font-family: "Times New Roman"; font-size: 14pt; language: en-US; mso-ascii-font-family: "Times New Roman"; mso-bidi-font-family: +mn-cs; mso-bidi-theme-font: minor-bidi; mso-color-index: 5; mso-fareast-font-family: "Times New Roman"; mso-font-kerning: 12.0pt; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #FBE5D6; mso-style-textfill-fill-colortransforms: "lumm=20000 lumo=80000"; mso-style-textfill-fill-themecolor: accent2; mso-style-textfill-type: solid;">(University of Arkansas Press, 2016), is inclusive of
poetry, essays, and interviews. Other titles include </span><span style="color: #fbe5d6; font-family: "Times New Roman"; font-size: 14pt; font-style: italic; language: en-US; mso-ascii-font-family: "Times New Roman"; mso-bidi-font-family: +mn-cs; mso-bidi-theme-font: minor-bidi; mso-color-index: 5; mso-fareast-font-family: "Times New Roman"; mso-font-kerning: 12.0pt; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #FBE5D6; mso-style-textfill-fill-colortransforms: "lumm=20000 lumo=80000"; mso-style-textfill-fill-themecolor: accent2; mso-style-textfill-type: solid;">If </span><span style="color: #fbe5d6; font-family: "Times New Roman"; font-size: 14pt; language: en-US; mso-ascii-font-family: "Times New Roman"; mso-bidi-font-family: +mn-cs; mso-bidi-theme-font: minor-bidi; mso-color-index: 5; mso-fareast-font-family: "Times New Roman"; mso-font-kerning: 12.0pt; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #FBE5D6; mso-style-textfill-fill-colortransforms: "lumm=20000 lumo=80000"; mso-style-textfill-fill-themecolor: accent2; mso-style-textfill-type: solid;">(Talisman
House, 2012)</span><span style="color: #fbe5d6; font-family: "Times New Roman"; font-size: 14pt; font-style: italic; language: en-US; mso-ascii-font-family: "Times New Roman"; mso-bidi-font-family: +mn-cs; mso-bidi-theme-font: minor-bidi; mso-color-index: 5; mso-fareast-font-family: "Times New Roman"; mso-font-kerning: 12.0pt; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #FBE5D6; mso-style-textfill-fill-colortransforms: "lumm=20000 lumo=80000"; mso-style-textfill-fill-themecolor: accent2; mso-style-textfill-type: solid;">, </span><span style="color: #fbe5d6; font-family: "Times New Roman"; font-size: 14pt; font-style: normal; language: en-US; mso-ascii-font-family: "Times New Roman"; mso-bidi-font-family: +mn-cs; mso-bidi-theme-font: minor-bidi; mso-color-index: 5; mso-fareast-font-family: "Times New Roman"; mso-font-kerning: 12.0pt; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #FBE5D6; mso-style-textfill-fill-colortransforms: "lumm=20000 lumo=80000"; mso-style-textfill-fill-themecolor: accent2; mso-style-textfill-type: solid;">and </span><span style="color: #fbe5d6; font-family: "Times New Roman"; font-size: 14pt; font-style: italic; language: en-US; mso-ascii-font-family: "Times New Roman"; mso-bidi-font-family: +mn-cs; mso-bidi-theme-font: minor-bidi; mso-color-index: 5; mso-fareast-font-family: "Times New Roman"; mso-font-kerning: 12.0pt; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #FBE5D6; mso-style-textfill-fill-colortransforms: "lumm=20000 lumo=80000"; mso-style-textfill-fill-themecolor: accent2; mso-style-textfill-type: solid;">At
Element (2011)</span><span style="color: #fbe5d6; font-family: "Times New Roman"; font-size: 14pt; language: en-US; mso-ascii-font-family: "Times New Roman"; mso-bidi-font-family: +mn-cs; mso-bidi-theme-font: minor-bidi; mso-color-index: 5; mso-fareast-font-family: "Times New Roman"; mso-font-kerning: 12.0pt; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #FBE5D6; mso-style-textfill-fill-colortransforms: "lumm=20000 lumo=80000"; mso-style-textfill-fill-themecolor: accent2; mso-style-textfill-type: solid;">, which explore the idea of an eco-poetics, as well
as </span><span style="color: #fbe5d6; font-family: "Times New Roman"; font-size: 14pt; font-style: italic; language: en-US; mso-ascii-font-family: "Times New Roman"; mso-bidi-font-family: +mn-cs; mso-bidi-theme-font: minor-bidi; mso-color-index: 5; mso-fareast-font-family: "Times New Roman"; mso-font-kerning: 12.0pt; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #FBE5D6; mso-style-textfill-fill-colortransforms: "lumm=20000 lumo=80000"; mso-style-textfill-fill-themecolor: accent2; mso-style-textfill-type: solid;">The Library of
Seven Readings </span><span style="color: #fbe5d6; font-family: "Times New Roman"; font-size: 14pt; language: en-US; mso-ascii-font-family: "Times New Roman"; mso-bidi-font-family: +mn-cs; mso-bidi-theme-font: minor-bidi; mso-color-index: 5; mso-fareast-font-family: "Times New Roman"; mso-font-kerning: 12.0pt; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #FBE5D6; mso-style-textfill-fill-colortransforms: "lumm=20000 lumo=80000"; mso-style-textfill-fill-themecolor: accent2; mso-style-textfill-type: solid;">(Ugly Duckling Presse, 2008). He edited and
co-translated Benjamin </span><span style="color: #fbe5d6; font-family: "Times New Roman"; font-size: 14pt; language: en-US; mso-ascii-font-family: "Times New Roman"; mso-bidi-font-family: +mn-cs; mso-bidi-theme-font: minor-bidi; mso-color-index: 5; mso-fareast-font-family: "Times New Roman"; mso-font-kerning: 12.0pt; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #FBE5D6; mso-style-textfill-fill-colortransforms: "lumm=20000 lumo=80000"; mso-style-textfill-fill-themecolor: accent2; mso-style-textfill-type: solid;">Fondane’s</span><span style="color: #fbe5d6; font-family: "Times New Roman"; font-size: 14pt; language: en-US; mso-ascii-font-family: "Times New Roman"; mso-bidi-font-family: +mn-cs; mso-bidi-theme-font: minor-bidi; mso-color-index: 5; mso-fareast-font-family: "Times New Roman"; mso-font-kerning: 12.0pt; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #FBE5D6; mso-style-textfill-fill-colortransforms: "lumm=20000 lumo=80000"; mso-style-textfill-fill-themecolor: accent2; mso-style-textfill-type: solid;"> </span><span style="color: #fbe5d6; font-family: "Times New Roman"; font-size: 14pt; font-style: italic; language: en-US; mso-ascii-font-family: "Times New Roman"; mso-bidi-font-family: +mn-cs; mso-bidi-theme-font: minor-bidi; mso-color-index: 5; mso-fareast-font-family: "Times New Roman"; mso-font-kerning: 12.0pt; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #FBE5D6; mso-style-textfill-fill-colortransforms: "lumm=20000 lumo=80000"; mso-style-textfill-fill-themecolor: accent2; mso-style-textfill-type: solid;">Cine-Poems and Other,</span><span style="color: #fbe5d6; font-family: "Times New Roman"; font-size: 14pt; language: en-US; mso-ascii-font-family: "Times New Roman"; mso-bidi-font-family: +mn-cs; mso-bidi-theme-font: minor-bidi; mso-color-index: 5; mso-fareast-font-family: "Times New Roman"; mso-font-kerning: 12.0pt; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #FBE5D6; mso-style-textfill-fill-colortransforms: "lumm=20000 lumo=80000"; mso-style-textfill-fill-themecolor: accent2; mso-style-textfill-type: solid;"> with
New York Review Books. From 2003 to 2018 he produced and hosted the radio
program </span><span style="color: #fbe5d6; font-family: "Times New Roman"; font-size: 14pt; font-style: italic; language: en-US; mso-ascii-font-family: "Times New Roman"; mso-bidi-font-family: +mn-cs; mso-bidi-theme-font: minor-bidi; mso-color-index: 5; mso-fareast-font-family: "Times New Roman"; mso-font-kerning: 12.0pt; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #FBE5D6; mso-style-textfill-fill-colortransforms: "lumm=20000 lumo=80000"; mso-style-textfill-fill-themecolor: accent2; mso-style-textfill-type: solid;">Cross Cultural
Poetics</span><span style="color: #fbe5d6; font-family: "Times New Roman"; font-size: 14pt; language: en-US; mso-ascii-font-family: "Times New Roman"; mso-bidi-font-family: +mn-cs; mso-bidi-theme-font: minor-bidi; mso-color-index: 5; mso-fareast-font-family: "Times New Roman"; mso-font-kerning: 12.0pt; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #FBE5D6; mso-style-textfill-fill-colortransforms: "lumm=20000 lumo=80000"; mso-style-textfill-fill-themecolor: accent2; mso-style-textfill-type: solid;">.</span></p> <br /></div><br /> <p></p>
<p align="justify"> </p>Jennifer K Dickhttp://www.blogger.com/profile/14819275106754521715noreply@blogger.com0tag:blogger.com,1999:blog-2215338180310572858.post-30301637425353360332023-06-04T07:52:00.001-07:002023-06-04T07:52:43.056-07:00Lecture le 6 juin avec Vincent Broque, Cynthia Hogue et Virginie Poitrasson!<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgG_2NHMgqP93ceiC9xMywq2weDmDkF_cFyTQrhVDnml28JPPP-LbQcAb5t7BIPRfUVMD0NdKN2I8Owy1RX9i5LchZvHiY-GkuS7mfUSEyUXU-K1TrXMzYEXoMjX_w4ID06tQktqCJkhofnuptJjcpTC2eahpoLOTHN-qPbIRc-bMHnBbVaxCAQXeYDWw/s1734/Invitation%206%20juin.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1224" data-original-width="1734" height="452" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgG_2NHMgqP93ceiC9xMywq2weDmDkF_cFyTQrhVDnml28JPPP-LbQcAb5t7BIPRfUVMD0NdKN2I8Owy1RX9i5LchZvHiY-GkuS7mfUSEyUXU-K1TrXMzYEXoMjX_w4ID06tQktqCJkhofnuptJjcpTC2eahpoLOTHN-qPbIRc-bMHnBbVaxCAQXeYDWw/w640-h452/Invitation%206%20juin.jpg" width="640" /></a></div><p></p><p><!--[if gte mso 9]><xml>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 5"/>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
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<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
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<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
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<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
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<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
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<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
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<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
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<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
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<w:LsdException Locked="false" Priority="21" QFormat="true"
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<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
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<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
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<w:LsdException Locked="false" Priority="52"
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<w:LsdException Locked="false" Priority="46"
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<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
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<w:LsdException Locked="false" Priority="46"
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<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"/>
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<w:LsdException Locked="false" Priority="52"
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<w:LsdException Locked="false" Priority="46"
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<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 3"/>
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Name="List Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
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<w:LsdException Locked="false" Priority="46"
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<w:LsdException Locked="false" Priority="46"
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<w:LsdException Locked="false" Priority="52"
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<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Mention"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Unresolved Mention"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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</w:LatentStyles>
</xml><![endif]--><!--[if gte mso 10]>
<style>
/* Style Definitions */
table.MsoNormalTable
{mso-style-name:"Tableau Normal";
mso-tstyle-rowband-size:0;
mso-tstyle-colband-size:0;
mso-style-noshow:yes;
mso-style-priority:99;
mso-style-parent:"";
mso-padding-alt:0cm 5.4pt 0cm 5.4pt;
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</p><p align="center" class="MsoNormal" style="text-align: center;"><b><span lang="FR" style="color: red; font-family: "Cambria",serif; font-size: 18.0pt; mso-fareast-font-family: "Times New Roman";">IVY WRITERS PARIS VOUS INVITE </span></b><span lang="FR" style="color: red; font-family: "Cambria",serif; font-size: 18.0pt; mso-fareast-font-family: "Times New Roman";"></span></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b><span lang="FR" style="font-family: "Cambria",serif; font-size: 14.0pt; mso-fareast-font-family: "Times New Roman";">à une soirée de lectures avec</span></b><span lang="FR" style="font-family: "Cambria",serif; mso-fareast-font-family: "Times New Roman";"></span></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b><span lang="FR" style="color: #cc9900; font-family: "Cambria",serif; font-size: 20.0pt; mso-fareast-font-family: "Times New Roman";">Vincent Broqua (en Fr et Ang)</span></b></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b><span lang="FR" style="color: #cc9900; font-family: "Cambria",serif; font-size: 20.0pt; mso-fareast-font-family: "Times New Roman";">Cynthia Hogue (en Ang)</span></b><span lang="FR" style="color: #cc9900; font-family: "Cambria",serif; mso-fareast-font-family: "Times New Roman";"></span></p>
<p align="center" class="MsoNormal" style="text-align: center;"><span lang="FR" style="font-family: "Cambria",serif; font-size: 14.0pt; mso-fareast-font-family: "Times New Roman";">et </span><span lang="FR" style="font-family: "Cambria",serif; mso-fareast-font-family: "Times New Roman";"></span></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b><span lang="FR" style="color: #cc9900; font-family: "Cambria",serif; font-size: 20.0pt; mso-fareast-font-family: "Times New Roman";">Virginie Poitrasson (en Fr)</span></b><span lang="FR" style="color: #cc9900; font-family: "Cambria",serif; mso-fareast-font-family: "Times New Roman";"></span></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b><span style="font-family: "Cambria",serif; font-size: 14.0pt; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman";">You are invited to an evening of
readings in French & English on</span></b><span style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman";"></span></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b><span lang="FR" style="font-family: "Cambria",serif; font-size: 20.0pt; mso-fareast-font-family: "Times New Roman";">Mardi le 6 juin 2023</span></b><b><span lang="FR" style="font-family: "Cambria",serif; font-size: 14.0pt; mso-fareast-font-family: "Times New Roman";"> à</span></b><span lang="FR" style="font-family: "Cambria",serif; mso-fareast-font-family: "Times New Roman";"> </span><b><span lang="FR" style="font-family: "Cambria",serif; font-size: 20.0pt; mso-fareast-font-family: "Times New Roman";">19h30 </span></b><span lang="FR" style="font-family: "Cambria",serif; mso-fareast-font-family: "Times New Roman";"></span></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b><span lang="FR" style="font-family: "Cambria",serif; mso-fareast-font-family: "Times New Roman";"> </span></b></p>
<p class="MsoNormal"><b><span lang="FR" style="font-family: "Cambria",serif; mso-fareast-font-family: "Times New Roman";">Delaville Café, Salle Marguery (au 1<sup>er</sup>),</span></b><span lang="FR" style="font-family: "Cambria",serif; mso-fareast-font-family: "Times New Roman";"></span></p>
<p class="MsoNormal"><b><span lang="FR" style="font-family: "Cambria",serif; mso-fareast-font-family: "Times New Roman";">34 boulevard Bonne Nouvelle, 75010
Paris</span></b><span lang="FR" style="font-family: "Cambria",serif; mso-fareast-font-family: "Times New Roman";"></span></p>
<p class="MsoNormal"><b><span lang="FR" style="font-family: "Cambria",serif; mso-fareast-font-family: "Times New Roman";">M° Bonne nouvelle (ligne 8 or 9) </span></b><span lang="FR" style="font-family: "Cambria",serif; mso-fareast-font-family: "Times New Roman";"></span></p>
<p class="MsoNormal"><i><span style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman";">Meet at bar for happy hour drinks
before the reading!</span></i></p>
<p></p><p></p><p class="MsoNormal" style="text-align: justify;"><b><span lang="FR" style="color: #d0cece; font-size: 16.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #D0CECE; mso-style-textfill-fill-colortransforms: lumm=90000; mso-style-textfill-fill-themecolor: background2; mso-themecolor: background2; mso-themeshade: 230;"> </span></b></p><p class="MsoNormal" style="text-align: justify;"><b><span lang="FR" style="color: #d0cece; font-size: 16.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #D0CECE; mso-style-textfill-fill-colortransforms: lumm=90000; mso-style-textfill-fill-themecolor: background2; mso-themecolor: background2; mso-themeshade: 230;">Vincent Broqua </span></b><span class="hgkelc"><span lang="FR" style="color: #d0cece; font-size: 16.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #D0CECE; mso-style-textfill-fill-colortransforms: lumm=90000; mso-style-textfill-fill-themecolor: background2; mso-themecolor: background2; mso-themeshade: 230;">publie des textes à la croisée de la poésie, de l'essai et du
récit. Il a publié, notamment </span></span><i><span lang="FR" style="color: #d0cece; font-size: 16.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #D0CECE; mso-style-textfill-fill-colortransforms: lumm=90000; mso-style-textfill-fill-themecolor: background2; mso-themecolor: background2; mso-themeshade: 230;">Photocall, projet
d'attendrissement</span></i><span lang="FR" style="color: #d0cece; font-size: 16.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #D0CECE; mso-style-textfill-fill-colortransforms: lumm=90000; mso-style-textfill-fill-themecolor: background2; mso-themecolor: background2; mso-themeshade: 230;"> (Petits Matins, 2021 <em><span style="font-family: "Calibri",sans-serif; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">prix du roman gay</span></em> 2021 mention poésie), <em><span style="font-family: "Calibri",sans-serif; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Récupérer</span></em> (Les
Petits Matins, 2015, tr en anglais par Cole Swensen comme « <i>Recovery »</i>),
</span><i><span lang="FR" style="color: #d0cece; font-size: 16.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #D0CECE; mso-style-textfill-fill-colortransforms: lumm=90000; mso-style-textfill-fill-themecolor: background2; mso-themecolor: background2; mso-themeshade: 230;">du jour</span></i><span lang="FR" style="color: #d0cece; font-size: 16.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #D0CECE; mso-style-textfill-fill-colortransforms: lumm=90000; mso-style-textfill-fill-themecolor: background2; mso-themecolor: background2; mso-themeshade: 230;"> (L'Ours Blanc, 2020), et chez Contrat Maint <i>même = same (2013)</i>
et <i>Given (novel for s.)</i> (2009). </span><span class="hgkelc"><span lang="FR" style="color: #d0cece; font-size: 16.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #D0CECE; mso-style-textfill-fill-colortransforms: lumm=90000; mso-style-textfill-fill-themecolor: background2; mso-themecolor: background2; mso-themeshade: 230;">Comme une politique
de la légèreté, ses hétéronymes et lui mènent des enquêtes dans les champs de
l'écriture, de la performance, du dessin et de la vidéo. </span></span><span lang="FR" style="color: #d0cece; font-size: 16.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #D0CECE; mso-style-textfill-fill-colortransforms: lumm=90000; mso-style-textfill-fill-themecolor: background2; mso-themecolor: background2; mso-themeshade: 230;">Il a créé le collectif </span><span lang="FR" style="color: #d0cece; font-size: 16.0pt; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #D0CECE; mso-style-textfill-fill-colortransforms: lumm=90000; mso-style-textfill-fill-themecolor: background2; mso-themecolor: background2; mso-themeshade: 230;"><a href="https://www.lespressesdureel.com/ouvrage.php?id=2625"><span style="color: #d0cece; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #D0CECE; mso-style-textfill-fill-colortransforms: lumm=90000; mso-style-textfill-fill-themecolor: background2; mso-themecolor: background2; mso-themeshade: 230;">Double Change</span></a></span><span lang="FR" style="color: #d0cece; font-size: 16.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #D0CECE; mso-style-textfill-fill-colortransforms: lumm=90000; mso-style-textfill-fill-themecolor: background2; mso-themecolor: background2; mso-themeshade: 230;"> et la revue <em><span style="font-family: "Calibri",sans-serif; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Quaderna</span></em>.<b></b></span></p>
<p class="MsoNormal" style="text-align: justify;"><b style="mso-bidi-font-weight: normal;"><i><span lang="FR" style="color: #d0cece; font-size: 16.0pt; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #D0CECE; mso-style-textfill-fill-colortransforms: lumm=90000; mso-style-textfill-fill-themecolor: background2; mso-themecolor: background2; mso-themeshade: 230;"> </span></i></b></p>
<p class="MsoNormal" style="text-align: justify;"><b style="mso-bidi-font-weight: normal;"><i><span style="color: #d0cece; font-size: 16.0pt; mso-ansi-language: EN-US; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #D0CECE; mso-style-textfill-fill-colortransforms: lumm=90000; mso-style-textfill-fill-themecolor: background2; mso-themecolor: background2; mso-themeshade: 230;">Cynthia Hogue’s</span></i></b><span style="color: #d0cece; font-size: 16.0pt; mso-ansi-language: EN-US; mso-bidi-font-weight: bold; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #D0CECE; mso-style-textfill-fill-colortransforms: lumm=90000; mso-style-textfill-fill-themecolor: background2; mso-themecolor: background2; mso-themeshade: 230;"> new poetry</span><span style="color: #d0cece; font-size: 16.0pt; mso-ansi-language: EN-US; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #D0CECE; mso-style-textfill-fill-colortransforms: lumm=90000; mso-style-textfill-fill-themecolor: background2; mso-themecolor: background2; mso-themeshade: 230;"> collection is <i>instead, it is dark </i>(Red
Hen Press, 2023). Her ekphrastic Covid chapbook is entitled <i>Contain </i>(Tram
Editions 2022), & her new collaborative translation from the French of
Nicole Brossard is <i>Distantly</i> (Omnidawn 2022, tr with Sylvain Gallais).
She served as Guest Editor for the Academy of American Poets’ Poem-a-Day for
September (2022). Hogue was the inaugural Maxine and Jonathan Marshall Chair in
Modern and Contemporary Poetry at Arizona State University. She lives in
Tucson. She will read from her own work as well as selections from the recently
published translations of Nicole Brossard. </span></p>
<p class="MsoNormal" style="text-align: justify;"><span style="color: #d0cece; font-size: 16.0pt; mso-ansi-language: EN-US; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #D0CECE; mso-style-textfill-fill-colortransforms: lumm=90000; mso-style-textfill-fill-themecolor: background2; mso-themecolor: background2; mso-themeshade: 230;"> </span></p>
<p class="MsoNormal" style="text-align: justify;"><b><span lang="FR" style="color: #d0cece; font-size: 16.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #D0CECE; mso-style-textfill-fill-colortransforms: lumm=90000; mso-style-textfill-fill-themecolor: background2; mso-themecolor: background2; mso-themeshade: 230;">Virginie Poitrasson </span></b><span lang="FR" style="color: #d0cece; font-size: 16.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #D0CECE; mso-style-textfill-fill-colortransforms: lumm=90000; mso-style-textfill-fill-themecolor: background2; mso-themecolor: background2; mso-themeshade: 230;">est Écrivain, performeuse et traductrice<span style="mso-bidi-font-weight: bold;"> qui </span>explore les frontières entre les langues, les genres et les
modes d'expression plastiques (sons, vidéos, sérigraphie). Autrice de <i style="mso-bidi-font-style: normal;">Tantôt, tantôt, tantôt</i> aux éditions du
Seuil (2023), d’<i style="mso-bidi-font-style: normal;">Une position qui est une position
qui en est une autre</i> aux éditions Lanskine, de <i style="mso-bidi-font-style: normal;">Le pas-comme-si des choses</i>, <i style="mso-bidi-font-style: normal;">Il
faut toujours garder en tête une formule magique</i> et <i style="mso-bidi-font-style: normal;">Demi-valeurs</i> aux éditions de l’Attente. Son livre <i style="mso-bidi-font-style: normal;">Il faut toujours garder en tête une formule
magique</i> a été adapté en Fiction radiophonique par France Culture. Avec le
musicien Joce Mienniel, elle fait des lectures musicales et a créé le spectacle
<i style="mso-bidi-font-style: normal;">Chambre(s) à Écho(s)</i></span></p>
<p></p><p align="justify"><br /></p>Jennifer K Dickhttp://www.blogger.com/profile/14819275106754521715noreply@blogger.com0tag:blogger.com,1999:blog-2215338180310572858.post-33248869174417208292023-05-24T14:32:00.003-07:002023-05-24T14:32:44.900-07:00Ivy LE 30 mai avec S Schultz et F DelaRoque et le 6 juin avec C Hogue V Poitrasson et V Broqua<p style="text-align: center;">SUMMER WRITING, SUMMER READINGS: <br />IVY WRITERS PARIS vous invite à 2 soirées de lectures bilingues: lé 30 mai 2023 et le 6 juin 2023<br /></p><p></p><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihXxu4wabGBskFACP6jk3zTTrtwpwZZp2E5ZRC5szMVljtu5wzwYJmFBv1DOPS0lmjkFnFmeT6kZ2I-A2_lFbI-TsL5SMJJLJ5QHT9cBNbjvRwSlwgvqUjSy7SRf1uOajAODyopSlhkabR8C6eTUFI1FfHAL6Vu4oqnreMkafobKe6HAXFWk7GaS4PNg/s181/IWP%20icon.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="181" data-original-width="181" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihXxu4wabGBskFACP6jk3zTTrtwpwZZp2E5ZRC5szMVljtu5wzwYJmFBv1DOPS0lmjkFnFmeT6kZ2I-A2_lFbI-TsL5SMJJLJ5QHT9cBNbjvRwSlwgvqUjSy7SRf1uOajAODyopSlhkabR8C6eTUFI1FfHAL6Vu4oqnreMkafobKe6HAXFWk7GaS4PNg/w400-h400/IWP%20icon.png" width="400" /></a></div><br /> </div><div class="separator" style="clear: both; text-align: center;"><b><span style="font-size: medium;">à 19h30 au DELAVILLE CAFE, 34 bvd Bonne Nouvelle, Paris </span></b><br /></div><p></p><p style="text-align: center;"><span style="font-size: large;"><b><span style="color: #ffa400;">LE 30 MAI 2023: </span></b></span></p><p style="text-align: center;"><span style="font-size: large;"><b>SUSAN SCHULTZ et FRANCOISE DE LAROQUE<br /></b></span></p><p style="text-align: center;"><span style="font-size: large;"><b><span style="color: #ffa400;">LE 6 JUIN 2023: </span></b></span></p><p style="text-align: center;"><span style="font-size: large;"><b>CYNTHIA HOGUE, VIRGINIE POITRASSON et </b></span></p><p style="text-align: center;"><span style="font-size: large;"><b>VINCENT BROQUA</b></span><br /></p><p align="justify"> </p><p><b style="color: #b6d7a8;"><span style="font-size: large;">BIOS pour le 30 mai:</span></b></p><p><!--[if gte mso 9]><xml>
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</p><p class="MsoNormal" style="text-align: justify;"><span style="font-size: x-large;"><span lang="FR" style="font-family: "Cambria", serif;"><b><span style="color: #ffa400;"></span></b></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: x-large;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpxYAEkSnVHOEsIv3Q1h7mpB_BNSYpHnyTLOdkZE-V-kOcBiRQFPwtxHYAQFPazA7JD9puuX5BPLttcsUO2dpckCLgHnah3APk8cKClh9WqkOrxsttRPC0gL-Eb7BjGDj83ZtHIQQxKl3yjpS2_bWuerRv3YSpk_mK3xiQsxomt0EbqOOYP4iWWwSCKQ/s242/Francoisedelaroque.jpeg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="240" data-original-width="242" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpxYAEkSnVHOEsIv3Q1h7mpB_BNSYpHnyTLOdkZE-V-kOcBiRQFPwtxHYAQFPazA7JD9puuX5BPLttcsUO2dpckCLgHnah3APk8cKClh9WqkOrxsttRPC0gL-Eb7BjGDj83ZtHIQQxKl3yjpS2_bWuerRv3YSpk_mK3xiQsxomt0EbqOOYP4iWWwSCKQ/s1600/Francoisedelaroque.jpeg" width="242" /></a></b></span></div><span style="font-size: x-large;"><b>Françoise de Laroque</b></span><span lang="FR" style="font-family: "Cambria",serif; font-size: 16.0pt;"> est née et vit à
Paris. Enseignante, critique, traductrice. Elle a eu l’occasion de suivre dès
l’origine l’« aventure » <a href="https://fr.wikipedia.org/wiki/Orange_Export_Ltd." target="_blank">Orange Export Ltd</a>. et a publié dans diverses
revues (Critique, CCP du Centre International de Poésie Marseille…) des textes
concernant l’œuvre d’Anne-Marie Albiach, Claude Royet-Journoud, Pascal
Quignard , Emmanuel Hocquard… <span style="mso-spacerun: yes;"> </span>Elle
a passé deux ans à New-York (81-83) où elle a rencontré les « Language
poets ». Traductions (en revues, anthologies et livres) de Paul
Auster, Rosmarie Waldrop, Keith Waldrop, Ted Pearson, Tom Raworth, Michael
Palmer, Barbara Einzig, Helena Bennett… <i style="mso-bidi-font-style: normal;">En
voie d’abstraction</i> de Romarie Waldrop est sa traduction la plus récente ( 2020)
aux Éditions de l’Attente. <i style="mso-bidi-font-style: normal;"><a href="https://www.ericpestyediteur.com/?s=chambre+jaune" target="_blank">Chambre jaune</a> </i>(Éric
Pesty <span style="mso-spacerun: yes;"> </span>Éditeur, 2022) est son premier livre de
création.</span><p></p><p class="MsoNormal" style="text-align: justify;"></p><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUs2FUO4BqTRILSNohuSmGDsjlXmcDySPyd2gTmsfUFPFHyWGqEQQ-UnwsqrnF1uzjdDxWIoZ6F-68Mmds7Jmq-KXbJYAD7xHB0bTqxzp6QUM_aSqjGczRla4N8IDsyk7uyyjGthjs5XqlO4omy0G19fciKx2DYLov-YZEIkTQbNkawfs2wuqnhd3xRQ/s1600/SSchultz_1600x848.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="848" data-original-width="1600" height="170" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUs2FUO4BqTRILSNohuSmGDsjlXmcDySPyd2gTmsfUFPFHyWGqEQQ-UnwsqrnF1uzjdDxWIoZ6F-68Mmds7Jmq-KXbJYAD7xHB0bTqxzp6QUM_aSqjGczRla4N8IDsyk7uyyjGthjs5XqlO4omy0G19fciKx2DYLov-YZEIkTQbNkawfs2wuqnhd3xRQ/s320/SSchultz_1600x848.jpg" width="320" /></a><span style="font-size: x-large;"><span style="font-family: "Cambria", serif;"><b><span style="color: #ffa400;">Susan M. Schultz</span></b></span></span><span style="font-family: "Cambria",serif; font-size: 16.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;"> has
lived in Hawai`i since 1990. She is author of several books of poetry and
poetic prose, most recently <i><a href="https://www.spdbooks.org/Products/9781584981367/i-want-to-write-an-honest-sentence.aspx" target="_blank">I Want to Write an Honest Sentence</a> </i>(Talisman,
2019) and <i><a href="http://wp.blazevox.org/product/lilith-walks-by-susan-m-schultz/" target="_blank">Lilith Walks</a></i> (BlazeVox, 2022). She founded <a href="https://www.tinfishpress.org/" target="_blank">Tinfish Press</a> and
edited it for over 20 years before handing it off. She is Emerita Professor of
English, University of Hawai’i-Manoa as well as being a lifelong fan of the St.
Louis Cardinals baseball team. You can also find online new work, including elections
from "I and Eucalyptus": thanks to Paul Vogel at Trilobite <u><span style="color: blue;"><a href="https://trilobite.bond/current/schultz.html" target="_blank">https://trilobite.bond/current/schultz.html</a></span></u>
and the recently published review essay of Anne Waldman's new memoir, made available
by Ron Slate:<span style="mso-spacerun: yes;"> </span><u><span style="color: blue;"><a href="https://www.ronslate.com/on-bard-kinetic-by-anne-waldman/" target="_blank">https://www.ronslate.com/on-bard-kinetic-by-anne-waldman/</a></span></u></span></div><div class="separator" style="clear: both;"><span style="font-family: "Cambria",serif; font-size: 16.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;"><u><span style="color: blue;"> </span></u></span></div><p></p><p></p><p style="text-align: center;"><span style="font-family: "Cambria",serif; font-size: 16.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;"><u><span style="color: blue;"></span></u></span><b><span style="color: #6aa84f; font-size: x-large;">Bios pour le 6 juin</span></b></p><p><!--[if gte mso 9]><xml>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Mention"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Smart Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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</p><p style="margin: 0cm; text-align: justify;"><b><span style="color: #ffa400; font-family: "Cambria", serif;"><span style="font-size: x-large;"></span></span></b></p><div class="separator" style="clear: both; text-align: center;"><b><span style="font-size: x-large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEic3WOdicBmp8ulejd2y6IUmLeURQxounPGxVFGrIfkb_61y1_sPDhfgbIaYao2wCC0KpZUxUf2L_bLZDuVabcOXTt93J3jzjSs1ktTAllv8SBQN3kzbsDbELq98N2mIMROV65RgwzyqqCgPrSR7d0FDBd7EUp9ERM9H2pbsF8KL86b2KP-VAcz1cKaGg/s1200/Cynthia-Hogue_courtesy%20University%20of%20Arizona%20Poetry%20Center_804x1200.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1200" data-original-width="804" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEic3WOdicBmp8ulejd2y6IUmLeURQxounPGxVFGrIfkb_61y1_sPDhfgbIaYao2wCC0KpZUxUf2L_bLZDuVabcOXTt93J3jzjSs1ktTAllv8SBQN3kzbsDbELq98N2mIMROV65RgwzyqqCgPrSR7d0FDBd7EUp9ERM9H2pbsF8KL86b2KP-VAcz1cKaGg/s320/Cynthia-Hogue_courtesy%20University%20of%20Arizona%20Poetry%20Center_804x1200.jpg" width="214" /></a></span></b></div><b><span style="font-size: x-large;">Cynthia Hogue</span></b><span style="color: white; font-family: "Cambria", serif; font-size: 16pt;">’s new poetry</span><span style="font-family: "Cambria",serif; font-size: 16.0pt;"><span style="color: white;">
collection is</span> <i>instead, it is dark </i>(Red<br /> Hen Press, 2023). Her ekphrastic Covid
chapbook is entitled <i>Contain </i>(Tram Editions 2022), and her new
collaborative translation from the French of Nicole Brossard is <i>Distantly</i>
(Omnidawn 2022). She served as Guest Editor for Poem-a-Day for September
(2022), sponsored by the Academy of American Poets. Hogue was the inaugural
Maxine and Jonathan Marshall Chair in Modern and Contemporary Poetry at Arizona
State University. She lives in Tucson. </span><p></p>
<p class="MsoNormal" style="text-align: justify;"><span lang="FR" style="color: white; font-family: "Cambria", serif; font-size: 16pt;"><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiF4uai9j1yjOU2mEeznXb3kOYz_dRITO0qwBg-YmxLp8ipo6l161NY96UvSmhUnCAM9ZH_7hgEnhE-GQN_IUW3HR5JIw0I1lqvkywGwo0Q6DUVJEND8b33G-NXxRVqfNiLBS_e9LSwP-KOPzttsRK0bcj1M32rnRrVePPCgEngWWFzsgdkc8jTNk__ug/s1690/virginie-poitrasson-benedicte-roscot-01-scaled-e1675172628160.jpg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1689" data-original-width="1690" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiF4uai9j1yjOU2mEeznXb3kOYz_dRITO0qwBg-YmxLp8ipo6l161NY96UvSmhUnCAM9ZH_7hgEnhE-GQN_IUW3HR5JIw0I1lqvkywGwo0Q6DUVJEND8b33G-NXxRVqfNiLBS_e9LSwP-KOPzttsRK0bcj1M32rnRrVePPCgEngWWFzsgdkc8jTNk__ug/s320/virginie-poitrasson-benedicte-roscot-01-scaled-e1675172628160.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">© Bénédicte Roscot </td></tr></tbody></table>Écrivain, performeuse et traductrice</span><span lang="FR" style="color: white; font-family: "Cambria", serif; font-size: 16pt;">, </span><span style="color: #ffa400; font-size: x-large;"><span lang="FR" style="font-family: "Cambria", serif;"><b>Virginie Poitrasson</b></span></span><span lang="FR" style="color: white; font-family: "Cambria", serif; font-size: 16pt;"> (née </span><span style="font-family: "Cambria",serif; font-size: 16.0pt;"></span><span lang="FR" style="color: white; font-family: "Cambria", serif; font-size: 16pt;">en 1975)<b> </b></span><span lang="FR" style="color: white; font-family: "Cambria", serif; font-size: 16pt;">explore les frontières entre les langues, les genres et
les modes d'expression plastiques (sons, vidéos, sérigraphie). </span><span lang="FR" style="color: white; font-family: "Cambria", serif; font-size: 16pt;">Autrice </span><span lang="FR" style="color: white; font-family: "Cambria", serif; font-size: 16pt;">de </span><i style="color: white;"><span lang="FR" style="font-family: "Cambria",serif; font-size: 16.0pt;">Tantôt, tantôt,
tantôt</span></i><span lang="FR" style="color: white; font-family: "Cambria", serif; font-size: 16pt;">
aux éditions du Seuil,</span><span lang="FR" style="color: white; font-family: "Cambria", serif; font-size: 16pt;"> d’<i style="mso-bidi-font-style: normal;">Une position qui est une position qui en est
une autre</i> aux éditions Lanskine, de <i style="mso-bidi-font-style: normal;">Le
pas-comme-si des choses</i>, </span><i style="color: white;"><span lang="FR" style="font-family: "Cambria",serif; font-size: 16.0pt;">Il faut toujours
garder en tête une formule magique</span></i><span lang="FR" style="color: white; font-family: "Cambria", serif; font-size: 16pt;"> et <i style="mso-bidi-font-style: normal;">Demi-valeurs</i>
aux éditions de l’Attente. </span><span lang="FR" style="color: white; font-family: "Cambria", serif; font-size: 16pt;">Invitée
comme performeuse au Centre Pompidou</span><span lang="FR" style="color: white; font-family: "Cambria", serif; font-size: 16pt;">, </span><span lang="FR" style="color: white; font-family: "Cambria", serif; font-size: 16pt;">à la Maison de la Poésie de Paris, au Centre d’Art contemporain de
Genève, à la SGDL, au Musée de la Chasse et de la Nature, au CNEAI, à la
Fondation Ricard, à la Kunsthalle de Mulhouse, aux festivals <i style="mso-bidi-font-style: normal;">Oh les beaux jours</i> à Marseille, </span><i style="color: white;"><span lang="FR" style="font-family: "Cambria", serif; font-size: 16pt;">Effractions </span></i><span lang="FR" style="color: white; font-family: "Cambria", serif; font-size: 16pt;">de
la BPI,</span><i style="color: white;"><span lang="FR" style="font-family: "Cambria", serif; font-size: 16pt;"> Rencontre à lire</span></i><span lang="FR" style="color: white; font-family: "Cambria", serif; font-size: 16pt;">, <i style="mso-bidi-font-style: normal;">MidiMinuitPoésie</i> et </span><span style="color: white;"><i><span lang="FR" style="font-family: "Cambria", serif; font-size: 16pt;">Expoésie</span></i><span lang="FR" style="font-family: "Cambria", serif; font-size: 16pt;">, à la
Galerie L’Ollave, la galerie Poggi & Bertoux associés, au Carré d’art de
Nîmes, au Centre d'études poétiques, ENS Lyon. Elle a traduit de
l’américain : </span><span lang="FR" style="font-family: "Cambria", serif; font-size: 16pt;">Ben Lerner (<i style="mso-bidi-font-style: normal;">Angle
de Lacet</i>, éditions Joca Seria), Michaël Palmer (<i style="mso-bidi-font-style: normal;">Première figure</i>, José Corti, avec Éric Suchère), Lyn Hejinian (<i style="mso-bidi-font-style: normal;">Lentement</i>, Format Américain),</span><span lang="FR" style="font-family: "Cambria",serif; font-size: 16.0pt; mso-bidi-language: FR;"> Cole Swensen, Mei Mei Berssenbrugge, Charles Bernstein, Jennifer K. Dick,
Michelle Noteboom, Shanxing Wang, Rodrigo Toscano, Laura Elrick.</span><span lang="FR" style="font-family: "Cambria", serif; font-size: 16pt;"> </span><span lang="FR" style="font-family: "Cambria", serif; font-size: 16pt;">Elle a
réalisé des livres d’artiste avec les plasticiennes Martina Kramer, Gabriele
Chiari et Christine Crozat (en cours). Elle a été invitée à écrire sur les
œuvres de Pierre Soulages et de Pierrette Bloch. Son livre <i style="mso-bidi-font-style: normal;">Il faut toujours garder en tête une formule magique</i> a été adapté en
Fiction radiophonique par France Culture. </span><span lang="FR" style="font-family: "Cambria",serif; font-size: 16.0pt;">Avec le musicien Joce
Mienniel, elle fait des lectures musicales et a créé le spectacle <i style="mso-bidi-font-style: normal;">Chambre(s) à Écho(s), </i>Lauréat
SACD/Beaumarchais Spectacle sonore. Elle collabore aussi avec le danseur
Olivier Gabrys (<i style="mso-bidi-font-style: normal;">Salle d’eau, Puzzle</i>).
Elle anime ponctuellement des ateliers d’écriture
dans des écoles d’art.</span></span><span lang="FR" style="font-family: "Cambria",serif; font-size: 16.0pt; mso-bidi-font-family: Cambria;"></span><span lang="FR" style="font-family: "Cambria",serif; font-size: 16.0pt;"><span lang="EN-US" style="mso-ansi-language: EN-US;"> </span><a href="http://virginiepoitrasson.blogspot.com/"><span lang="EN-US" style="mso-ansi-language: EN-US;">http://virginiepoitrasson.blogspot.com/</span></a></span><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Cambria",serif; font-size: 16.0pt; mso-ansi-language: EN-US;"></span></b></p>
<p class="MsoNormal" style="text-align: justify;"><b><span style="color: #ffa400; font-family: "Cambria", serif;"><span style="font-size: x-large;"></span></span></b></p><div class="separator" style="clear: both; text-align: center;"><b><span style="font-size: x-large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0AW1pxmvCO2ONKMbmccN2nafxudxqmPhNF0NdAAHw5p_a757zxXci4MOpyYNM9x8gbAKxM2Z_V8RimsglJZjVyQmq1a2eK25yJnETKy5nU0AxnKIycQf9AOfiey7gyeiSXpgf7mNIKuACkRXnM3MSnFDTSI6NRRMS9Uc-PETIyAP0uyuwj1VuPHxuQg/s1600/photo1Vincent%20Broqua.JPG" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0AW1pxmvCO2ONKMbmccN2nafxudxqmPhNF0NdAAHw5p_a757zxXci4MOpyYNM9x8gbAKxM2Z_V8RimsglJZjVyQmq1a2eK25yJnETKy5nU0AxnKIycQf9AOfiey7gyeiSXpgf7mNIKuACkRXnM3MSnFDTSI6NRRMS9Uc-PETIyAP0uyuwj1VuPHxuQg/s320/photo1Vincent%20Broqua.JPG" width="240" /></a></span></b></div><b><span style="font-size: x-large;">Vincent Broqua</span></b><span style="color: black; font-family: "Cambria",serif; font-size: 16.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;"> </span><span style="color: white; font-family: "Cambria", serif; font-size: 16pt;">is a writer
and translator. </span><span style="color: white; font-family: "Cambria", serif; font-size: 16pt;">He works with text, video and narrative for a
politics of lightness. </span><span lang="EN-GB" style="color: white; font-family: "Cambria", serif; font-size: 16pt;">He writes in French and
English and </span><span style="color: white; font-family: "Cambria", serif; font-size: 16pt;">his most recent book, </span><span style="color: white;"><i><span style="font-family: "Cambria", serif; font-size: 16pt;">Photocall,
projet d'attendrissement</span></i><span style="font-family: "Cambria", serif; font-size: 16pt;"> (</span><span lang="EN-GB" style="font-family: "Cambria", serif; font-size: 16pt;">Les petits matins</span><span style="font-family: "Cambria", serif; font-size: 16pt;">) was awarded
the 2021 Prize for gay novel/poetry in France. </span><span lang="EN-GB" style="font-family: "Cambria", serif; font-size: 16pt;">His othe</span><span style="font-family: "Cambria", serif; font-size: 16pt;">r books include</span><span lang="EN-GB" style="font-family: "Cambria", serif; font-size: 16pt;"> <i>Frais
du jour</i> (L'Ours Blanc, 2020), <i>Récupérer</i> (Les petits
matins, 2015; translated into English by Cole Swensen under the title <i>Recovery)</i>;
<i>même = same</i> (Contrat Maint, 2013),</span><span lang="EN-GB" style="font-family: "Cambria", serif; font-size: 16pt;"> </span><span style="font-family: "Cambria", serif; font-size: 16pt;">and</span><span style="font-family: "Cambria", serif; font-size: 16pt;"> <i><span lang="EN-GB">Given (novel for s.)</span></i><span lang="EN-GB"> </span></span><span style="font-family: "Cambria", serif; font-size: 16pt;">(Contrat Maint,
2009). His work has also appeared in <i>The Chicago review</i>, <i>Jacket</i>, <i>Jacket2</i>, <i>How2</i>, <i>READ</i>, <i>Place</i>,
etc. </span></span><p></p>
<p class="MsoNormal" style="text-align: justify; text-indent: 36.0pt;"><span style="color: white; font-family: "Cambria", serif; font-size: 16pt;">Broqua also
teaches in the MA in Literary Creation at Paris 8, where he is a professor. In
2000, he co-created the collective Double Change (</span><span lang="FR" style="font-family: "Cambria",serif; font-size: 16.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://doublechange.org" target="_blank"><span lang="EN-US" style="color: blue; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;">doublechange.org</span></a></span><span style="color: white; font-family: "Cambria", serif; font-size: 16pt;">), and in 2010
he co-founded the multilingual journal <i>Quaderna</i> (</span><span lang="FR" style="font-family: "Cambria",serif; font-size: 16.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://quaderna.org" target="_blank"><span lang="EN-US" style="color: blue; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;">quaderna.org</span></a></span><span style="color: white; font-family: "Cambria", serif; font-size: 16pt;">)</span><span style="color: white; font-family: "Cambria", serif; font-size: 16pt;">.</span><span style="color: white; font-family: "Cambria", serif; font-size: 16pt;"> With Abigail
Lang and Olivier Brossard, he is also the co-curator of the</span><span style="color: black; font-family: "Cambria",serif; font-size: 16.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;"> </span><span lang="FR" style="font-family: "Cambria",serif; font-size: 16.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="https://www.poetscritics.org/poets-and-critics-program/"><span lang="EN-US" style="color: blue; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;">Poets and Critics series</span></a></span><span style="color: black; font-family: "Cambria",serif; font-size: 16.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;">. </span><span style="color: white; font-family: "Cambria", serif; font-size: 16pt;">He is active
as a translator and has translated into French numerous poets, such as: David
Antin, Caroline Bergvall, Jen Bervin, Jim Dine, Thalia Field, Kevin Holden,
Kevin Killian, Monica de la Torre, Alice Notley, Karen Sandhu, Layli Long
Soldier, Tracie Morris, Redell Olsen, Jena Osman, Divya Victor, Anne Waldman,
Marjorie Welish, Rosmarie Waldrop, or Elizabeth Willis.</span></p>
<p></p>Jennifer K Dickhttp://www.blogger.com/profile/14819275106754521715noreply@blogger.com0tag:blogger.com,1999:blog-2215338180310572858.post-59662762032652885952023-03-08T10:53:00.000-08:002023-03-08T10:53:13.870-08:00Soirée Multilingue de poésie et de musique with Jody Pou, Jasmina Bolfek-Radovani and Atau Tanaka<!--[if gte mso 9]><xml>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="1" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
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<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
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<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
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<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
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<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
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<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
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<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
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<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
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<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
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<w:LsdException Locked="false" Priority="21" QFormat="true"
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<w:LsdException Locked="false" Priority="31" QFormat="true"
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<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
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<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
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<p align="center" class="MsoNormal" style="text-align: center;"><b><span lang="FR" style="font-family: "Cambria",serif; font-size: 14.0pt; mso-ansi-language: FR; mso-fareast-font-family: "Times New Roman";"></span></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhc0tiffH22P24LKKwuewjSwas0aTdNUjNbOxIokfxFc6QCv44OeDHzsShoDlIcxd2w_YgLM0gXXjY4XjDll1YC6jCe7mRsPtpw5BLjHXGXlFGjeFN9CnzibNZVES9Ehv4EFsiQvCL5gYCvzy_BjRfS_4rVHiFhRTv2gvueQQ2r0HqgdzmUBClcXgdjlg/s966/Word%20Art2.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="517" data-original-width="966" height="342" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhc0tiffH22P24LKKwuewjSwas0aTdNUjNbOxIokfxFc6QCv44OeDHzsShoDlIcxd2w_YgLM0gXXjY4XjDll1YC6jCe7mRsPtpw5BLjHXGXlFGjeFN9CnzibNZVES9Ehv4EFsiQvCL5gYCvzy_BjRfS_4rVHiFhRTv2gvueQQ2r0HqgdzmUBClcXgdjlg/w640-h342/Word%20Art2.jpeg" width="640" /></a></b></div><b><br />IVY WRITERS PARIS VOUS INVITE </b><span lang="FR" style="font-family: "Cambria",serif; mso-ansi-language: FR; mso-fareast-font-family: "Times New Roman";"></span><p></p><p align="center" class="MsoNormal" style="text-align: center;"><b><span lang="FR" style="font-family: "Cambria",serif; font-size: 14.0pt; mso-ansi-language: FR; mso-fareast-font-family: "Times New Roman";">à une soirée multilingue de lectures et
musique avec l’auteure</span></b><span lang="FR" style="font-family: "Cambria",serif; mso-ansi-language: FR; mso-fareast-font-family: "Times New Roman";"></span></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b><span lang="FR" style="font-family: "Cambria", serif; font-size: 20pt;">JODY POU</span></b><span lang="FR" style="font-family: "Cambria",serif; mso-ansi-language: FR; mso-fareast-font-family: "Times New Roman";"></span></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b><span lang="FR" style="font-family: "Cambria",serif; font-size: 14.0pt; mso-ansi-language: FR; mso-fareast-font-family: "Times New Roman";">et une collaboration entre l’auteure</span></b><b><span lang="FR" style="font-family: "Cambria",serif; mso-ansi-language: FR; mso-fareast-font-family: "Times New Roman";"></span></b></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b><span lang="FR" style="font-family: "Cambria", serif; font-size: 20pt;">JASMINA BOLFEK-RADOVANI</span></b></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b><span lang="FR" style="font-family: "Cambria",serif; font-size: 14.0pt; mso-ansi-language: FR; mso-fareast-font-family: "Times New Roman";">et le musicien</span></b></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b><span lang="FR" style="font-family: "Cambria", serif; font-size: 20pt;">ATAU TANAKA</span></b><span lang="FR" style="font-family: "Cambria",serif; mso-ansi-language: FR; mso-fareast-font-family: "Times New Roman";"></span></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b><span lang="EN-GB" style="font-family: "Cambria",serif; font-size: 14.0pt; mso-fareast-font-family: "Times New Roman";">You are invited to an evening of multilingual poetry &
performance on</span></b><span lang="EN-GB" style="font-family: "Cambria",serif; mso-fareast-font-family: "Times New Roman";"></span></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b><span lang="FR" style="font-family: "Cambria",serif; font-size: 20.0pt; mso-ansi-language: FR; mso-fareast-font-family: "Times New Roman";">Mardi le 21 mars 2023 </span></b><span lang="FR" style="font-family: "Cambria",serif; mso-ansi-language: FR; mso-fareast-font-family: "Times New Roman";"></span></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b><span lang="FR" style="font-family: "Cambria",serif; font-size: 20.0pt; mso-ansi-language: FR; mso-fareast-font-family: "Times New Roman";"> 19h30 </span></b><span lang="FR" style="font-family: "Cambria",serif; mso-ansi-language: FR; mso-fareast-font-family: "Times New Roman";"></span></p>
<p class="MsoNormal"><b><span lang="FR" style="font-family: "Cambria",serif; mso-ansi-language: FR; mso-fareast-font-family: "Times New Roman";">Le 21 mars 2023
à 19h30</span></b><span lang="FR" style="font-family: "Cambria",serif; mso-ansi-language: FR; mso-fareast-font-family: "Times New Roman";"></span></p>
<p class="MsoNormal"><b><span lang="FR" style="font-family: "Cambria",serif; mso-ansi-language: FR; mso-fareast-font-family: "Times New Roman";">Delaville Café,
Salle Marguery (au 1<sup>er</sup>), </span></b><span lang="FR" style="font-family: "Cambria",serif; mso-ansi-language: FR; mso-fareast-font-family: "Times New Roman";"></span></p>
<p class="MsoNormal"><b><span lang="FR" style="font-family: "Cambria",serif; mso-ansi-language: FR; mso-fareast-font-family: "Times New Roman";">34 boulevard
Bonne Nouvelle, 75010 Paris </span></b><span lang="FR" style="font-family: "Cambria",serif; mso-ansi-language: FR; mso-fareast-font-family: "Times New Roman";"></span></p>
<p class="MsoNormal"><b><span lang="FR" style="font-family: "Cambria",serif; mso-ansi-language: FR; mso-fareast-font-family: "Times New Roman";">M° Bonne
nouvelle (ligne 8 or 9) </span></b><span lang="FR" style="font-family: "Cambria",serif; mso-ansi-language: FR; mso-fareast-font-family: "Times New Roman";"></span></p>
<p class="MsoNormal"><span lang="EN-GB" style="font-family: "Cambria",serif; mso-fareast-font-family: "Times New Roman";">Meet at bar for happy hour drinks
before the reading!</span></p>
<p class="MsoNormal" style="text-align: justify;"><b><span lang="EN-GB" style="font-family: "Helvetica",sans-serif; font-size: 11.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> </span></b></p>
<p class="MsoNormal" style="text-align: justify;"><b><span lang="EN-GB" style="font-family: "Cambria",serif; font-size: 11.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">BIOS:</span></b></p>
<p class="MsoNormal" style="text-align: justify;"><span style="font-size: medium;"><span lang="FR" style="background: rgb(254, 255, 255); font-family: "Cambria", serif;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: medium;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpIc0G3y2fR_ECNIq3CJ1sGJYzX1UhgObabtMBpxj9kOgwX_v6uMXxRvqKq3PBErOXeRm46zaYoafdlsxipHPCvAliwCM5sPei6FHoonbRoaPDikx-ZjH2xJy_hf5e5uuNvDiNIj9Bv5JeU5Riis_D1URNb6B-NMmaBTrsVhq2esDp8osfnwa2DbY80Q/s2821/Jody%20Pou.JPG" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1881" data-original-width="2821" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpIc0G3y2fR_ECNIq3CJ1sGJYzX1UhgObabtMBpxj9kOgwX_v6uMXxRvqKq3PBErOXeRm46zaYoafdlsxipHPCvAliwCM5sPei6FHoonbRoaPDikx-ZjH2xJy_hf5e5uuNvDiNIj9Bv5JeU5Riis_D1URNb6B-NMmaBTrsVhq2esDp8osfnwa2DbY80Q/s320/Jody%20Pou.JPG" width="320" /></a></b></span></div><div style="text-align: justify;"><span style="font-size: medium;"><span style="background-color: #bf9000;"><b>Jody Pou</b> est artiste
multidisciplinaire. Titulaire du premier prix de chant lyrique et baroque du
Conservatoire de Paris, elle remporte plusieurs prix internationaux avant d<span dir="RTL"></span><span dir="RTL"></span><span dir="RTL" lang="AR-SA" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Times New Roman", serif;"><span dir="RTL"></span><span dir="RTL"></span>’</span><span lang="FR" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Cambria", serif;">amorcer
une carri</span><span lang="IT" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Cambria", serif;">è</span><span lang="FR" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Cambria", serif;">re tournée
vers le répertoire contemporain, interprétant et créant ainsi des pièces de
compositeurs tel que Pascal Dusapin, Georges Aperghis, Gérard Pesson et Igor
Ballereau. Elle fonde à New York, en 2007, le net label shskh.com avec le
compositeur Igor Ballereau, où on peut trouver l’oeuvre intégral d’Anton Webern
pour piano et chant interprétée par Jody et Emily Manzo, pianiste. En 2010,
elle chante le rôle de soprano dans <i>Aventures et Nouvelles Aventures</i> de
Gy</span><span lang="SV" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Cambria", serif;">ö</span><span lang="FR" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Cambria", serif;">rgy Ligeti à
L</span><span dir="RTL"></span><span dir="RTL"></span><span dir="RTL" lang="AR-SA" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Times New Roman", serif;"><span dir="RTL"></span><span dir="RTL"></span>’</span><span lang="NL" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Cambria", serif;">Op</span><span lang="FR" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Cambria", serif;">éra Bastille.
Son premier livre, </span><i><span lang="DE" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Cambria", serif;">Will</span></i><span lang="FR" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Cambria", serif;">, est édité par Les Petits Matins, Paris 2009, et
son deuxi</span><span lang="IT" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Cambria", serif;">è</span><span lang="FR" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Cambria", serif;">me, <i>I
Thought J</i></span><span dir="RTL"></span><span dir="RTL"></span><i><span dir="RTL" lang="AR-SA" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Times New Roman", serif;"><span dir="RTL"></span><span dir="RTL"></span>’</span></i><i><span lang="PT" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Cambria", serif;">irais en Bloom</span></i><span lang="FR" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Cambria", serif;">, chez Le
Bleu du Ciel, Bordeaux 2014. Elle figure dans l’anthologie <i>Women: Poetry:
Migration</i><b>. </b><span> </span>En 2017, elle fond
avec deux associés, WORK, entreprise dédiée à l’avenir du travail. Autodidacte,
elle est peintre depuis 2014, céramiste depuis 2020. On peut trouver ses œuvres
chez Behance et SaatchiArt et sur son site </span><span class="Hyperlink0"><span lang="EN-GB" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Cambria", serif;"><a href="https://jodypoustudios.fr/"><span lang="FR">https://jodypoustudios.fr/</span></a></span></span><span class="Hyperlink0"><span lang="EN-GB" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Cambria", serif;"> </span></span></span><span lang="FR" style="background: rgb(254, 255, 255); font-family: "Cambria", serif;"><span style="background-color: #bf9000;"><span> </span>et ses écrits actuels en forme de newsletter à
<a href="https://jodypou.substack.com/">https://jodypou.substack.com/</a></span> </span><span lang="FR" style="background: rgb(254, 255, 255); font-family: "Cambria", serif;"></span></span></div>
<p class="MsoNormal" style="text-align: justify;"><span style="font-size: medium;"><b><span lang="EN-GB" style="font-family: "Cambria", serif;"></span></b></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: medium;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIWH2i6bN3jdF5vQ-Ksklqf79fLVyYhLpvs-CemuhqTk8q9X75MZMjWLlWb3Xd4i4Nrq29M7ARVun9iVAE7NZOX6jYyxveT1BcMrNA9LvGBjyfoD2dDgvdtavwodbX_2OsJT3HtU0o3YZNbs6HojhDLIDW-MKJjbeRei1-dz8aFx7oHcbzVWMLqdi4GQ/s320/JBR_Paris_pic.jpeg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="320" data-original-width="214" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIWH2i6bN3jdF5vQ-Ksklqf79fLVyYhLpvs-CemuhqTk8q9X75MZMjWLlWb3Xd4i4Nrq29M7ARVun9iVAE7NZOX6jYyxveT1BcMrNA9LvGBjyfoD2dDgvdtavwodbX_2OsJT3HtU0o3YZNbs6HojhDLIDW-MKJjbeRei1-dz8aFx7oHcbzVWMLqdi4GQ/s1600/JBR_Paris_pic.jpeg" width="214" /></a></b></span></div><span style="font-size: medium;"><b><span style="background-color: #bf9000;">Jasmina Bolfek-Radovani</span></b><span lang="EN-GB" style="background-color: #bf9000; font-family: "Cambria", serif;"> is a London-based poet, arts
practitioner and researcher of Croatian/Algerian heritage born in Zagreb. Her
multilingual poems in English, French and Croatian have appeared in various UK
magazines including <i>Molly Bloom</i>, <i>Pamenar Press, Tears in the Fence</i>, <i>The Fortnightly Review, </i><span>and</span><i> Junction Box, </i>and in literary journals and magazines in Canada and
Croatia. She is the founder of the collaborative poetry project <i>Unbound</i> that
received funding from from the Arts and Humanities Research Council<span style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto;"><span class="apple-converted-space"> </span></span><em><u><span style="font-family: "Cambria", serif;">Language Acts and Worldmaking</span></u></em><em><span style="font-family: "Cambria", serif; font-style: normal;"> </span></em><em><span style="font-family: "Cambria", serif; font-style: normal;">Small grants
programme in 2018 and 2019</span></em><em><span style="font-family: "Cambria", serif; font-style: normal;">.</span></em> Jasmina has (co-)directed several multilingual
poetry recitals and performances in London between 2019 and 2022 and has given
talks and published essays on multilingual poetry practice, both nationally and
internationally. Her second multilingual poetry collection <i>Knitting drum
machines for exiled tongues</i> was published in 2022 (Dorset: Tears in the
Fence). The multilingual poetry performance <i>Heart Monologues</i><span class="apple-converted-space"><span style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto;"> </span></span>was
premiered in London in March 2022; it will be shown again in Paris and Pula (21
March 2023, Paris, France & 13 April 2023, Pula, Croatia). <span style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto;">Website: </span></span><span lang="EN-GB" style="background-color: #bf9000; font-family: "Cambria", serif;"><a href="https://jasminabradovani.com"><span style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto;">https://jasminabradovani.com</span></a></span><span lang="EN-GB" style="background-color: #bf9000; font-family: "Cambria", serif;"> Instagram: @jbolfekradovani</span></span><p></p>
<p class="MsoNormal" style="text-align: justify;"><span style="font-size: medium;"><span lang="EN-GB" style="font-family: "Cambria", serif;">Fb: </span><span lang="EN-GB" style="font-family: "Cambria", serif;"><a href="https://www.facebook.com/minabolfek/"><span>https://www.facebook.com/minabolfek/</span></a></span><span style="font-family: "Cambria", serif;"></span></span></p>
<p class="MsoNormal" style="text-align: justify;"><span style="font-size: medium;"><b><span lang="EN-GB" style="font-family: "Cambria", serif;"></span></b></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: medium;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhBkMh2tFvmGKgGs4tioOscWUiz8kOB78A7FeVt9Drj8vYTPgaISx7JGBM_bOvtiW-nvEuY38g09KGgWgTJDsdPfKyakCHktQNu4N4Frl5xTEcw6H058jy8yfiVVGUIRPQNCUoW8P5-2DEVEje48GHOC9wF_9LfjRsjDOhq3j2crnqY3Ls3waG-NcXdQ/s320/AT_Paris_pic.jpeg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="320" data-original-width="218" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhBkMh2tFvmGKgGs4tioOscWUiz8kOB78A7FeVt9Drj8vYTPgaISx7JGBM_bOvtiW-nvEuY38g09KGgWgTJDsdPfKyakCHktQNu4N4Frl5xTEcw6H058jy8yfiVVGUIRPQNCUoW8P5-2DEVEje48GHOC9wF_9LfjRsjDOhq3j2crnqY3Ls3waG-NcXdQ/s1600/AT_Paris_pic.jpeg" width="218" /></a></b></span></div><span style="font-size: medium;"><b><span style="background-color: #bf9000;">Atau Tanaka</span></b><span class="apple-converted-space" style="background-color: #bf9000;"><span lang="EN-GB" style="font-family: "Cambria", serif;"> </span></span><span lang="EN-GB" style="background-color: #bf9000; font-family: "Cambria", serif;">studied with
Ivan Tcherepnin at Harvard, and John Chowning at CCRMA/Stanford. He has carried
out research at IRCAM Centre Pompidou, Apple France, and Sony Computer Science
Laboratory (CSL) Paris. His first inspirations came meeting John Cage in the
80s. In the 90s he formed Sensorband with Karkowski and Edwin van der Heide,
and has releases on Superpang, SubRosa, Touch/Ash, and NX Records. He has
performed at NTT-ICC, Ars Electronica, WOMAD, Sonar, Eyebeam and SFMOMA. He was
artistic co-director of STEIM and Edgard-Varèse Guest Professor at TU
Berlin. He works at Goldsmiths, Bristol Interaction Group, and MSH Paris Nord.</span></span><p></p>
<p align="justify"> </p>Jennifer K Dickhttp://www.blogger.com/profile/14819275106754521715noreply@blogger.com0tag:blogger.com,1999:blog-2215338180310572858.post-59242669991604946002023-02-14T15:40:00.000-08:002023-02-14T15:40:23.764-08:00Ivy le 21 février 2023 à 19h30 au Delaville avec M Anselmo, B Stranmeyer et J Stoneking<!--[if !mso]>
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<p align="center" class="MsoNormal" style="border: none; mso-padding-alt: 0cm 0cm 0cm 0cm; text-align: center;"><span style="mso-ignore: vglayout; position: relative; z-index: -1895825408;"><span style="height: 2552px; left: -219px; left: 0px; position: absolute; top: -191px; width: 2367px;"><img alt="Une image contenant pluie, nature, graffiti, peinture
Description générée automatiquement" height="1276" src="file:///C:/Users/fragm/AppData/Local/Temp/msohtmlclip1/01/clip_image002.gif" width="1184" /></span></span><b><span lang="FR" style="border: none; color: #0d0d0d; font-family: "Cambria",serif; font-size: 20.0pt; mso-ansi-language: FR; mso-effects-shadow-align: topleft; mso-effects-shadow-alpha: 30.0%; mso-effects-shadow-angledirection: 5400000; mso-effects-shadow-anglekx: 0; mso-effects-shadow-angleky: 0; mso-effects-shadow-color: black; mso-effects-shadow-dpidistance: 1.8pt; mso-effects-shadow-dpiradius: 3.0pt; mso-effects-shadow-pctsx: 100.0%; mso-effects-shadow-pctsy: 100.0%; mso-fareast-font-family: "Times New Roman"; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: "lumm=95000 lumo=5000"; mso-style-textfill-fill-themecolor: text1; mso-style-textoutline-fill-alpha: 100.0%; mso-style-textoutline-fill-color: #FF644E; mso-style-textoutline-fill-themecolor: accent5; mso-style-textoutline-outlinestyle-align: center; mso-style-textoutline-outlinestyle-compound: simple; mso-style-textoutline-outlinestyle-dash: solid; mso-style-textoutline-outlinestyle-dpiwidth: .8pt; mso-style-textoutline-outlinestyle-join: round; mso-style-textoutline-outlinestyle-linecap: flat; mso-style-textoutline-outlinestyle-pctmiterlimit: 0%; mso-style-textoutline-type: solid; mso-themecolor: text1; mso-themetint: 242;">IVY WRITERS PARIS VOUS INVITE</span></b><b><span lang="FR" style="border: none; color: #0d0d0d; font-family: "Cambria",serif; font-size: 20.0pt; mso-ansi-language: FR; mso-fareast-font-family: "Times New Roman"; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: "lumm=95000 lumo=5000"; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;"></span></b></p>
<p align="center" class="MsoNormal" style="border: none; mso-padding-alt: 0cm 0cm 0cm 0cm; text-align: center;"><b><span lang="FR" style="border: none; color: #0d0d0d; font-family: "Cambria",serif; font-size: 20.0pt; mso-ansi-language: FR; mso-effects-shadow-align: topleft; mso-effects-shadow-alpha: 30.0%; mso-effects-shadow-angledirection: 5400000; mso-effects-shadow-anglekx: 0; mso-effects-shadow-angleky: 0; mso-effects-shadow-color: black; mso-effects-shadow-dpidistance: 1.8pt; mso-effects-shadow-dpiradius: 3.0pt; mso-effects-shadow-pctsx: 100.0%; mso-effects-shadow-pctsy: 100.0%; mso-fareast-font-family: "Times New Roman"; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: "lumm=95000 lumo=5000"; mso-style-textfill-fill-themecolor: text1; mso-style-textoutline-fill-alpha: 100.0%; mso-style-textoutline-fill-color: #FF644E; mso-style-textoutline-fill-themecolor: accent5; mso-style-textoutline-outlinestyle-align: center; mso-style-textoutline-outlinestyle-compound: simple; mso-style-textoutline-outlinestyle-dash: solid; mso-style-textoutline-outlinestyle-dpiwidth: .8pt; mso-style-textoutline-outlinestyle-join: round; mso-style-textoutline-outlinestyle-linecap: flat; mso-style-textoutline-outlinestyle-pctmiterlimit: 0%; mso-style-textoutline-type: solid; mso-themecolor: text1; mso-themetint: 242;">à une soirée de lectures avec</span></b><b style="mso-bidi-font-weight: normal;"><span lang="FR" style="border: none; color: #0d0d0d; font-family: "Cambria",serif; font-size: 20.0pt; mso-ansi-language: FR; mso-effects-shadow-align: topleft; mso-effects-shadow-alpha: 30.0%; mso-effects-shadow-angledirection: 5400000; mso-effects-shadow-anglekx: 0; mso-effects-shadow-angleky: 0; mso-effects-shadow-color: black; mso-effects-shadow-dpidistance: 1.8pt; mso-effects-shadow-dpiradius: 3.0pt; mso-effects-shadow-pctsx: 100.0%; mso-effects-shadow-pctsy: 100.0%; mso-fareast-font-family: "Times New Roman"; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: "lumm=95000 lumo=5000"; mso-style-textfill-fill-themecolor: text1; mso-style-textoutline-fill-alpha: 100.0%; mso-style-textoutline-fill-color: #FF644E; mso-style-textoutline-fill-themecolor: accent5; mso-style-textoutline-outlinestyle-align: center; mso-style-textoutline-outlinestyle-compound: simple; mso-style-textoutline-outlinestyle-dash: solid; mso-style-textoutline-outlinestyle-dpiwidth: .8pt; mso-style-textoutline-outlinestyle-join: round; mso-style-textoutline-outlinestyle-linecap: flat; mso-style-textoutline-outlinestyle-pctmiterlimit: 0%; mso-style-textoutline-type: solid; mso-themecolor: text1; mso-themetint: 242;"></span></b></p>
<p align="center" class="MsoNormal" style="border: none; mso-padding-alt: 0cm 0cm 0cm 0cm; text-align: center;"><span style="background-color: #bf9000;"><b><span lang="FR" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; border: medium none; color: #0d0d0d; font-family: "Helvetica Neue", serif; font-size: 20pt;">MARIELLE ANSELMO</span></b><b style="mso-bidi-font-weight: normal;"><span lang="FR" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; border: medium none; color: #0d0d0d; font-family: "Helvetica Neue", serif; font-size: 20pt;"></span></b></span></p><span style="background-color: #bf9000;">
</span><p align="center" class="MsoNormal" style="border: none; mso-padding-alt: 0cm 0cm 0cm 0cm; text-align: center;"><span style="background-color: #bf9000;"><b><span lang="FR" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; border: medium none; color: #0d0d0d; font-family: "Helvetica Neue", serif; font-size: 20pt;">JASON STONEKING </span></b><b style="mso-bidi-font-weight: normal;"><span lang="FR" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; border: medium none; color: #0d0d0d; font-family: "Helvetica Neue", serif; font-size: 20pt;"></span></b></span></p><span style="background-color: #bf9000;">
</span><p align="center" class="MsoNormal" style="border: none; mso-padding-alt: 0cm 0cm 0cm 0cm; text-align: center;"><span style="background-color: #bf9000;"><b style="mso-bidi-font-weight: normal;"><span lang="FR" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; border: medium none; color: #0d0d0d; font-family: "Helvetica Neue", serif; font-size: 20pt;">et </span></b></span></p><span style="background-color: #bf9000;">
</span><p align="center" class="MsoNormal" style="border: none; mso-padding-alt: 0cm 0cm 0cm 0cm; text-align: center;"><span style="background-color: #bf9000;"><b><span style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; border: medium none; color: #0d0d0d; font-family: "Helvetica Neue", serif; font-size: 20pt;">WILLIAM STRANGMEYER</span></b></span><b style="mso-bidi-font-weight: normal;"><span style="border: none; color: #0d0d0d; font-family: "Helvetica Neue",serif; font-size: 20.0pt; mso-ascii-theme-font: major-latin; mso-effects-shadow-align: topleft; mso-effects-shadow-alpha: 30.0%; mso-effects-shadow-angledirection: 5400000; mso-effects-shadow-anglekx: 0; mso-effects-shadow-angleky: 0; mso-effects-shadow-color: black; mso-effects-shadow-dpidistance: 1.8pt; mso-effects-shadow-dpiradius: 3.0pt; mso-effects-shadow-pctsx: 100.0%; mso-effects-shadow-pctsy: 100.0%; mso-fareast-font-family: "Times New Roman"; mso-hansi-theme-font: major-latin; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: "lumm=95000 lumo=5000"; mso-style-textfill-fill-themecolor: text1; mso-style-textoutline-fill-alpha: 100.0%; mso-style-textoutline-fill-color: #FF644E; mso-style-textoutline-fill-themecolor: accent5; mso-style-textoutline-outlinestyle-align: center; mso-style-textoutline-outlinestyle-compound: simple; mso-style-textoutline-outlinestyle-dash: solid; mso-style-textoutline-outlinestyle-dpiwidth: .8pt; mso-style-textoutline-outlinestyle-join: round; mso-style-textoutline-outlinestyle-linecap: flat; mso-style-textoutline-outlinestyle-pctmiterlimit: 0%; mso-style-textoutline-type: solid; mso-themecolor: text1; mso-themetint: 242;"></span></b></p>
<p align="center" class="MsoNormal" style="border: none; mso-padding-alt: 0cm 0cm 0cm 0cm; text-align: center;"><b><span style="border: none; color: #0d0d0d; font-family: "Helvetica Neue",serif; font-size: 20.0pt; mso-ascii-theme-font: major-latin; mso-effects-shadow-align: topleft; mso-effects-shadow-alpha: 30.0%; mso-effects-shadow-angledirection: 5400000; mso-effects-shadow-anglekx: 0; mso-effects-shadow-angleky: 0; mso-effects-shadow-color: black; mso-effects-shadow-dpidistance: 1.8pt; mso-effects-shadow-dpiradius: 3.0pt; mso-effects-shadow-pctsx: 100.0%; mso-effects-shadow-pctsy: 100.0%; mso-fareast-font-family: "Times New Roman"; mso-hansi-theme-font: major-latin; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: "lumm=95000 lumo=5000"; mso-style-textfill-fill-themecolor: text1; mso-style-textoutline-fill-alpha: 100.0%; mso-style-textoutline-fill-color: #FF644E; mso-style-textoutline-fill-themecolor: accent5; mso-style-textoutline-outlinestyle-align: center; mso-style-textoutline-outlinestyle-compound: simple; mso-style-textoutline-outlinestyle-dash: solid; mso-style-textoutline-outlinestyle-dpiwidth: .8pt; mso-style-textoutline-outlinestyle-join: round; mso-style-textoutline-outlinestyle-linecap: flat; mso-style-textoutline-outlinestyle-pctmiterlimit: 0%; mso-style-textoutline-type: solid; mso-themecolor: text1; mso-themetint: 242;">You are
invited to an evening of readings on</span></b><b style="mso-bidi-font-weight: normal;"><span style="border: none; color: #0d0d0d; font-family: "Helvetica Neue",serif; font-size: 20.0pt; mso-ascii-theme-font: major-latin; mso-effects-shadow-align: topleft; mso-effects-shadow-alpha: 30.0%; mso-effects-shadow-angledirection: 5400000; mso-effects-shadow-anglekx: 0; mso-effects-shadow-angleky: 0; mso-effects-shadow-color: black; mso-effects-shadow-dpidistance: 1.8pt; mso-effects-shadow-dpiradius: 3.0pt; mso-effects-shadow-pctsx: 100.0%; mso-effects-shadow-pctsy: 100.0%; mso-fareast-font-family: "Times New Roman"; mso-hansi-theme-font: major-latin; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: "lumm=95000 lumo=5000"; mso-style-textfill-fill-themecolor: text1; mso-style-textoutline-fill-alpha: 100.0%; mso-style-textoutline-fill-color: #FF644E; mso-style-textoutline-fill-themecolor: accent5; mso-style-textoutline-outlinestyle-align: center; mso-style-textoutline-outlinestyle-compound: simple; mso-style-textoutline-outlinestyle-dash: solid; mso-style-textoutline-outlinestyle-dpiwidth: .8pt; mso-style-textoutline-outlinestyle-join: round; mso-style-textoutline-outlinestyle-linecap: flat; mso-style-textoutline-outlinestyle-pctmiterlimit: 0%; mso-style-textoutline-type: solid; mso-themecolor: text1; mso-themetint: 242;"></span></b></p>
<p align="center" class="MsoNormal" style="border: none; mso-padding-alt: 0cm 0cm 0cm 0cm; text-align: center;"><span style="background-color: #f1c232;"><b><span lang="FR" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; border: medium none; color: #0d0d0d; font-family: "Helvetica Neue", serif; font-size: 20pt;">Mardi le 21 Février 2023</span></b><b><span lang="FR" style="border: none; color: #0d0d0d; font-family: "Helvetica Neue",serif; font-size: 20.0pt; mso-ansi-language: FR; mso-ascii-theme-font: major-latin; mso-effects-shadow-align: topleft; mso-effects-shadow-alpha: 30.0%; mso-effects-shadow-angledirection: 5400000; mso-effects-shadow-anglekx: 0; mso-effects-shadow-angleky: 0; mso-effects-shadow-color: black; mso-effects-shadow-dpidistance: 1.8pt; mso-effects-shadow-dpiradius: 3.0pt; mso-effects-shadow-pctsx: 100.0%; mso-effects-shadow-pctsy: 100.0%; mso-fareast-font-family: "Times New Roman"; mso-hansi-theme-font: major-latin; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: "lumm=95000 lumo=5000"; mso-style-textfill-fill-themecolor: text1; mso-style-textoutline-fill-alpha: 100.0%; mso-style-textoutline-fill-color: #FF644E; mso-style-textoutline-fill-themecolor: accent5; mso-style-textoutline-outlinestyle-align: center; mso-style-textoutline-outlinestyle-compound: simple; mso-style-textoutline-outlinestyle-dash: solid; mso-style-textoutline-outlinestyle-dpiwidth: .8pt; mso-style-textoutline-outlinestyle-join: round; mso-style-textoutline-outlinestyle-linecap: flat; mso-style-textoutline-outlinestyle-pctmiterlimit: 0%; mso-style-textoutline-type: solid; mso-themecolor: text1; mso-themetint: 242;"> </span></b><b style="mso-bidi-font-weight: normal;"><span lang="FR" style="border: none; color: #0d0d0d; font-family: "Helvetica Neue",serif; font-size: 20.0pt; mso-ansi-language: FR; mso-ascii-theme-font: major-latin; mso-effects-shadow-align: topleft; mso-effects-shadow-alpha: 30.0%; mso-effects-shadow-angledirection: 5400000; mso-effects-shadow-anglekx: 0; mso-effects-shadow-angleky: 0; mso-effects-shadow-color: black; mso-effects-shadow-dpidistance: 1.8pt; mso-effects-shadow-dpiradius: 3.0pt; mso-effects-shadow-pctsx: 100.0%; mso-effects-shadow-pctsy: 100.0%; mso-fareast-font-family: "Times New Roman"; mso-hansi-theme-font: major-latin; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: "lumm=95000 lumo=5000"; mso-style-textfill-fill-themecolor: text1; mso-style-textoutline-fill-alpha: 100.0%; mso-style-textoutline-fill-color: #FF644E; mso-style-textoutline-fill-themecolor: accent5; mso-style-textoutline-outlinestyle-align: center; mso-style-textoutline-outlinestyle-compound: simple; mso-style-textoutline-outlinestyle-dash: solid; mso-style-textoutline-outlinestyle-dpiwidth: .8pt; mso-style-textoutline-outlinestyle-join: round; mso-style-textoutline-outlinestyle-linecap: flat; mso-style-textoutline-outlinestyle-pctmiterlimit: 0%; mso-style-textoutline-type: solid; mso-themecolor: text1; mso-themetint: 242;"></span></b></span></p><span style="background-color: #f1c232;">
</span><p align="center" class="MsoNormal" style="border: none; mso-padding-alt: 0cm 0cm 0cm 0cm; text-align: center;"><b><span lang="FR" style="border: none; color: #0d0d0d; font-family: "Helvetica Neue",serif; font-size: 20.0pt; mso-ansi-language: FR; mso-ascii-theme-font: major-latin; mso-effects-shadow-align: topleft; mso-effects-shadow-alpha: 30.0%; mso-effects-shadow-angledirection: 5400000; mso-effects-shadow-anglekx: 0; mso-effects-shadow-angleky: 0; mso-effects-shadow-color: black; mso-effects-shadow-dpidistance: 1.8pt; mso-effects-shadow-dpiradius: 3.0pt; mso-effects-shadow-pctsx: 100.0%; mso-effects-shadow-pctsy: 100.0%; mso-fareast-font-family: "Times New Roman"; mso-hansi-theme-font: major-latin; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: "lumm=95000 lumo=5000"; mso-style-textfill-fill-themecolor: text1; mso-style-textoutline-fill-alpha: 100.0%; mso-style-textoutline-fill-color: #FF644E; mso-style-textoutline-fill-themecolor: accent5; mso-style-textoutline-outlinestyle-align: center; mso-style-textoutline-outlinestyle-compound: simple; mso-style-textoutline-outlinestyle-dash: solid; mso-style-textoutline-outlinestyle-dpiwidth: .8pt; mso-style-textoutline-outlinestyle-join: round; mso-style-textoutline-outlinestyle-linecap: flat; mso-style-textoutline-outlinestyle-pctmiterlimit: 0%; mso-style-textoutline-type: solid; mso-themecolor: text1; mso-themetint: 242;"><span style="background-color: #f1c232;"> <span style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto;">19h30</span></span> </span></b><b style="mso-bidi-font-weight: normal;"><span lang="FR" style="border: none; color: #0d0d0d; font-family: "Helvetica Neue",serif; font-size: 20.0pt; mso-ansi-language: FR; mso-ascii-theme-font: major-latin; mso-effects-shadow-align: topleft; mso-effects-shadow-alpha: 30.0%; mso-effects-shadow-angledirection: 5400000; mso-effects-shadow-anglekx: 0; mso-effects-shadow-angleky: 0; mso-effects-shadow-color: black; mso-effects-shadow-dpidistance: 1.8pt; mso-effects-shadow-dpiradius: 3.0pt; mso-effects-shadow-pctsx: 100.0%; mso-effects-shadow-pctsy: 100.0%; mso-fareast-font-family: "Times New Roman"; mso-hansi-theme-font: major-latin; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: "lumm=95000 lumo=5000"; mso-style-textfill-fill-themecolor: text1; mso-style-textoutline-fill-alpha: 100.0%; mso-style-textoutline-fill-color: #FF644E; mso-style-textoutline-fill-themecolor: accent5; mso-style-textoutline-outlinestyle-align: center; mso-style-textoutline-outlinestyle-compound: simple; mso-style-textoutline-outlinestyle-dash: solid; mso-style-textoutline-outlinestyle-dpiwidth: .8pt; mso-style-textoutline-outlinestyle-join: round; mso-style-textoutline-outlinestyle-linecap: flat; mso-style-textoutline-outlinestyle-pctmiterlimit: 0%; mso-style-textoutline-type: solid; mso-themecolor: text1; mso-themetint: 242;"></span></b></p>
<p class="Pardfaut" style="line-height: 16.0pt; text-align: justify; text-indent: 1.0cm;"><b style="mso-bidi-font-weight: normal;"><span lang="FR" style="color: white; mso-effects-shadow-align: topleft; mso-effects-shadow-alpha: 30.0%; mso-effects-shadow-angledirection: 5400000; mso-effects-shadow-anglekx: 0; mso-effects-shadow-angleky: 0; mso-effects-shadow-color: black; mso-effects-shadow-dpidistance: 1.8pt; mso-effects-shadow-dpiradius: 3.0pt; mso-effects-shadow-pctsx: 100.0%; mso-effects-shadow-pctsy: 100.0%; mso-style-textoutline-outlinestyle-align: center; mso-style-textoutline-outlinestyle-compound: simple; mso-style-textoutline-outlinestyle-dash: solid; mso-style-textoutline-outlinestyle-dpiwidth: 0pt; mso-style-textoutline-outlinestyle-join: bevel; mso-style-textoutline-outlinestyle-linecap: round; mso-style-textoutline-outlinestyle-pctmiterlimit: 0%; mso-style-textoutline-type: none;"> </span></b></p>
<p class="MsoNormal" style="border: none; mso-padding-alt: 0cm 0cm 0cm 0cm;"><span style="background-color: #bf9000;"><b><span lang="FR" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; border: medium none; color: #0d0d0d; font-family: "Helvetica Neue", serif;">Le 21 février 2023 à 19h30</span></b><b style="mso-bidi-font-weight: normal;"><span lang="FR" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; border: medium none; color: #0d0d0d; font-family: "Helvetica Neue", serif;"></span></b></span></p><span style="background-color: #bf9000;">
</span><p class="MsoNormal" style="border: none; mso-padding-alt: 0cm 0cm 0cm 0cm;"><span style="background-color: #bf9000;"><b><span lang="FR" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; border: medium none; color: #0d0d0d; font-family: "Helvetica Neue", serif;">Delaville Café, Salle Marguery
(au 1<sup>er</sup>), </span></b><b style="mso-bidi-font-weight: normal;"><span lang="FR" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; border: medium none; color: #0d0d0d; font-family: "Helvetica Neue", serif;"></span></b></span></p><span style="background-color: #bf9000;">
</span><p class="MsoNormal" style="border: none; mso-padding-alt: 0cm 0cm 0cm 0cm;"><span style="background-color: #bf9000;"><b><span lang="FR" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; border: medium none; color: #0d0d0d; font-family: "Helvetica Neue", serif;">34 boulevard Bonne
Nouvelle, </span></b><b style="mso-bidi-font-weight: normal;"><span lang="FR" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; border: medium none; color: #0d0d0d; font-family: "Helvetica Neue", serif;"></span></b></span></p><span style="background-color: #bf9000;">
</span><p class="MsoNormal" style="border: none; mso-padding-alt: 0cm 0cm 0cm 0cm;"><span style="background-color: #bf9000;"><b><span lang="FR" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; border: medium none; color: #0d0d0d; font-family: "Helvetica Neue", serif;">75010 Paris </span></b><b style="mso-bidi-font-weight: normal;"><span lang="FR" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; border: medium none; color: #0d0d0d; font-family: "Helvetica Neue", serif;"></span></b></span></p><span style="background-color: #bf9000;">
</span><p class="MsoNormal" style="border: none; mso-padding-alt: 0cm 0cm 0cm 0cm;"><span style="background-color: #bf9000;"><b><span lang="FR" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; border: medium none; color: #0d0d0d; font-family: "Helvetica Neue", serif;">M° Bonne nouvelle (ligne 8
or 9) </span></b><b style="mso-bidi-font-weight: normal;"><span lang="FR" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; border: medium none; color: #0d0d0d; font-family: "Helvetica Neue", serif;"></span></b></span></p><span style="background-color: #bf9000;">
</span><p class="MsoNormal" style="border: none; mso-padding-alt: 0cm 0cm 0cm 0cm;"><span style="background-color: #bf9000;"><b style="mso-bidi-font-weight: normal;"><span style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; border: medium none; color: #0d0d0d; font-family: "Helvetica Neue", serif;">Meet at bar
for happy hour drinks before the reading</span></b><b style="mso-bidi-font-weight: normal;"><span style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; border: medium none; color: #0d0d0d; font-family: "Cambria", serif;">!</span></b></span><b style="mso-bidi-font-weight: normal;"><span style="border: none; color: #0d0d0d; font-family: "Cambria",serif; mso-effects-shadow-align: topleft; mso-effects-shadow-alpha: 30.0%; mso-effects-shadow-angledirection: 5400000; mso-effects-shadow-anglekx: 0; mso-effects-shadow-angleky: 0; mso-effects-shadow-color: black; mso-effects-shadow-dpidistance: 1.8pt; mso-effects-shadow-dpiradius: 3.0pt; mso-effects-shadow-pctsx: 100.0%; mso-effects-shadow-pctsy: 100.0%; mso-fareast-font-family: "Times New Roman"; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: "lumm=95000 lumo=5000"; mso-style-textfill-fill-themecolor: text1; mso-style-textoutline-fill-alpha: 100.0%; mso-style-textoutline-fill-color: #FF644E; mso-style-textoutline-fill-themecolor: accent5; mso-style-textoutline-outlinestyle-align: center; mso-style-textoutline-outlinestyle-compound: simple; mso-style-textoutline-outlinestyle-dash: solid; mso-style-textoutline-outlinestyle-dpiwidth: .8pt; mso-style-textoutline-outlinestyle-join: round; mso-style-textoutline-outlinestyle-linecap: flat; mso-style-textoutline-outlinestyle-pctmiterlimit: 0%; mso-style-textoutline-type: solid; mso-themecolor: text1; mso-themetint: 242;"></span></b></p>
<p class="Pardfaut" style="line-height: 16.0pt; text-align: justify;"><span class="Aucun"><b style="mso-bidi-font-weight: normal;"><span style="background: white; color: white; font-family: "Times New Roman",serif; font-size: 15.5pt; mso-ansi-language: EN-US; mso-effects-shadow-align: topleft; mso-effects-shadow-alpha: 30.0%; mso-effects-shadow-angledirection: 5400000; mso-effects-shadow-anglekx: 0; mso-effects-shadow-angleky: 0; mso-effects-shadow-color: black; mso-effects-shadow-dpidistance: 1.8pt; mso-effects-shadow-dpiradius: 3.0pt; mso-effects-shadow-pctsx: 100.0%; mso-effects-shadow-pctsy: 100.0%; mso-fareast-font-family: "Times New Roman"; mso-style-textoutline-outlinestyle-align: center; mso-style-textoutline-outlinestyle-compound: simple; mso-style-textoutline-outlinestyle-dash: solid; mso-style-textoutline-outlinestyle-dpiwidth: 0pt; mso-style-textoutline-outlinestyle-join: bevel; mso-style-textoutline-outlinestyle-linecap: round; mso-style-textoutline-outlinestyle-pctmiterlimit: 0%; mso-style-textoutline-type: none;"> </span></b></span></p>
<p class="Pardfaut" style="text-align: justify;"><span style="font-size: medium;"><span style="background-color: #f3f3f3;"><span style="font-size: x-large;"><span class="Aucun"><b><span lang="FR" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Times New Roman", serif;"><span></span></span></b></span></span></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: medium;"><span style="font-size: x-large;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPcw3IliBkWT73FtC5ubutyjD2zq70BJwcRslnHMCDlv4zPBLVrkTIkqh4P80sFjXJj1bSPIWnWK6_bDo-StjmK4n60MyRCUutSgTZk7crL0zXspni3hPPpt_J9OJ0iiuCksMxFLovYc5jwOTdQVcyqRb-PcNvE34fNfNWZCrVYpAH_6ftlRqmSum5Qw/s640/Marielle%20Anselmo%201.jpeg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="475" data-original-width="640" height="238" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPcw3IliBkWT73FtC5ubutyjD2zq70BJwcRslnHMCDlv4zPBLVrkTIkqh4P80sFjXJj1bSPIWnWK6_bDo-StjmK4n60MyRCUutSgTZk7crL0zXspni3hPPpt_J9OJ0iiuCksMxFLovYc5jwOTdQVcyqRb-PcNvE34fNfNWZCrVYpAH_6ftlRqmSum5Qw/s320/Marielle%20Anselmo%201.jpeg" width="320" /></a></b></span></span></div><span style="font-size: medium;"><span style="font-size: x-large;"><b><span style="background-color: #bf9000;">M<span>arielle Anselmo</span></span></b></span><span class="Aucun"><span lang="FR" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Times New Roman", serif;"><span> est enseignante, critique et poète. Elle vit à </span></span></span><span class="Aucun"><span lang="PT" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Times New Roman", serif;"><span>Paris.<span> </span></span></span></span><span class="Aucun"><span lang="FR" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Times New Roman", serif;"><span>Elle a grandi en Tunisie, dans une famille d'ascendances italiennes,
avant de poursuivre des études de lettres en France, à Aix-en-Provence puis à </span></span></span><span class="Aucun"><span lang="IT" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Times New Roman", serif;"><span>l'Universit</span></span></span><span class="Aucun"><span lang="FR" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Times New Roman", serif;"><span>é de Paris 8, o</span></span></span><span class="Aucun"><span lang="IT" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Times New Roman", serif;"><span>ù </span></span></span><span class="Aucun"><span lang="FR" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Times New Roman", serif;"><span>elle se fo<span>rme, en particulier, auprès d'Hélè</span></span></span></span><span class="Aucun"><span lang="PT" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Times New Roman", serif;"><span>ne Cixous</span></span></span><span class="Aucun"><span lang="FR" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Times New Roman", serif;"><span>.<span> <span>Professeure agrégée de lettres modernes, elle enseigne actuellement le
français à l’INALCO (Institut National des Langues Orientales) à Paris. Par ses
activités critiques,<span> elle a contribué à plusieurs ouvrages collectifs. Ses articles portent
sur Marcel Proust, Hélè</span></span></span></span></span></span><span class="Aucun"><span lang="PT" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Times New Roman", serif;"><span>ne Cixous, Dominique
Fourcade, Etel Adnan, Kenzabur</span></span></span><span class="Aucun"><span lang="FR" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Times New Roman", serif;"><span>ô Ôé, Édouard Glissant, etc.</span></span></span><span class="Aucun"><span lang="FR" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Times New Roman", serif;"><span> </span></span></span><span class="Aucun"><span lang="FR" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Times New Roman", serif;"><span>En poésie, elle est l'auteur du livre-poè<span>me </span></span></span></span><span class="Aucun"><i><span lang="FR" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Times New Roman", serif;"><span>Une nuit</span></span></i></span><span class="Aucun"><span lang="FR" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Times New Roman", serif;"><span> (éditions Les Arêtes), de plusieurs livres d’artistes avec
Colette Deblé et Pierre Zanzucchi, ainsi<span> que<span> </span>de deux recueils : </span></span></span></span><span class="Aucun"><i><span lang="PT" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Times New Roman", serif;"><span>Jardins</span></span></i></span><span class="Aucun"><span lang="FR" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Times New Roman", serif;"><span> (Éditions Tarabuste) et </span></span></span><span class="Aucun"><i><span lang="FR" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Times New Roman", serif;"><span>Vers la mer</span></span></i></span><span class="Aucun"><span lang="FR" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Times New Roman", serif;"><span> (Editions Unicité). Ses poèmes ont été traduits en anglais, grec,
arabe, vietnamien et japonais. Elle en a donné une cinquantaine de lectures
publiques<span> en France, en Tunisie, en Suisse, au Japon, seule ou accompagnée
d'autres artistes. </span></span></span></span><span class="Aucun"><span lang="FR" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Times New Roman", serif;"></span></span></span><p></p><span style="font-size: medium;"><span style="background-color: #f3f3f3;">
</span></span><p class="Pardfaut" style="text-align: justify;"><span style="font-size: medium;"><span style="background-color: #f3f3f3;"><span class="Aucun"><span lang="FR" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Times New Roman", serif;"> </span></span></span></span></p><span style="font-size: medium;"><span style="background-color: #f3f3f3;">
</span></span><p class="Pardfaut" style="text-align: justify;"><span style="font-size: medium;"><span style="background-color: #f3f3f3;"><span style="background-color: #bf9000;"><span style="font-size: x-large;"><b><span style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Times New Roman", serif;">Jason Stoneking</span></b></span></span><span style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Times New Roman", serif;"><span style="background-color: #bf9000;"> is a poet, diarist, and performing artist
originally from the</span></span></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEillHsJ0Mf1l0JdgSUNElxnpek4xr7oRlUFCVR-ADOUMpT5buXzbdJ1-MpVQO-D-JVjfTholA3EHrpkzDp8HT6fGxDaAoW6z8mfHxMdsRU3EayISuBTkPwiKRegRV06bVUm90Lle1aaDfgkIidwvmFubLwZSEzOZ7NdUC494KDBHUsi7-Vxe9S-oUVKig/s2268/Jason%20on%20rue%20Monge%20by%20Leslie%20McAllister.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="2268" data-original-width="2268" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEillHsJ0Mf1l0JdgSUNElxnpek4xr7oRlUFCVR-ADOUMpT5buXzbdJ1-MpVQO-D-JVjfTholA3EHrpkzDp8HT6fGxDaAoW6z8mfHxMdsRU3EayISuBTkPwiKRegRV06bVUm90Lle1aaDfgkIidwvmFubLwZSEzOZ7NdUC494KDBHUsi7-Vxe9S-oUVKig/s320/Jason%20on%20rue%20Monge%20by%20Leslie%20McAllister.jpg" width="320" /></a></span></div><span style="font-size: medium;"><br /> United States, who has made his home in Paris. He has
published several collections of poetry and essays, and has also written songs
and films. Recently, his practice has concentrated on the creation of
handwritten and site-specific texts. For his Bespoke Books series, he writes an
entire unique book by hand, in a single draft, either for an individual reader,
or in documentation of an event or residency. In his video series Found Stages,
he improvises spontaneous poems in spaces that feel suitable, if not intended,
for performance. For his newest series, Portrait Sittings, he invites subjects
to pose for him as they would for a painter, while he composes their portrait
in handwritten words, then presents them with the original manuscript he has
drafted during the session.</span><p></p><span style="font-size: medium;"><span style="background-color: #f3f3f3;">
</span></span><p class="Pardfaut" style="text-align: justify;"><span style="font-size: medium;"><span style="background-color: #f3f3f3;"><span style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Times New Roman", serif;"> </span></span></span></p><span style="font-size: medium;"><span style="background-color: #f3f3f3;">
</span></span><p class="Pardfaut" style="text-align: justify;"><span style="background-color: #f3f3f3;"><span style="font-size: medium;"><span style="background-color: #bf9000;"><span style="font-size: x-large;"><strong><span style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto;">William Walrond
Strangmeyer</span></strong></span></span><span style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Times New Roman", serif;"><span style="background-color: #bf9000;"><span style="font-size: x-large;"> </span>was born in
Roanoke, Virginia,</span> </span></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgn9pfLeoEsMCxjCbopB5Ovii7xLc1IZ6o-q69GpiN4jaB0mZFPvj95sRxfPKpm3AsKja1BSU9ZcHSeMPz83vkjpxZMgc0YwtQEavdefHAx1GHkmBRjLdYbG485HOhcCRZJsDOYIqwulptvsxJGelu8Z0OCjxdLNFBrsyiltHZTz0N9NSGPGkcTpbkDhw/s983/bill%20s.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="655" data-original-width="983" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgn9pfLeoEsMCxjCbopB5Ovii7xLc1IZ6o-q69GpiN4jaB0mZFPvj95sRxfPKpm3AsKja1BSU9ZcHSeMPz83vkjpxZMgc0YwtQEavdefHAx1GHkmBRjLdYbG485HOhcCRZJsDOYIqwulptvsxJGelu8Z0OCjxdLNFBrsyiltHZTz0N9NSGPGkcTpbkDhw/s320/bill%20s.jpg" width="320" /></a></span></div><span style="font-size: medium;"><br />in 1945 and grew up in Brooklyn, New York, and New
Brunswick, New Jersey, where he went to Rutgers University, studying classics, music
and psychology. He has worked in many different fields including amusement
parks, banks, book stores, cinema, door-to-door sales, poker games,
restaurants, taxi driving and warehouses. A forty-five-year resident of Paris,
he now earns his living as an English language trainer and translator. He is
the former co-editor of <i>Upstairs at Duroc</i>. He is the author of several
volumes of poetry and can often be heard sharing new work at Spoken Word Paris.
Additional interests include a variety of combat sports and listening to old
music (doo-wop, Gregorian chant, hippie music, Czerny). He is also Archon of
Paris for the Moorish Orthodox Church.</span><span style="font-family: "Times New Roman",serif; mso-ansi-language: EN-US;"> </span><span style="background: white; font-family: "Times New Roman",serif; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-style-textoutline-outlinestyle-align: center; mso-style-textoutline-outlinestyle-compound: simple; mso-style-textoutline-outlinestyle-dash: solid; mso-style-textoutline-outlinestyle-dpiwidth: 0pt; mso-style-textoutline-outlinestyle-join: bevel; mso-style-textoutline-outlinestyle-linecap: round; mso-style-textoutline-outlinestyle-pctmiterlimit: 0%; mso-style-textoutline-type: none;"></span><p></p>
<p align="justify"> </p>Jennifer K Dickhttp://www.blogger.com/profile/14819275106754521715noreply@blogger.com0tag:blogger.com,1999:blog-2215338180310572858.post-86441481391103450682022-11-21T14:43:00.000-08:002022-11-21T14:43:07.386-08:00Soirée IVY lectures bilingues et musique le 29 Nov 2022 au Delaville Cafe<!--[if gte mso 9]><xml>
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<p align="center" class="MsoNormal" style="text-align: center;"><b style="mso-bidi-font-weight: normal;"><span style="font-size: 14.0pt;">IVY
WRITERS PARIS VOUS INVITE<br />à une soirée de lectures bilingues et
musique avec</span></b></p>
<p align="center" class="MsoNormal" style="text-align: center;"><span style="color: #3d85c6;"><b style="mso-bidi-font-weight: normal;"><span style="font-size: 20pt;">Bénédicte Heim, Beth Davyson <br />et Bremner Duthie</span></b></span></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-size: 14.0pt; mso-ansi-language: EN-US;">You
are invited to an evening of readings & music</span><span style="font-size: 20.0pt;"><br />29 November 2022 <span style="mso-spacerun: yes;"> <br /></span>19h30 </span></b></p>
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</p><p><b>Le 29 novembre 2022 )
19h30<br />34 boulevard Bonne
Nouvelle,<br />75010 <span style="mso-bidi-font-weight: bold;">Paris</span></b><b> <br />M° Bonne nouvelle (ligne 8 or 9) </b>
</p><p class="MsoNormal"><span lang="EN-US" style="mso-ansi-language: EN-US;">Meet at bar
for drinks before the reading.</span></p><p class="MsoNormal"><span style="color: #ffa400;"><span style="font-size: large;"><b><span lang="EN-US">BIOS en
français (in English after the French) :</span></b></span></span>
</p><p class="MsoNormal" style="text-align: justify;"><span style="mso-ascii-font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-font-family: Cambria; mso-hansi-theme-font: major-latin;"><span style="font-size: medium;"><span style="color: #6fa8dc;"><b>Bénédicte Heim</b></span></span> est née à Strasbourg, elle a
longtemps enseigné, par choix, en banlieue parisienne et a publié une dizaine
d'ouvrages qui sont le fruit d'un travail de création mené avec ses
élèves. Elle est l'auteure d'une quinzaine de romans, qui se distinguent
par leur dispositif et par l'inventivité de la langue. Ils ont été publiés
principalement aux éditions <i>Les Contrebandiers Éditeurs</i> (<a href="https://www.lescontrebandiersediteurs.fr/auteurs/benedicte/" target="_blank">https://www.lescontrebandiersediteurs.fr/auteurs/benedicte/</a>
) et <i>Et le bruit de ses talons (<a href="https://www.etlebruitdesestalons.fr/benedicte-heim/" target="_blank">https://www.etlebruitdesestalons.fr/benedicte-heim/</a>
). </i> Ses plus récentes publications sont : <i>Hautes coutures </i>2019,
<i>Tu fais pleurer tes fées marraines </i>2020, <i>Tu n'es plus ce bolide qui
fonce dans le noir </i>2021, tous trois parus chez <i>Et le bruit de ses
talons. </i>Son
dernier roman, <i>L'Inamour </i><span style="mso-bidi-font-style: italic;">(2022)</span>,
vient de paraître chez <i>Quidam Éditeur. </i></span></p>
<p class="MsoNormal" style="text-align: justify;"><span style="mso-ascii-font-family: Cambria; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR; mso-hansi-font-family: Cambria; mso-hansi-theme-font: major-latin;"><span style="font-size: medium;"><span style="color: #6fa8dc;"><b>Bremner Duthie</b></span></span> est chanteur et
acteur. Ses interprétations incluent le role de Timothy avec La Scène
National de Quimpers dans leur production de Strike Up The Band de George
Gershwin; Mr. Mister dans Cradle will Rock, de Marc Blitzstein, avec les Clefs
de Chants et Lille Opera; plusiers roles dans Jaques Brel is Alive and Well, de
Mort Shuman,avec le companie Parisbrel, Figaro dans Les Noces de Figaro de
Mozart, avec Westcoast Opera. Interprète de musique classique et
contemporaine, ses interprétations incluent la performance avant-garde <i>Eight
Songs for a Mad King</i> de Sir Peter Maxwell Davies et <i>Time and Beyond</i>
de Leslie Basset. Son spectacle ‘one-man’ avec des chansons de Kurt Weill
a gagne des critiques de quatre étoiles partout dans le monde. Né à New
York Bremner a vécu et chanté au Canada, en Ecosse, aux Etats-Unis, et en
France. Il réside à La Nouvelle Orléans. </span><span style="background-color: #bf9000;"><span style="mso-ascii-font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-font-family: Cambria; mso-hansi-theme-font: major-latin;"><a href="http://www.bremnersings.com" target="_blank"><b><span lang="EN-US" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto;">www.bremnersings.com</span></b></a></span></span><b><u><span lang="EN-US" style="background: white; mso-ansi-language: EN-US; mso-ascii-font-family: Cambria; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR; mso-hansi-font-family: Cambria; mso-hansi-theme-font: major-latin;"> </span></u></b><span lang="EN-US" style="mso-ansi-language: EN-US; mso-ascii-font-family: Cambria; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR; mso-hansi-font-family: Cambria; mso-hansi-theme-font: major-latin;"></span></p>
<span style="font-family: "Cambria","serif"; font-size: 12.0pt; mso-ansi-language: FR; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR; mso-hansi-theme-font: major-latin;">L’écrivain anglaise <span style="color: #6fa8dc;"><span style="font-size: medium;"><b>Beth
Davyson</b></span></span> vit et travaille à Marseille. Ses poèmes ont paru dans les revues
littéraires <i style="mso-bidi-font-style: normal;">The Poetry Review, the Moth, Black
Box Manifold, Tears in the Fence</i>, <i style="mso-bidi-font-style: normal;">Solidarity
Park Poetry</i> et <i style="mso-bidi-font-style: normal;">parentheses</i> ainsi
que <span style="color: white;">l’anthologie <span style="background-color: #bf9000;">de la poésie</span></span></span><span style="color: white;"><span style="background-color: #bf9000;"><span class="apple-converted-space"><span style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Cambria", "serif"; font-size: 12pt;"> </span></span><em><span style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; border: 1pt none windowtext; font-family: "Cambria", "serif"; font-size: 12pt; padding: 0cm;">A City Imagined</span></em><span style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Cambria", "serif"; font-size: 12pt;">, publié par la Poetry
Society d’Angleterre.</span></span></span><span style="font-family: "Cambria","serif"; font-size: 12.0pt; mso-ansi-language: FR; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR; mso-hansi-theme-font: major-latin;"><span style="color: white;"><span style="background-color: #bf9000;"> Elle a
</span>fait</span> des lectures pour <i style="mso-bidi-font-style: normal;">Tears in the Poetry
Festival</i> à Stourpaine, UK en Sept 2022 et 2020—d’où vient ce vidéo: <span style="mso-spacerun: yes;"> </span></span><a href="https://www.youtube.com/watch?v=b2kQpvMhRqQ"><span lang="EN-US" style="font-family: "Cambria","serif"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR; mso-hansi-theme-font: major-latin;"><span lang="FR" style="mso-ansi-language: FR;">https://www.youtube.com/watch?v=b2kQpvMhRqQ</span></span></a><p></p><p></p><p></p><p><!--[if gte mso 9]><xml>
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</p><p class="MsoNormal" style="text-align: justify;"><span lang="EN-US" style="mso-ansi-language: EN-US; mso-ascii-font-family: Cambria; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR; mso-hansi-font-family: Cambria; mso-hansi-theme-font: major-latin;"><span style="color: #6fa8dc;"><span style="font-size: medium;"><b>Beth Davyson</b></span></span> studied poetry as
an MA in Sheffield, UK, with Adam Piette and Agnes Lehocksky. She has published
in <i style="mso-bidi-font-style: normal;">The Poetry Review, the Moth, Black Box
Manifold, Tears in the Fence</i>, <i style="mso-bidi-font-style: normal;">Solidarity
Park Poetry</i> and <i style="mso-bidi-font-style: normal;">parentheses</i> as
<span style="color: white;">well<span style="background-color: #bf9000;"> as t</span></span></span><span style="color: white;"><span style="background-color: #bf9000;"><span lang="EN-US" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto;">he
anthology<span class="apple-converted-space"> </span><em><span style="border: none windowtext 1.0pt; font-family: "Cambria","serif"; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-border-alt: none windowtext 0cm; mso-hansi-theme-font: major-latin; padding: 0cm;">A City Imagined</span></em>, published by the
Poetry Society.</span></span></span><span lang="EN-US" style="mso-ansi-language: EN-US; mso-ascii-font-family: Cambria; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR; mso-hansi-font-family: Cambria; mso-hansi-theme-font: major-latin;"><span style="color: white;"><span style="background-color: #bf9000;"> She</span> read
</span>for the annual Tears in the Fence Poetry Festival in Stourpaine, England in
Sept 2022 and in 2020—she appeared in the Multilingual Poetry video from that
event </span><span style="mso-ascii-font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-font-family: Cambria; mso-hansi-theme-font: major-latin;"><a href="https://www.youtube.com/watch?v=b2kQpvMhRqQ"><span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">https://www.youtube.com/watch?v=b2kQpvMhRqQ</span></a></span><span lang="EN-US" style="mso-ansi-language: EN-US; mso-ascii-font-family: Cambria; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR; mso-hansi-font-family: Cambria; mso-hansi-theme-font: major-latin;"> . Her work has been
shortlisted three times for the Bridport Prize. She currently lives and works
in Marseille, France. </span></p>
<p class="MsoNormal" style="text-align: justify;"><span lang="EN-US" style="mso-ansi-language: EN-US; mso-ascii-font-family: Cambria; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR; mso-hansi-font-family: Cambria; mso-hansi-theme-font: major-latin;"><span style="color: #6fa8dc;"><span style="font-size: medium;"><b>Bremner Duthie</b></span></span> has spent 25 years exploring the
songs that fascinate him and the strange artform that is kabarett (...or
cabaret). From John Cage to Lou Reed, from Joni Mitchell to Charles Ives,
and always with a special focus on the amazing songwriting of Kurt Weill and
Bertold Brecht, Bremner has reveled in recording and performing songs that sit
at the edges of the canon of popular song. Bremner was born in New York and
grew up in the USA, Scotland and Canada. Singing is all he ever wanted to do.
Every afternoon in New York, his family would hear him down the street singing
his way home from school. He started with Punk Rock bands, moved on to singing
Opera, and trained at the Centre for New Opera in Canada. He currently lives
between New Orleans and Paris and is writing and singing his own songs inspired
by the innovative, ground- breaking repertoire of the 1920's & 30's. </span><span lang="EN-US" style="mso-ansi-language: EN-US; mso-ascii-font-family: Cambria; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR; mso-hansi-font-family: Cambria; mso-hansi-theme-font: major-latin;"></span><span style="background-color: #bf9000;"><b><span lang="EN-US" style="mso-ansi-language: EN-US; mso-ascii-font-family: Cambria; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR; mso-hansi-font-family: Cambria; mso-hansi-theme-font: major-latin;">Watch
concerts and shows</span></b><span lang="EN-US" style="mso-ansi-language: EN-US; mso-ascii-font-family: Cambria; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR; mso-hansi-font-family: Cambria; mso-hansi-theme-font: major-latin;"> </span><span style="mso-ascii-font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-font-family: Cambria; mso-hansi-theme-font: major-latin;"><a href="https://tinyurl.com/bremnersings"><span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">https://tinyurl.com/bremnersings</span></a></span><u><span lang="EN-US" style="mso-ansi-language: EN-US; mso-ascii-font-family: Cambria; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR; mso-hansi-font-family: Cambria; mso-hansi-theme-font: major-latin;"> </span></u><span lang="EN-US" style="mso-ansi-language: EN-US; mso-ascii-font-family: Cambria; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR; mso-hansi-font-family: Cambria; mso-hansi-theme-font: major-latin;"><span style="mso-spacerun: yes;"> </span><b><span style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto;">instagram: </span></b></span><span style="mso-ascii-font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-font-family: Cambria; mso-hansi-theme-font: major-latin;"><a href="https://www.instagram.com/bremner33/"><b><span lang="EN-US" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto;">https://www.instagram.com/bremner33/</span></b></a></span><span lang="EN-US" style="mso-ansi-language: EN-US; mso-ascii-font-family: Cambria; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR; mso-hansi-font-family: Cambria; mso-hansi-theme-font: major-latin;"> <b><span style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto;">facebook: </span></b></span><span style="mso-ascii-font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-font-family: Cambria; mso-hansi-theme-font: major-latin;"><a href="https://www.facebook.com/cabaretsinger"><b><span lang="EN-US" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto;">https://www.facebook.com/cabaretsinger</span></b></a></span><span lang="EN-US" style="mso-ansi-language: EN-US; mso-ascii-font-family: Cambria; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR; mso-hansi-font-family: Cambria; mso-hansi-theme-font: major-latin;"> <b><span style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto;">Spotify: </span></b></span><span style="mso-ascii-font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-font-family: Cambria; mso-hansi-theme-font: major-latin;"><a href="https://tinyurl.com/y6vtueaj"><b><span lang="EN-US" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto;">https://tinyurl.com/y6vtueaj</span></b></a></span><b><span lang="EN-US" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto;"> </span></b><span lang="EN-US" style="mso-ansi-language: EN-US; mso-ascii-font-family: Cambria; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR; mso-hansi-font-family: Cambria; mso-hansi-theme-font: major-latin;"></span><span style="mso-ascii-font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-font-family: Cambria; mso-hansi-theme-font: major-latin;"><a href="http://www.bremnersings.com"><b><span lang="EN-US" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto;">www.bremnersings.com</span></b></a></span></span><b><u><span lang="EN-US" style="background: white; mso-ansi-language: EN-US; mso-ascii-font-family: Cambria; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR; mso-hansi-font-family: Cambria; mso-hansi-theme-font: major-latin;"> </span></u></b><span lang="EN-US" style="mso-ansi-language: EN-US; mso-ascii-font-family: Cambria; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR; mso-hansi-font-family: Cambria; mso-hansi-theme-font: major-latin;"></span></p>
<p class="MsoNormal" style="text-align: justify;"><span lang="EN-US" style="mso-ansi-language: EN-US; mso-ascii-font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-font-family: Cambria; mso-hansi-theme-font: major-latin;"><span style="font-size: medium;"><span style="color: #6fa8dc;"><b>Bénédicte Heim</b></span></span> was born in Strasbourg, she has taught for a long time by
choice in the Paris suburbs and published a dozen or so books which emerged
from workshops with her students. She is the author of over fifteen novels and
a collection of short stories. Her work is remarkable because of its linguistic
inventiveness. These novels have primarily been published by <i>Les
Contrebandiers Éditeurs</i> (</span><span style="mso-ascii-font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-font-family: Cambria; mso-hansi-theme-font: major-latin;"><a href="https://www.lescontrebandiersediteurs.fr/auteurs/benedicte/"><span lang="EN-US" style="mso-ansi-language: EN-US;">https://www.lescontrebandiersediteurs.fr/auteurs/benedicte/</span></a></span><span style="mso-ansi-language: EN-US; mso-ascii-font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-font-family: Cambria; mso-hansi-theme-font: major-latin;"> <span lang="EN-US">) and <i>Et le bruit de ses talons (</i></span></span><i><span style="mso-ascii-font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-font-family: Cambria; mso-hansi-theme-font: major-latin;"><a href="https://www.etlebruitdesestalons.fr/benedicte-heim/"><span lang="EN-US" style="mso-ansi-language: EN-US;">https://www.etlebruitdesestalons.fr/benedicte-heim/</span></a></span></i><i><span style="mso-ansi-language: EN-US; mso-ascii-font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-font-family: Cambria; mso-hansi-theme-font: major-latin;"> <span lang="EN-US">). </span></span></i><span lang="EN-US" style="mso-ansi-language: EN-US; mso-ascii-font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-font-family: Cambria; mso-hansi-theme-font: major-latin;"> </span><span style="mso-ascii-font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-font-family: Cambria; mso-hansi-theme-font: major-latin;">Her
most recent books include:: <i>Hautes coutures </i>2019, <i>Tu fais pleurer tes
fées marraines </i>2020, <i>Tu n'es plus ce bolide qui fonce dans le noir </i>2021,
all three which were published by <i>Et le bruit de ses talons. </i> </span><span lang="EN-US" style="mso-ansi-language: EN-US; mso-ascii-font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-font-family: Cambria; mso-hansi-theme-font: major-latin;">Her most recent book, <i>L'Inamour</i>, was just published in fall 2022
by <i>Quidam Éditeur. </i></span></p>
<p></p><p><br /></p><p align="justify"> </p>Jennifer K Dickhttp://www.blogger.com/profile/14819275106754521715noreply@blogger.com0tag:blogger.com,1999:blog-2215338180310572858.post-85314807959171841312022-11-14T12:41:00.001-08:002022-11-14T12:41:36.944-08:00Upcoming Events: Prochaines soirées Ivy Writers Paris<p><span style="font-size: medium;">Bonjour Ivy! </span></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2HaDuMQOHd2179KQaugKASSZzMmHpVG3FINmC1YWCoek8qTuvP7nc0KQliVmN7-J_eLlm78Vdc0bJM3cXG1-2knhZyHTZzqOckI-Xm26pHF1Zrpq08jLuNuOIwgOCsOleVTKG7IjK88TRtsoxtGz7SNg22kjQrBzkFx6th71iAIn6Cu5lg5xVnysEGw/s1024/7-LE-MARGUERY-1-1780x1200px-1024x690.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="690" data-original-width="1024" height="432" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2HaDuMQOHd2179KQaugKASSZzMmHpVG3FINmC1YWCoek8qTuvP7nc0KQliVmN7-J_eLlm78Vdc0bJM3cXG1-2knhZyHTZzqOckI-Xm26pHF1Zrpq08jLuNuOIwgOCsOleVTKG7IjK88TRtsoxtGz7SNg22kjQrBzkFx6th71iAIn6Cu5lg5xVnysEGw/w640-h432/7-LE-MARGUERY-1-1780x1200px-1024x690.jpg" width="640" /></a></div> <span style="font-size: large;">C'est le retour au DELAVILLE CAFE, et la salle Marguery (old style above--come see the renovated version!) </span><p></p><p><span style="font-size: large;">We are beginning to form our season--so please <br /></span></p><p><span style="font-size: large;">Mark your Calendars: <b>Notez bien dans vos agendas:</b></span></p><p style="text-align: center;"><span style="font-size: large;"><b>IVY Writers Paris soirées: lectures bilingues, performances, parfois un peu de musique...</b><br /></span></p><p><span style="font-size: large;">Le 29 novembre 2022 (au lieu du 15 nov) : Delaville Café Soirée de poésie bilingue, suivi par musique. Les détailles seront bientôt sur notre blog.</span></p><p><span style="font-size: large;">Le 31 janvier 2023: soirée bilingue. Lecteurs à confirmer.<br /></span></p><p><span style="font-size: large;">Le 21 Mars 2023 à 19h30 duo d'auteur-performeurs multilingues (hongrois, français, anglais, allemand) présenter par l'éditeur de Tears in The Fence (UK) David Caddy.<br /></span></p><p><span style="font-size: large;">Le 6 juin 2023 à 19h30 avec Rachel Blau DuPlessis, Cynthia Hogue et auteur français à confirmer.</span></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjp1Okc0--g8epqTtocujNVZPS-HYOmrfZ9ZUzHQr0Qg-v8NhLcTQmMr4QdoY12ipP8ks7pnX_oki_JuIJguR7NFlAXQdpv9v1G70uGlWuU3nBPF15rkTYbLkxUl1tjL2OXT74znrGnnVo3WlNeHvM_his3IRiG8WbLkmYl1sXa9lzL7vRjs9ya5eI2sA/s1024/4-LA-SALLE-MOSAIQUE-1-1160x785px-1024x693.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="693" data-original-width="1024" height="434" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjp1Okc0--g8epqTtocujNVZPS-HYOmrfZ9ZUzHQr0Qg-v8NhLcTQmMr4QdoY12ipP8ks7pnX_oki_JuIJguR7NFlAXQdpv9v1G70uGlWuU3nBPF15rkTYbLkxUl1tjL2OXT74znrGnnVo3WlNeHvM_his3IRiG8WbLkmYl1sXa9lzL7vRjs9ya5eI2sA/w640-h434/4-LA-SALLE-MOSAIQUE-1-1160x785px-1024x693.jpg" width="640" /></a></div><br /> <p></p><p><br /></p><p align="justify"> </p>Jennifer K Dickhttp://www.blogger.com/profile/14819275106754521715noreply@blogger.com0tag:blogger.com,1999:blog-2215338180310572858.post-79114608784187721832021-05-28T04:19:00.003-07:002021-05-28T04:19:48.740-07:00Ivy Lectures sur YOUTUBE de notre soirée de Mai 2021<div data-contents="true"><div class="bi6gxh9e" data-block="true" data-editor="5j9pe" data-offset-key="c4pvb-0-0"><div class="_1mf _1mj" data-offset-key="c4pvb-0-0" style="text-align: center;"><span data-offset-key="c4pvb-0-0"><span data-text="true"> Vous n'avez rien manquez--car c'est sur YOUTUBE! </span></span></div><div class="_1mf _1mj" data-offset-key="c4pvb-0-0" style="text-align: center;"><span data-offset-key="c4pvb-0-0"><span data-text="true">Voici le lien pour re-voir, re-écouter, ou voir/écouter pour ceux qui étaient ailleurs, </span></span></div><div class="_1mf _1mj" data-offset-key="c4pvb-0-0" style="text-align: center;"><b><span data-offset-key="c4pvb-0-0"><span data-text="true">la lecture de </span></span><span class="diy96o5h" data-offset-key="c4pvb-1-0" spellcheck="false" start="151"><span data-offset-key="c4pvb-1-0"><span data-text="true">Hocine Tandjaoui</span></span></span><span data-offset-key="c4pvb-2-0"><span data-text="true"> avec ses traductrices </span></span><span class="diy96o5h" data-offset-key="c4pvb-3-0" spellcheck="false" start="190"><span data-offset-key="c4pvb-3-0"><span data-text="true">Teresa Villa-Ignacio</span></span></span><span data-offset-key="c4pvb-4-0"><span data-text="true"> et Olivier C </span></span><span><span data-offset-key="c4pvb-5-0"><span data-text="true">Harrison</span></span></span></b></div><div class="_1mf _1mj" data-offset-key="c4pvb-0-0" style="text-align: center;"><span><span data-offset-key="c4pvb-5-0"><span data-text="true"></span></span></span><span data-offset-key="c4pvb-6-0"><span data-text="true"></span></span><a href="https://www.youtube.com/watch?v=1QJ7o5RB6mg"><span class="py34i1dx"><span data-offset-key="c4pvb-7-0"><span data-text="true">https://www.youtube.com/watch?v=1QJ7o5RB6mg</span></span></span></a></div><div class="_1mf _1mj" data-offset-key="c4pvb-0-0"><span class="py34i1dx"><span data-offset-key="c4pvb-7-0"><span data-text="true"></span></span></span><span class="d2edcug0 hpfvmrgz qv66sw1b c1et5uql lr9zc1uh a8c37x1j keod5gw0 nxhoafnm aigsh9s9 d3f4x2em fe6kdd0r mau55g9w c8b282yb iv3no6db jq4qci2q a3bd9o3v knj5qynh oo9gr5id hzawbc8m" dir="auto"><br /></span></div><div class="_1mf _1mj" data-offset-key="c4pvb-0-0"><span class="py34i1dx"><span data-offset-key="c4pvb-7-0"><span data-text="true"> </span></span></span></div><div class="_1mf _1mj" data-offset-key="c4pvb-0-0" style="text-align: center;"><div class="_1mf _1mj" data-offset-key="c4pvb-0-0"><span data-offset-key="c4pvb-0-0"><span data-text="true">Vous n'avez rien manquez--car c'est sur YOUTUBE! </span></span></div><div class="_1mf _1mj" data-offset-key="c4pvb-0-0"><span data-offset-key="c4pvb-0-0"><span data-text="true">Voici le lien pour re-voir, re-écouter, ou voir/écouter pour ceux qui étaient ailleurs, <br /></span></span></div><span class="py34i1dx"><span data-offset-key="c4pvb-7-0"><span data-text="true">la lecture de Rufo Quintavalle avec son traducteur Ian Monk</span></span></span></div><div class="_1mf _1mj" data-offset-key="c4pvb-0-0" style="text-align: center;"><a href="https://www.youtube.com/watch?v=3zi6Qe8B7fE"><span class="py34i1dx"><span data-offset-key="c4pvb-7-0"><span data-text="true">https://www.youtube.com/watch?v=3zi6Qe8B7fE</span></span></span></a></div><div class="_1mf _1mj" data-offset-key="c4pvb-0-0" style="text-align: center;"><span class="py34i1dx"><span data-offset-key="c4pvb-7-0"><span data-text="true"> </span></span></span></div><div class="_1mf _1mj" data-offset-key="c4pvb-0-0" style="text-align: center;"><span class="py34i1dx"><span data-offset-key="c4pvb-7-0"><span data-text="true"> </span></span></span><div class="_1mf _1mj" data-offset-key="c4pvb-0-0"><div class="_1mf _1mj" data-offset-key="c4pvb-0-0"><span data-offset-key="c4pvb-0-0"><span data-text="true">Vous n'avez rien manquez--car c'est sur YOUTUBE! </span></span></div><div class="_1mf _1mj" data-offset-key="c4pvb-0-0"><span data-offset-key="c4pvb-0-0"><span data-text="true">Voici le lien pour re-voir, re-écouter, ou voir/écouter pour ceux qui étaient ailleurs, <br /></span></span></div><span class="py34i1dx"><span data-offset-key="c4pvb-7-0"><span data-text="true">la lecture de Roxana Paez avec sa traductrice (version française des textes espagnoles) Anne Talvaz</span></span></span></div><div class="_1mf _1mj" data-offset-key="c4pvb-0-0"><span class="py34i1dx"><span data-offset-key="c4pvb-7-0"><span data-text="true"><a href="https://www.youtube.com/watch?v=6orAXPnPMr8">https://www.youtube.com/watch?v=6orAXPnPMr8</a><br /></span></span></span></div></div><div class="_1mf _1mj" data-offset-key="c4pvb-0-0"><span class="py34i1dx"><span data-offset-key="c4pvb-7-0"><span data-text="true"> <br /></span></span></span></div><div class="_1mf _1mj" data-offset-key="c4pvb-0-0"><span class="py34i1dx"><span data-offset-key="c4pvb-7-0"><span data-text="true"> </span></span></span><span class="py34i1dx"><span data-offset-key="c4pvb-7-0"><span data-text="true"> </span></span></span></div><div class="_1mf _1mj" data-offset-key="c4pvb-0-0" style="text-align: center;"><span class="py34i1dx"><span data-offset-key="c4pvb-7-0"><span data-text="true"></span></span></span><b><span class="d2edcug0 hpfvmrgz qv66sw1b c1et5uql lr9zc1uh a8c37x1j keod5gw0 nxhoafnm aigsh9s9 d3f4x2em fe6kdd0r mau55g9w c8b282yb iv3no6db jq4qci2q a3bd9o3v knj5qynh oo9gr5id hzawbc8m" dir="auto">Missed
it? NOPE! Here they are, for you who were not there LIVE: </span></b></div><div class="_1mf _1mj" data-offset-key="c4pvb-0-0" style="text-align: center;"><b><span class="d2edcug0 hpfvmrgz qv66sw1b c1et5uql lr9zc1uh a8c37x1j keod5gw0 nxhoafnm aigsh9s9 d3f4x2em fe6kdd0r mau55g9w c8b282yb iv3no6db jq4qci2q a3bd9o3v knj5qynh oo9gr5id hzawbc8m" dir="auto">YOUTUBE recording
of our May 2021 readers reading for Ivy. </span></b></div><div class="_1mf _1mj" data-offset-key="c4pvb-0-0" style="text-align: center;"><b><span class="d2edcug0 hpfvmrgz qv66sw1b c1et5uql lr9zc1uh a8c37x1j keod5gw0 nxhoafnm aigsh9s9 d3f4x2em fe6kdd0r mau55g9w c8b282yb iv3no6db jq4qci2q a3bd9o3v knj5qynh oo9gr5id hzawbc8m" dir="auto">A pleasure to (re)discover!</span></b><span class="py34i1dx"><span data-offset-key="c4pvb-7-0"><span data-text="true"></span></span></span></div></div></div><p align="justify"> </p>Jennifer K Dickhttp://www.blogger.com/profile/14819275106754521715noreply@blogger.com0tag:blogger.com,1999:blog-2215338180310572858.post-12187442387347446172021-05-14T18:40:00.001-07:002021-05-14T18:40:23.413-07:00Ivy le 19 mai à 20h sur ZOOM avec Hocine Tandjaoui, Rufo Quintavalle et Roxana Paez plus traductrices Teresa Villa-Ignacio et Olivia C Harrison<!--[if gte mso 9]><xml>
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<p align="center" class="MsoNormal" style="text-align: center;"><span style="background: white; color: #6f7287; letter-spacing: .4pt; mso-ansi-language: FR;"></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhV4vqeEpcvMmoG36NtkTTXFsazO3GEK74DbpxtzoVQYMS_cCW326CT7wc5OvB81mPrtbWQDbF2Xnek0guedYwAKgz4z_TjCsHqBEEv5qfTn8ogWhMlgeyzc9MU-N5bZL9G7kJauPRz9AHo/s1522/Rufo+Hocine+Roxana.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="526" data-original-width="1522" height="222" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhV4vqeEpcvMmoG36NtkTTXFsazO3GEK74DbpxtzoVQYMS_cCW326CT7wc5OvB81mPrtbWQDbF2Xnek0guedYwAKgz4z_TjCsHqBEEv5qfTn8ogWhMlgeyzc9MU-N5bZL9G7kJauPRz9AHo/w640-h222/Rufo+Hocine+Roxana.jpg" width="640" /></a></div><span style="font-size: large;"><b><span style="background: white none repeat scroll 0% 0%; letter-spacing: 0.4pt;"><br /><span style="background-color: #bf9000;">Rejoignez-nous le 19 mai 2021 à 20h pour la deuxième NUIT d'IVY Writers Paris !<br />Soirée trilingue (anglais, espagnol et français)<br />avec<br />ROXANA PAEZ<br />RUFO QUINTAVALLE<br />et<br />HOCINE TANDJAOUI avec ses traductrices<br />TERESA VILLA-IGNACIO et OLIVIA C. HARRISON<br />à 20h heure Paris/14h heure New York //<br /><br />Afternoons with Ivy for those of you in the USA (2pm EST),<br />evenings if in France (8pm):<br />This spring 2021 we hope to add a little spice to your nights with these Ivy Writers Paris readings on ZOOM.<br />Our second will be a tri-lingual evening with RUFO QUINTAVALLE, ROXANA PAEZ and HOCINE TANDJAOUI who will be accompanied by his translators OLIVIA C. HARRISON and TERESA VILLA-IGNACIO <br />on the 19th of May 2021.<br /><br /><br />ZOOM link on eventbrite. Full information and bios is available below and on the ivywritersparis blogspot and via our community and group pages on FB.<br />FREE and OPEN TO ALL!<br />Lecture bilingue, gratuit, ouvert à tous et à toutes</span></span></b></span><p></p><p class="MsoNormal" style="text-align: justify;"><span style="mso-ansi-language: FR; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">LIEN ZOOM
disponible on EVENTBRITE:</span></p>
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</span></p><p class="MsoNormal" style="text-align: justify;"><span style="background-color: #ffa400;"><span lang="EN-US" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; color: #6f7287; letter-spacing: 0.4pt;">BIOS </span><span lang="EN-US" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; color: #222222; font-family: "Cambria", "serif"; font-size: 14pt;"></span></span></p><span style="background-color: #ffa400;">
</span><p class="MsoNormal" style="text-align: justify;"><span style="background-color: #ffa400;"><b style="mso-bidi-font-weight: normal;"><span style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; color: #222222; font-family: "Cambria", "serif"; font-size: 14pt;">BIOS en
français suivi par BIOS en anglais/espagnol:</span></b><b style="mso-bidi-font-weight: normal;"><span style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; color: #222222; font-family: "Cambria", "serif"; font-size: 14pt;"> </span></b></span></p><p class="MsoNormal" style="text-align: justify;"><span style="color: red;"><span style="font-size: large;"><b><span style="background: white none repeat scroll 0% 0%; font-family: "Cambria", "serif";"></span></b></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiGcm4D3rTM82gzGHJaVxQvbzF9S7Jwf8vva-RuwCiK-z-A2JQ34oleOH9OiWAGTMQznG0LO5pVtaABnslHxacp0xWcbgzpaKed64TIJHkXnQIAcJSY6XuP8QM77iFNpYbifes775WyYC5/s1080/Photo+le+11-05-2021+%25C3%25A0+11.53+%25232.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="720" data-original-width="1080" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiGcm4D3rTM82gzGHJaVxQvbzF9S7Jwf8vva-RuwCiK-z-A2JQ34oleOH9OiWAGTMQznG0LO5pVtaABnslHxacp0xWcbgzpaKed64TIJHkXnQIAcJSY6XuP8QM77iFNpYbifes775WyYC5/w400-h266/Photo+le+11-05-2021+%25C3%25A0+11.53+%25232.jpg" width="400" /></a></b></span></div><span style="font-size: large;"><b><br /><span style="background-color: #bf9000;"><span style="color: #f3f3f3;">Hocine
Tandjaoui</span></span></b></span><span style="background-color: #bf9000;"><span style="color: #f3f3f3;"><span style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Cambria", "serif"; font-size: 14pt;"> est né à Biskra, Algérie, en 1949. Ses premiers poèmes
paraissent dans la revue marocaine </span><i><span style="font-family: "Cambria", "serif"; font-size: 14pt;">Souffles</span></i><span style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Cambria", "serif"; font-size: 14pt;">, où il publie également
des articles. Il est l’auteur d’un recueil de poèmes, </span><i><span style="font-family: "Cambria", "serif"; font-size: 14pt;">Le temps de
nous-mêmes </span></i><span style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Cambria", "serif"; font-size: 14pt;">précédé par</span><i><span style="font-family: "Cambria", "serif"; font-size: 14pt;"> L’attente de l’arche</span></i><span style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Cambria", "serif"; font-size: 14pt;"> (Paris:
Librairie Saint Germain des Près, 1974) et de trois romans: </span><i><span style="font-family: "Cambria", "serif"; font-size: 14pt;">Les jours lents</span></i><span style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Cambria", "serif"; font-size: 14pt;"> (Paris:
Éditions Leo Scheer, 2003), </span><i><span style="font-family: "Cambria", "serif"; font-size: 14pt;">La bande noire dans l’ombre</span></i><span style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Cambria", "serif"; font-size: 14pt;"> (Paris:
108 Édition, 2016), et </span><i><span style="font-family: "Cambria", "serif"; font-size: 14pt;">Ainsi que tous les hommes (Naples/Tunis/Skopje) </span></i><span style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Cambria", "serif"; font-size: 14pt;">(Paris :
108 Édition). Romancier, Tandjaoui puise dans les archives pour en exhumer le
récit d’une expérience coloniale trop souvent occultée par une mondialisation
néolibérale et ses discours historiques, méthode qu’il emprunte également dans
son proème, </span><i><span style="font-family: "Cambria", "serif"; font-size: 14pt;">Clameur</span></i><span style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Cambria", "serif"; font-size: 14pt;"> (Paris :
108 Édition, 2017). Formé à l’École des Hautes Études en Sciences Sociales,
Tandjaoui travaille depuis de nombreuses années dans le secteur du
développement durable en Europe et en Afrique du Nord. </span><span lang="EN-US" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Cambria", "serif"; font-size: 14pt;">Il vit à Paris.</span><span lang="EN-US" style="font-family: "Cambria","serif"; font-size: 14.0pt; mso-fareast-font-family: "Times New Roman";"></span>
</span></span><p></p><p class="MsoNormal" style="text-align: justify;"><span style="background-color: #bf9000;"><span style="color: #f3f3f3;"><span style="font-size: large;"><b><span style="font-family: "Cambria", "serif";">Rufo Quintavalle</span></b></span><span style="font-family: "Cambria","serif"; font-size: 14.0pt; mso-ansi-language: FR;"> est né à Londres en 1978 a étudié à Oxford Université et
l’Université d’Iowa et vit actuellement à Paris. Il est l’auteur de 5 livres
de poésie : </span></span></span><span style="background-color: #bf9000;"><span style="color: #f3f3f3;"><span style="font-family: "Cambria","serif"; font-size: 14.0pt; mso-ansi-language: FR;"><em><span style="font-family: "Cambria", "serif";"></span></em></span></span></span></p><div class="separator" style="clear: both; text-align: center;"><em><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBhcdto8RrZoNExYC2TTBDXAzCnMysOl1y5dCOblJXdJ2m9FTfS9djD7_8PW-STsdfOL9APFvgyXJ3tp6cbGARbzqAMPOlUtkccDReu7x49ezMqIhZwiDyJBy5fufD52i7SaCkyNNMOOec/s2048/RufoQ_portrait_3.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1463" data-original-width="2048" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBhcdto8RrZoNExYC2TTBDXAzCnMysOl1y5dCOblJXdJ2m9FTfS9djD7_8PW-STsdfOL9APFvgyXJ3tp6cbGARbzqAMPOlUtkccDReu7x49ezMqIhZwiDyJBy5fufD52i7SaCkyNNMOOec/s320/RufoQ_portrait_3.jpg" width="320" /></a><span style="background-color: #bf9000;"><span style="color: #f3f3f3;"><span style="font-family: "Cambria","serif"; font-size: 14.0pt; mso-ansi-language: FR;"><em><span style="font-family: "Cambria", "serif";">hhereenow</span></em>, <em><span style="font-family: "Cambria","serif";">Weather
Derivatives</span></em>, <em><span style="font-family: "Cambria","serif";">Dog,
cock, ape and viper</span></em> et <em><span style="font-family: "Cambria","serif";">Anyone
for anymore</span></em>. Son livre <i>Shelf</i>, où il a ré-écrit vers par
vers “Song of Myself” de <span style="mso-spacerun: yes;"> </span>Walt Whitman,
vient de paraître chez Sagging Meniscus Press 2021. Pendant plusieurs
années, il organisé le cycle de lectures « Poets Live » et a enseigné
le creative writing pour NYU-Paris. Il est le co-créateur et acteur dans <em><span style="font-family: "Cambria","serif";">Coldhearts: A Poetical</span></em>—qu’il
décrit comme “un peu comme une comédie musicale mais avec un peu plus de poésie
et moins de parapluies virvoltants ». Il a également fait plus que 50
vidéo-poème, une sélection est disponible sur son site perso, et on trouve tous
sur sa chaîne youtube. Pour plus, consulter son site perso: </span><span lang="EN-US" style="font-family: "Cambria", "serif"; font-size: 14pt;"><a href="http://www.rufoq.com/" target="_blank"><span lang="FR" style="mso-ansi-language: FR;">www.rufoq.com</span></a></span><span lang="EN-US" style="font-family: "Cambria", "serif"; font-size: 14pt;"> </span><span style="font-family: "Cambria", "serif"; font-size: 14pt;">ou vous pouvez procurer un exemplaire de son ouvrage recent sur: </span><span style="font-family: "Cambria", "serif"; font-size: 14pt;"><span style="mso-spacerun: yes;"> </span></span><span lang="EN-US" style="font-family: "Cambria", "serif"; font-size: 14pt;"><a href="https://www.saggingmeniscus.com/catalog/shelf/" target="_blank"><span lang="FR" style="mso-ansi-language: FR;">https://www.saggingmeniscus.<wbr></wbr>com/catalog/shelf/</span></a></span><span style="font-family: "Cambria", "serif"; font-size: 14pt;"></span></span></span></em></div><p></p><span style="background-color: #bf9000;"><span style="color: #f3f3f3;">
</span></span><p class="MsoNormal" style="text-align: justify;"><span style="background-color: #bf9000;"><span style="color: #f3f3f3;"><span style="font-size: large;"><b><span style="font-family: "Cambria", "serif";"> </span></b></span></span></span></p><p class="MsoNormal" style="text-align: justify;"><span style="background-color: #bf9000;"><span style="color: #f3f3f3;"><span style="font-size: large;"><b><span style="font-family: "Cambria", "serif";">Olivia C. Harrison</span></b></span><span style="font-family: "Cambria", "serif"; font-size: 14pt;"> est professeure associée dans les
départements de français</span></span></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGh4IT90uWlsS94ANvKbRiaF26wBBw7wUVILyLcQceaOGAdL2vHA6CANc38LW05ATqqRJFl_EimvZFj_Qx4OLqPVqlLp4zzXnHRt4BVpJBDNRSxU29rsBq0hr9X943kQgQMUQ9_ibxEZXn/s1280/och_2.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1280" data-original-width="960" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGh4IT90uWlsS94ANvKbRiaF26wBBw7wUVILyLcQceaOGAdL2vHA6CANc38LW05ATqqRJFl_EimvZFj_Qx4OLqPVqlLp4zzXnHRt4BVpJBDNRSxU29rsBq0hr9X943kQgQMUQ9_ibxEZXn/w150-h200/och_2.jpg" width="150" /></a><span style="background-color: #bf9000;"><span style="color: #f3f3f3;"><span style="font-family: "Cambria", "serif"; font-size: 14pt;"> et d’italien, de littérature comparée et d’études
proche-orientales à l’Université de Californie du Sud (USC). Ses travaux
universitaires portent sur la littérature maghrébine, la France postcoloniale,
la question palestinienne, et les rapports entre écrivains et intellectuels des
pays du Sud. Auteure de <i>Transcolonial Maghreb: Imagining Palestine in
the Era of Decolonization</i>, elle a également édité, avec Teresa
Villa-Ignacio, <i>Souffles-Anfas: A Critical Anthology from the Moroccan
Journal of Culture and Politics</i>, et a traduit de nombreux textes
d’Abdelkébir Khatibi, Jacques Hassoun, Abdellatif Laâbi et Abraham Serfaty.</span></span></span></div><p></p><span style="background-color: #bf9000;"><span style="color: #f3f3f3;">
</span></span><p class="MsoNormal" style="text-align: justify;"><span style="background-color: #bf9000;"><span style="color: #f3f3f3;"><span style="font-size: large;"><b><span style="font-family: "Cambria", "serif";">Teresa VILLA-IGNACIO</span></b></span><span style="font-family: "Cambria","serif"; font-size: 14.0pt; mso-ansi-language: FR;"> est professeure </span></span></span><span style="background-color: #bf9000;"><span style="color: #f3f3f3;"><span style="font-family: "Cambria","serif"; font-size: 14.0pt; mso-ansi-language: FR;"></span></span></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhy1vsoyhKz5UyRVkM5w9utaO0zybqWCQ9gu8ohc_tCftgpgmke4YwcWUPd-YlmSYlqTSVvpp_25xcH5D_qg1d_Do_3vzbBZzjdohal38GhzNrSQ2doYFSZvOhzcudfJoVl9d7FqG1oeQfW/s1400/tvi_stonehill_photo.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="933" data-original-width="1400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhy1vsoyhKz5UyRVkM5w9utaO0zybqWCQ9gu8ohc_tCftgpgmke4YwcWUPd-YlmSYlqTSVvpp_25xcH5D_qg1d_Do_3vzbBZzjdohal38GhzNrSQ2doYFSZvOhzcudfJoVl9d7FqG1oeQfW/s320/tvi_stonehill_photo.jpg" width="320" /></a><span style="background-color: #bf9000;"><span style="color: #f3f3f3;"><span style="font-family: "Cambria","serif"; font-size: 14.0pt; mso-ansi-language: FR;">assisante des études
françaises et francophones à Stonehill College (dans le Massachussets). Elle
est l’auteure des articles sur le rôle de la poésie contemporaine et de sa
traduction dans les domaines de l’éthique, des mouvements de libération
postcoloniale et du militantisme pour la justice sociale. Avec Olivia C.
Harrison, elle est co-éditrice de l’anthologie <i>Souffles-Anfas</i> traduite à
l’américain, et a également contribué des traductions à une anthologie sur
l’art moderne dans le monde arabe, publié par MOMA en 2018, et aux poèmes
choisis du poète marocain Mostafa Nissabouri, parus en 2018 d’Otis
Books/Seismicity Editions.</span><span style="font-family: "Cambria","serif"; font-size: 14.0pt; mso-ansi-language: FR;"> Elle rédige un manuscrit
sur les rapports de traduction et de coopération entre les poètes français et
américains depuis la Seconde Guerre mondiale.</span></span></span></div><p></p><span style="background-color: #bf9000;"><span style="color: #f3f3f3;">
</span></span><p class="MsoNormal" style="text-align: justify;"><span style="background-color: #bf9000;"><span style="color: #f3f3f3;"><span style="font-family: "Cambria","serif"; font-size: 14.0pt; mso-ansi-language: FR;">Poète, essayiste et
traductrice argentine, <span style="font-size: large;"><b>Roxana Páez</b></span>
réside en France depuis </span><span style="font-family: "Cambria","serif"; font-size: 14.0pt; mso-ansi-language: FR; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">que</span><span style="font-family: "Cambria","serif"; font-size: 14.0pt; mso-ansi-language: FR;"> la bourse Saint-Exupéry l’a amenée à Paris pour rédiger
une thèse sur poétique et espace. </span><span style="font-family: "Cambria","serif"; font-size: 14.0pt; mso-ansi-language: FR; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Elle</span><span style="font-family: "Cambria","serif"; font-size: 14.0pt; mso-ansi-language: FR;"> a
aussi été lectrice pour des maisons d’édition dans son pays et elle a</span></span></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNiWVCYnyPBlLsVt2QGbX3dW0PKYSXgh6zSmwHAstjyNQE5yAWl_azXkQheT7-nsIit55JDfIC_7S6_KO5kISls76yXb1QkiyABUf3PVDeA06TcNFLr7YZx4Crh_tNBYbr3srCQ0NDpKya/s640/cameringo_20171101_195849.jpeg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="640" data-original-width="360" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNiWVCYnyPBlLsVt2QGbX3dW0PKYSXgh6zSmwHAstjyNQE5yAWl_azXkQheT7-nsIit55JDfIC_7S6_KO5kISls76yXb1QkiyABUf3PVDeA06TcNFLr7YZx4Crh_tNBYbr3srCQ0NDpKya/w225-h400/cameringo_20171101_195849.jpeg" width="225" /></a><span style="background-color: #bf9000;"><span style="color: #f3f3f3;"><span style="font-family: "Cambria","serif"; font-size: 14.0pt; mso-ansi-language: FR;">collaboré
à des revues et des suppléments culturels de journaux.<span style="mso-spacerun: yes;"> </span>Entre 2002 et 2004 elle a organisé les <i style="mso-bidi-font-style: normal;">Soirées des</i> <i>Écrivains de la Sortie</i>
à la Cité Internationale, afin de provoquer des rencontres bilingues
inattendues entre des écrivains français et hispanophones, vivants ou fantômes,
étrangers aux sélections « de la rentrée ». Elle a traduit, entre
autres, des textes de Pierre Klossowski, Rachid Boudjedra, Michel Serres,
Cornelius Castoriadis, Henri Méchonnic, Marcel Duchamp, Georges Bataille,
Mamhoud Darwich, Josée Lapeyrère, Geneviève Huttin.</span></span></span></div><p></p><span style="background-color: #bf9000;"><span style="color: #f3f3f3;">
</span></span><p class="MsoNormal" style="tab-stops: -205.55pt; text-align: justify; text-indent: 21.3pt;"><span style="background-color: #bf9000;"><span style="color: #f3f3f3;"><span lang="ES" style="font-family: "Cambria","serif"; font-size: 14.0pt; mso-ansi-language: ES;">Elle a publié les livres de poésie <i>Gran distracción animada </i>(1994), <i>Las
vegas del porvenir</i> (1995), <i>La indecisión </i>(1999), <i>Fogata de
ramitas y huesos </i>(2002, reed. </span><span style="font-family: "Cambria","serif"; font-size: 14.0pt; mso-ansi-language: FR;">2009), <i style="mso-bidi-font-style: normal;">Lettera rarissima</i>, anthologie bilingue (Marseille,<span style="mso-spacerun: yes;"> </span>2007), <i style="mso-bidi-font-style: normal;">Madre
Ciruelo</i> (2007), <i style="mso-bidi-font-style: normal;">Serie de banda
rumorosa</i> (2011), <i style="mso-bidi-font-style: normal;">Brindilles à sa
flambée</i> (2012, traduction de <i>Fogata </i>avec Geneviève Huttin), </span><i style="mso-bidi-font-style: normal;"><span style="font-family: "Cambria","serif"; font-size: 14.0pt; mso-ansi-language: FR; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Le Journal de la china</span></i><i style="mso-bidi-font-style: normal;"><span style="font-family: "Cambria","serif"; font-size: 14.0pt; mso-ansi-language: FR;">. (</span></i><i style="mso-bidi-font-style: normal;"><span style="font-family: "Cambria","serif"; font-size: 14.0pt; mso-ansi-language: FR; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Oú le diable
perd son</span></i><i style="mso-bidi-font-style: normal;"><span style="font-family: "Cambria","serif"; font-size: 14.0pt; mso-ansi-language: FR;">
poncho </span></i><i style="mso-bidi-font-style: normal;"><span style="font-family: "Cambria","serif"; font-size: 14.0pt; mso-ansi-language: FR; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">et le lièvre et le renard se
disent bonne nuit) -</span></i><span style="font-family: "Cambria","serif"; font-size: 14.0pt; mso-ansi-language: FR;">édition bilingue, 2012, <i style="mso-bidi-font-style: normal;">Crying Body </i>(anthologie virtuelle, 2015), <i style="mso-bidi-font-style: normal;">Traversée</i> (plaquette, Marseille, Fidel Anthelme X, 2016), <i>Impasse
de la baleine</i> (Alción, 2018, traduction d’Anne Talvaz sous presse), <i>La
Tiza de Poe</i> (Malisia, 2018). Plusieurs de ses poèmes ont été traduits en
anglais, français, portugais et allemand, publiés dans des revues, des
anthologies et </span><span style="font-family: "Cambria","serif"; font-size: 14.0pt; mso-ansi-language: FR; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">sur des</span><span style="font-family: "Cambria","serif"; font-size: 14.0pt; mso-ansi-language: FR;"> </span><span style="font-family: "Cambria","serif"; font-size: 14.0pt; mso-ansi-language: FR; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">sites internet</span><span style="font-family: "Cambria","serif"; font-size: 14.0pt; mso-ansi-language: FR;">. Elle a reçu de nombreux prix et distinctions en
Argentine. </span></span></span></p><span style="background-color: #bf9000;"><span style="color: #f3f3f3;">
</span></span><p class="MsoNormal" style="tab-stops: -205.55pt; text-align: justify; text-indent: 21.3pt;"><span style="background-color: #bf9000;"><span style="color: #f3f3f3;"><span style="font-family: "Cambria","serif"; font-size: 14.0pt; mso-ansi-language: FR; mso-bidi-language: FR;">En plus de ses essais</span><span style="font-family: "Cambria","serif"; font-size: 14.0pt; mso-ansi-language: FR;"> <i style="mso-bidi-font-style: normal;">Manuel Puig: del pop a la extrañeza</i> (Almagesto, 1995) et <i style="mso-bidi-font-style: normal;">Poéticas del espacio argentino</i>
(Mansalva, 2013), une trentaine d’</span><span style="font-family: "Cambria","serif"; font-size: 14.0pt; mso-ansi-language: FR; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">articles</span><span style="font-family: "Cambria","serif"; font-size: 14.0pt; mso-ansi-language: FR;">
sur des poètes ont été publiés dans des ouvrages collectifs ou des revues. </span><span lang="ES" style="font-family: "Cambria","serif"; font-size: 14.0pt; mso-ansi-language: ES; mso-bidi-language: FR;">En 2016, elle a réalisé l’édition critique de <i style="mso-bidi-font-style: normal;">Contradegüellos. Obra reunida</i> de
Francisco Madariaga (Paraná, Eduner). </span><span lang="ES" style="font-family: "Cambria","serif"; font-size: 14.0pt; mso-ansi-language: ES;"><span style="mso-spacerun: yes;"> </span>Vous pouvez retrouvez plus sur remue.net,
youtube et d’autres sites web.</span></span></span></p><span style="background-color: #bf9000;"><span style="color: #f3f3f3;">
</span></span><p class="MsoNormal" style="tab-stops: -205.55pt; text-align: justify; text-indent: 21.3pt;"><span style="background-color: #bf9000;"><span style="color: #f3f3f3;"><span lang="ES" style="font-family: "Cambria","serif"; font-size: 14.0pt; mso-ansi-language: ES;"> </span></span></span></p><span style="background-color: #bf9000;"><span style="color: #f3f3f3;">
</span></span><p class="MsoNormal" style="text-align: justify;"><span style="background-color: #bf9000;"><span style="color: #f3f3f3;"><b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Cambria", "serif"; font-size: 14pt;">BIOS
in ENGLISH ou ESPAGNOL</span></b></span></span></p><span style="background-color: #bf9000;"><span style="color: #f3f3f3;">
</span></span><p class="MsoNormal" style="text-align: justify;"><span style="background-color: #bf9000;"><span style="color: #f3f3f3;"><b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: "Cambria", "serif"; font-size: 14pt;"></span></b></span></span></p><div class="separator" style="clear: both; text-align: center;"><b style="mso-bidi-font-weight: normal;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7wcoMT7yWjMXLmnsbRoAQwiGdxlLPXJlD8x8pYCLV899Qf37D_y4xtisAd_pxu2uPAOKMTB2mlJRSqXeWf4EC36ZUMGUO90raQI8lLBQwOWcZefMqRyQP62V-u-ofvpMyFqri7TyKzt8r/s2048/RufoQ_Paris_4.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="2048" data-original-width="1463" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7wcoMT7yWjMXLmnsbRoAQwiGdxlLPXJlD8x8pYCLV899Qf37D_y4xtisAd_pxu2uPAOKMTB2mlJRSqXeWf4EC36ZUMGUO90raQI8lLBQwOWcZefMqRyQP62V-u-ofvpMyFqri7TyKzt8r/s320/RufoQ_Paris_4.jpg" /></a></b></div><b style="mso-bidi-font-weight: normal;"><br />Rufo Quintavalle</b><span lang="EN-US" style="font-family: "Cambria", "serif"; font-size: 14pt;"> was born in London in
1978, studied at Oxford and the University of Iowa and lives in Paris. He is
the author of nine books of poetry including <em><span style="font-family: "Cambria","serif";">hhereenow</span></em>, <em><span style="font-family: "Cambria","serif";">Weather Derivatives</span></em>, <em><span style="font-family: "Cambria","serif";">Dog, cock, ape and viper</span></em> and <em><span style="font-family: "Cambria","serif";">Anyone for anymore</span></em>. His most
recent collection, <i>Shelf</i>, a line-by-line rewrite of Walt Whitman's
"Song of Myself" was just published this spring by Sagging Meniscus
Press 2021. </span><span lang="EN-US" style="font-family: "Cambria", "serif"; font-size: 14pt;"> </span><span lang="EN-US" style="font-family: "Cambria", "serif"; font-size: 14pt;">He
used to run the reading series, Poets Live, and for several years taught
creative writing at NYU’s Paris campus. He is co-creator and lead actor in
an innovative film and poetry project called <em><span style="font-family: "Cambria","serif";">Coldhearts: A Poetical</span></em>—it’s a bit like a musical
but with more poetry and fewer twirling umbrellas. He has also</span><span lang="EN-US" style="font-family: "Cambria","serif"; font-size: 14.0pt;"> shot,
recorded and produced fifty short poetry videos, a selection of which can be
seen on his website – or find all fifty on his YouTube channel. For more, see his personal website: <a href="http://www.rufoq.com/" target="_blank">www.rufoq.com</a> and pick up a
copy of his recent book at: </span><span lang="EN-US" style="font-family: "Cambria", "serif"; font-size: 14pt;"><span style="mso-spacerun: yes;"> </span><a href="https://www.saggingmeniscus.com/catalog/shelf/" target="_blank">https://www.saggingmeniscus.<wbr></wbr>com/catalog/shelf/</a></span><p></p><span style="background-color: #bf9000;"><span style="color: #f3f3f3;">
</span></span><p class="MsoNormal" style="text-align: justify;"><span style="background-color: #bf9000;"><span style="color: #f3f3f3;"><span lang="EN-US" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Cambria", "serif"; font-size: 14pt;"> </span></span></span></p><span style="background-color: #bf9000;"><span style="color: #f3f3f3;">
</span></span><p class="MsoNormal" style="text-align: justify;"><span style="background-color: #bf9000;"><span style="color: #f3f3f3;"><span lang="EN-US" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Cambria", "serif"; font-size: 14pt;"></span></span></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEPDQebaKvJLmjhtf4-dYWhNfMpq7unqMZD-hefo4YUVuwD8iTciRNfJ2n1zlmcF5S07JrEcp18HXiVjIRs2c7hsKy4pT41-XUHpl-m4_lT4gymolbeeWYS0J92cR_piBwsWFRFdWUTHkz/s100/hocine_2.jpeg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="100" data-original-width="100" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEPDQebaKvJLmjhtf4-dYWhNfMpq7unqMZD-hefo4YUVuwD8iTciRNfJ2n1zlmcF5S07JrEcp18HXiVjIRs2c7hsKy4pT41-XUHpl-m4_lT4gymolbeeWYS0J92cR_piBwsWFRFdWUTHkz/w320-h320/hocine_2.jpeg" width="320" /></a></div>Born in 1949, <b style="mso-bidi-font-weight: normal;">Hocine Tandjaoui</b> is from Biskra,
Algeria. His first published poems appeared in 1968 in the Moroccan journal
Souffles, for which he served as the Algiers correspondent. <span style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Cambria", "serif"; font-size: 14pt;">He is
the author of the poetry collection <i>Le temps de nous-mêmes </i>précédé
par<i> L’attente de l’arche</i> (Paris: Librairie Saint Germain des
Près, 1974), and three novels, <i>Les jours lents</i> (Paris:
Éditions Leo Scheer, 2003), <i>La bande noire dans l’ombre</i> (Paris:
108 Édition, 2016), and <i>Ainsi que tous les hommes</i> (Naples/Tunis/Skopje)
(Paris: 108 Édition, 2020). </span><span lang="EN-US" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Cambria", "serif"; font-size: 14pt;">As a fiction writer, Tandjaoui works with
archival sources to recuperate and expand narratives of colonial experience
that have been obfuscated by the ideology of global neoliberalism and its
attendant historical discourses. This method also informs his
semi-autobiographical prose poem <i>Clameur</i> (Paris: 108 Édition, 2017). A
graduate of the École des Hautes Études en Sciences Sociales, Tandjaoui has
worked for several decades in the field of sustainable development in Europe
and North Africa. </span><span lang="ES" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "Cambria", "serif"; font-size: 14pt;">He lives in Paris.</span><p></p><span style="background-color: #bf9000;"><span style="color: #f3f3f3;">
</span></span><p class="MsoNormal" style="text-align: justify;"><span style="background-color: #bf9000;"><span style="color: #f3f3f3;"><b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: "Cambria","serif"; font-size: 14.0pt;">Teresa
Villa-Ignacio</span></b><span lang="EN-US" style="font-family: "Cambria","serif"; font-size: 14.0pt;"> is Assistant Professor of French and Francophone Studies at</span></span></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjK_rzgfc9R4UI-ldbzWbNXRJ68shf7enY4k5ePgGSvVt_OrFwe76jiaqLHW6BeHfQ4Zo6DRWEnUyPfPGcEtZDshuXmuD5K90NrDRnXHWHcnsNQ6vh6gWur-f1J1cuZynII9XOuZGikHp50/s318/Teresa-Villa-Ignacio_2020.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="318" data-original-width="296" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjK_rzgfc9R4UI-ldbzWbNXRJ68shf7enY4k5ePgGSvVt_OrFwe76jiaqLHW6BeHfQ4Zo6DRWEnUyPfPGcEtZDshuXmuD5K90NrDRnXHWHcnsNQ6vh6gWur-f1J1cuZynII9XOuZGikHp50/s0/Teresa-Villa-Ignacio_2020.jpg" /></a></div><br />
Stonehill College. Her research explores contemporary poetic and translational
interventions in ethical philosophy, postcolonial liberation movements, and
social justice activism. With Olivia C. Harrison, she is the co-editor of <i><span lang="EN-US" style="font-family: "Cambria", "serif"; font-size: 14pt;">Souffles-Anfas: A
Critical Anthology from the Moroccan Journal of Culture and Politics</span></i><span lang="EN-US" style="font-family: "Cambria","serif"; font-size: 14.0pt;"> (Stanford
UP, 2016), and has contributed translations to <i>Modern Art in the Arab World:
Primary Documents<span style="mso-spacerun: yes;"> </span></i>(MOMA, 2018) and <i>For
an Ineffable Metrics of the Desert</i> , the selected poems of the Moroccan
poet Mostafa Nissabouri (Otis Books/Seismicity Editions, 2018). Her current
book project explores on relationships of translation and collaboration among
French and American poets since World War II.</span><p></p><p><span style="background-color: #bf9000;"><span style="color: #f3f3f3;"> <br /></span></span></p><p class="MsoNormal" style="text-align: justify;"><span style="background-color: #bf9000;"><span style="color: #f3f3f3;"><b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: "Cambria", "serif"; font-size: 14pt;"></span></b></span></span></p><div class="separator" style="clear: both; text-align: center;"><b style="mso-bidi-font-weight: normal;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhE1oc2-4cBeRC5jh_K-fO75_4CnPfTkSMy5jL-fcoaEbjqErHwWM7sCQGqS53cyzLL_ntisdFun1cZoFsGHu9egh2ksTMUX34OWlxOIA1EVhyphenhyphenYI1BcnnRMIFIcnFaohmY9d7ZV4cEt_eRN/s495/Harrison_Olivia-e1602100637496.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="495" data-original-width="495" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhE1oc2-4cBeRC5jh_K-fO75_4CnPfTkSMy5jL-fcoaEbjqErHwWM7sCQGqS53cyzLL_ntisdFun1cZoFsGHu9egh2ksTMUX34OWlxOIA1EVhyphenhyphenYI1BcnnRMIFIcnFaohmY9d7ZV4cEt_eRN/s320/Harrison_Olivia-e1602100637496.png" /></a></b></div><b style="mso-bidi-font-weight: normal;">Olivia C. Harrison</b><span lang="EN-US" style="font-family: "Cambria", "serif"; font-size: 14pt;"> is Associate Professor of French and
Comparative Literature at the University of Southern California. Her research
focuses on North African literature, postcolonial France, the Palestinian
question, and affiliations between writers and intellectuals from the Global South. She
is the author of <i>Transcolonial Maghreb: Imagining Palestine in the Era of
Decolonization</i> and, with Teresa Villa-Ignacio, coeditor of <i>Souffles-Anfas:
A Critical Anthology from the Moroccan Journal of Culture and Politics</i>. Her
translations include essays and poems by Abdelkébir Khatibi, Jacques Hassoun,
Abdellatif Laâbi, and Abraham Serfaty.</span><p></p><span style="background-color: #bf9000;"><span style="color: #f3f3f3;">
</span></span><p class="MsoNormal" style="tab-stops: 262.25pt; text-align: justify;"><span style="background-color: #bf9000;"><span style="color: #f3f3f3;"><b style="mso-bidi-font-weight: normal;"><span lang="ES" style="font-family: "Cambria","serif"; font-size: 14.0pt; mso-ansi-language: ES;">ROXANA PAEZ</span></b><span lang="ES" style="font-family: "Cambria","serif"; font-size: 14.0pt; mso-ansi-language: ES;">: <span style="mso-bidi-font-weight: bold;">Nota biobibliográfica</span></span><span lang="ES" style="font-family: "Cambria","serif"; mso-ansi-language: ES;">: </span><span lang="ES" style="font-family: "Cambria","serif"; font-size: 14.0pt; mso-ansi-language: ES;">La década pasada, la beca Saint-Exupéry la </span><span lang="ES-TRAD" style="font-family: "Cambria","serif"; font-size: 14.0pt; mso-ansi-language: ES-TRAD; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">trajo</span><span lang="ES" style="font-family: "Cambria","serif"; font-size: 14.0pt; mso-ansi-language: ES;"> a París, donde obtuvo un Doctorado sobre poesía y espacio. <span style="mso-bidi-font-weight: bold;">P</span>oeta, ensayista y</span></span></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhyOcYbVNh-1pl2im5czssX9uCohamJ9jZP9VhMFsMX3p7Lu4b82fSwQqfXj1umQ95Po4m-_agwfR_JPpkAfs38141Mx-O_6K2-WkNl3Jl0o9YBWuY_EdmJ_xHJVr4qyeA73y9QkoNFTqW/s640/P1020452.jpeg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="480" data-original-width="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhyOcYbVNh-1pl2im5czssX9uCohamJ9jZP9VhMFsMX3p7Lu4b82fSwQqfXj1umQ95Po4m-_agwfR_JPpkAfs38141Mx-O_6K2-WkNl3Jl0o9YBWuY_EdmJ_xHJVr4qyeA73y9QkoNFTqW/s320/P1020452.jpeg" width="320" /></a><span style="background-color: #bf9000;"><span style="color: #f3f3f3;"><span lang="ES" style="font-family: "Cambria","serif"; font-size: 14.0pt; mso-ansi-language: ES;">traductora de La
Plata, vivió parte de su infancia y adolescencia <a name="_GoBack"></a>en
Buenos Aires y Mendoza. Tradujo, entre otros, a Pierre Klossowski, Rachid
Boudjedra, Michel Serres, Cornelius Castoriadis, Henri Méchonnic, Bernard Dort,
Marcel Duchamp, Georges Bataille, Mamhoud Darwich, Geneviève Huttin, Josée
Lapeyrère. </span><span lang="ES" style="font-family: "Cambria","serif"; mso-ansi-language: ES;"></span></span></span></div><p></p><span style="background-color: #bf9000;"><span style="color: #f3f3f3;">
</span></span><p class="MsoNormal" style="tab-stops: 262.25pt; text-align: justify; text-indent: 21.3pt;"><span style="background-color: #bf9000;"><span style="color: #f3f3f3;"><span lang="ES" style="font-family: "Cambria","serif"; font-size: 14.0pt; mso-ansi-language: ES;">Publicó en editoriales argentinas y francesas los libros de poesía <i>Gran
distracción animada </i>(1994), <i>Las vegas del porvenir</i> (1995), <i>La
indecisión </i>(1999), <i>Fogata de ramitas y huesos </i>(2002, reed. 2009), <i style="mso-bidi-font-style: normal;">Lettera rarissima</i>, antología bilingüe
(Marsella,<span style="mso-spacerun: yes;"> </span>2007), <i style="mso-bidi-font-style: normal;">Madre Ciruelo</i> (2007), <i style="mso-bidi-font-style: normal;">Serie
de banda rumorosa</i> (2011), <i style="mso-bidi-font-style: normal;">Brindilles
à sa flambée</i> (2012, traducido con Geneviève Huttin), <i style="mso-bidi-font-style: normal;">El diario de la china. Donde el diablo perdió el poncho y el zorro y la
liebre se dan las buenas noches </i>(ambas ediciones bilingües, 2012), <i style="mso-bidi-font-style: normal;">Crying Body </i>(antología con prefacio de
Vicente Constantini, 2015), <i style="mso-bidi-font-style: normal;">Traversée</i>
(plaquette, Marsella, Fidel Anthelme X, 2016), <i>Impasse de la ballena</i>
(Alción, 2018), <i>La Tiza de Poe</i> (Malisia, 2018). Varios poemas han sido
traducidos al inglés, francés, portugués y alemán, publicados en revistas,
antologías y sitios virtuales. </span></span></span></p><span style="background-color: #bf9000;"><span style="color: #f3f3f3;">
</span></span><p class="MsoNormal" style="tab-stops: -205.55pt; text-align: justify; text-indent: 21.3pt;"><span style="background-color: #bf9000;"><span style="color: #f3f3f3;"><span lang="ES" style="font-family: "Cambria","serif"; font-size: 14.0pt; mso-ansi-language: ES; mso-bidi-language: FR;">En 2016 Eduner (Paraná, Argentina) publicó <i style="mso-bidi-font-style: normal;">Contradegüellos. Obra reunida</i> de
Francisco Madariaga, cuya edición, notas y parte de los ensayos tuvo a su
cargo.</span><span lang="ES" style="font-family: "Cambria","serif"; font-size: 14.0pt; mso-ansi-language: ES;"> Además de los libros de su autoría, <i style="mso-bidi-font-style: normal;">Manuel Puig: del pop a la extrañeza</i> (Almagesto, 1995) y <i style="mso-bidi-font-style: normal;">Poéticas del espacio argentino</i>
(Mansalva, 2013), una treintena de ensayos sobre poética, poetas y escritores
de lengua castellana figuran en tomos colectivos o revistas. Entre ellos:
"Juan L.Ortiz: La medida de los grillos” (finalista del Quinto certamen
del ensayo breve, Fundación Banco Mercantil); "Dactilogramas: la escritura
íntima"; “Oliverio Girondo: En la nuca del sueño” (Coll. Archivos);
“Wilde, la nueva crítica”; “Tango del viudo’: el deseo corteja al fantasma”.</span></span></span></p><span style="background-color: #bf9000;"><span style="color: #f3f3f3;">
</span></span><p class="MsoNormal" style="mso-pagination: none; text-align: justify; text-indent: 21.3pt;"><span style="background-color: #bf9000;"><span style="color: #f3f3f3;"><span lang="ES" style="font-family: "Cambria","serif"; font-size: 14.0pt; mso-ansi-language: ES;"></span></span></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVljDl5cgOq01bCG-Kvquz_b7KRNfnFVfjCrNBhIva6kdMnzlp0iD1KW-aNqz4Mf8fGOWrsaFbR_u7UJHJrFFzSDnq_FEMATE3dEdu2cms2teTscgtkxtEvEVhmo3h6F8RPNCKGQzFQK_z/s640/P1030311.jpeg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="640" data-original-width="480" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVljDl5cgOq01bCG-Kvquz_b7KRNfnFVfjCrNBhIva6kdMnzlp0iD1KW-aNqz4Mf8fGOWrsaFbR_u7UJHJrFFzSDnq_FEMATE3dEdu2cms2teTscgtkxtEvEVhmo3h6F8RPNCKGQzFQK_z/s320/P1030311.jpeg" /></a></div><br />Recibió el <i style="mso-bidi-font-style: normal;">Primer
Premio Nacional de Poesía </i>del Concurso Enrique Pezzoni (1993), el <i>Segundo
Premio</i> del Concurso Nacional de Poesía <i>"La piedra movediza"</i>
(1994) y en 2010 <i style="mso-bidi-font-style: normal;">Fogata de ramitas y
huesos</i> obtuvo el Primer Premio Internacional Juan L. Ortiz, al libro de
poesía de la década. Fue becada por la Direction du Livre del Ministerio de
Cultura francés para traducir <i style="mso-bidi-font-style: normal;">Critique du
rythme</i> de Henri Méschonnic, organismo que en 2012 le otorgó una beca de
creación para, por entonces <i style="mso-bidi-font-style: normal;">work in
progress</i>, <i style="mso-bidi-font-style: normal;">Impasse de la Ballena</i>,
que fue traducido al francés por la poeta Anne Talvaz. En 2011 obtuvo el
Segundo Premio de Ensayo del Fondo Nacional de las Artes por <i style="mso-bidi-font-style: normal;">Poéticas del espacio argentino</i>. En 2016
estuvo en residencia en la Biennale de Poètes de Val-de-Marne, donde <span lang="ES-TRAD" style="font-family: "Cambria","serif"; font-size: 14.0pt; mso-ansi-language: ES-TRAD;">integró el comité de redacción de la</span><span lang="ES" style="font-family: "Cambria","serif"; font-size: 14.0pt; mso-ansi-language: ES;">
revista <i style="mso-bidi-font-style: normal;">Zone sensible.</i></span><p></p><span style="background-color: #bf9000;"><span style="color: #f3f3f3;">
</span></span><p class="MsoNormal" style="tab-stops: 262.25pt; text-align: justify; text-indent: 21.3pt;"><span style="background-color: #bf9000;"><span style="color: #f3f3f3;"><span lang="ES" style="font-family: "Cambria","serif"; font-size: 14.0pt; mso-ansi-language: ES;">Suele trabajar en colaboración con pintores, compositores, videastas, como <i style="mso-bidi-font-style: normal;">Fogata</i>, performance realizada con el
compositor español Gorka Alda en la Casa de América Latina de París o <i style="mso-bidi-font-style: normal;">Donde el diablo perdió el poncho</i><span style="mso-spacerun: yes;"> </span>en la galería 59 RIVOLI en compañía del
artista visual Vicente Grondona (<i style="mso-bidi-font-style: normal;">El
diario de la china</i>, Córdoba, Sofía cartonera, 2012 y Fidel Anthelme X,
Marsella). En 2016 creó con Geneviève Huttin un colectivo de poetas: <i style="mso-bidi-font-style: normal;">Invisibles audibles lisibles</i>. </span></span></span></p>
<p class="MsoNormal" style="text-align: justify;"><span style="mso-ansi-language: FR; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">
</span></p>
<p align="justify"> </p>Jennifer K Dickhttp://www.blogger.com/profile/14819275106754521715noreply@blogger.com0tag:blogger.com,1999:blog-2215338180310572858.post-89172802263495085212021-04-23T18:30:00.023-07:002021-04-23T18:30:00.277-07:00Exercice d'écriture sur radio pi-node avec Jennifer K Dick, Sandrine Wymann et textes de Vannina Maestri<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLxqJT63L7pQJdl_EwFZSLp6m-y4uW8k8z6NmC4JmLP3ef-cHuS4rU-6q2Yg-MZFehn6nQ6dCQcBAdfeIVEYB1AZH6ttNjkLV-9xcwN36xROdkCSnCt3dJ0UVo2oVkgfv6nJxi8wjQovKw/s640/Maestri+pour+blogpost.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="308" data-original-width="640" height="308" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLxqJT63L7pQJdl_EwFZSLp6m-y4uW8k8z6NmC4JmLP3ef-cHuS4rU-6q2Yg-MZFehn6nQ6dCQcBAdfeIVEYB1AZH6ttNjkLV-9xcwN36xROdkCSnCt3dJ0UVo2oVkgfv6nJxi8wjQovKw/w640-h308/Maestri+pour+blogpost.jpg" width="640" /></a></div><p>CE SOIR à 19h (heure Paris) sur radio pi-node (<a href="https://p-node.org/" target="_blank">https://p-node.org/</a>) <span style="font-size: large;"><b>Qalqalah - Générateur de texte #2</b></span> - La Kunsthalle Mulhouse avec <b>Jennifer K Dick, et Sandrine Wymann</b>, la directrice de la Kunsthalle Centre d'Art Contemporaine de Mulhouse. </p><p>Nous allons faire une emission autour de l’œuvre "Seeing studies" d'Institute for incongruous translation" de Natascha Sadr Haghighian et Ashkan Sepahvand avec Can Altay qui fait partie de l'expo "<a href="http://kunsthallemulhouse.com/evenement/qalqalah-plus-dune-langue/" target="_blank">QAQALAH Plus d'une langue</a>". </p><p>Notre visite radiophonique sera suivi par 1 proposition d'écriture: une exercice pour générer votre propre poème contemporain MOBILE à l'instar de cette œuvre et en écho des écrits de <b>Vanina Maestri</b>, poète qui a lu pour Ivy Writers Paris, auteur de ses livres <i><b>Mobiles</b></i> et <i><b>Mobiles 2</b></i> (<a href="https://www.lespressesdureel.com/ouvrage.php?id=6241&menu=4" target="_blank">Al Dante/Presses du réel</a>). </p><p><span style="font-size: medium;">Vous allez aussi écouter un extrait de <i><b>Mobiles</b></i> lu par <b>Camille Roussel et Ilona Vonau</b>, des étudiants en Licence à Université de Haute Alsace (UHA) Mulhouse, France.</span><br /><br />Pour plus, Jennifer en parle aussi sur son blog perso à:<br /><a href="https://jenniferkdick.blogspot.com/2021/04/ateliers-pour-generer-des-poemes-sur.html">https://jenniferkdick.blogspot.com/2021/04/ateliers-pour-generer-des-poemes-sur.html</a><br /><br />Dispo sur podcast à la suite de l'emission pendant 1 an</p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifFc4GnlpyuqbLYR77VpTdJPlifQ4Sfbo_M06oMh0MqujneTFKHQss3SmJy7j0rLE7tIs5miQxnjEMXzMhjQXA6ieZHhkm86YxHczIYAQee1ulo2vHAYdWR4ykqnq3tvDzeTPcGBoe0iWX/s1200/IMG_20210309_110545_1200x1200.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1200" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifFc4GnlpyuqbLYR77VpTdJPlifQ4Sfbo_M06oMh0MqujneTFKHQss3SmJy7j0rLE7tIs5miQxnjEMXzMhjQXA6ieZHhkm86YxHczIYAQee1ulo2vHAYdWR4ykqnq3tvDzeTPcGBoe0iWX/w640-h640/IMG_20210309_110545_1200x1200.jpg" width="640" /></a></div><br /> <p></p><p align="justify"> </p>Jennifer K Dickhttp://www.blogger.com/profile/14819275106754521715noreply@blogger.com0tag:blogger.com,1999:blog-2215338180310572858.post-27120861609002088312021-04-23T06:12:00.005-07:002021-04-23T06:12:58.723-07:00Auteurs d'IVY qui inspire des exercices d'écriture pour un programme sur radio Pi-Node<p><span class="d2edcug0 hpfvmrgz qv66sw1b c1et5uql lr9zc1uh a8c37x1j keod5gw0 nxhoafnm aigsh9s9 d3f4x2em fe6kdd0r mau55g9w c8b282yb iv3no6db jq4qci2q a3bd9o3v knj5qynh oo9gr5id hzawbc8m" dir="auto">VENEZ ECRIRE AVEC NOUS!!!</span></p><p><span class="d2edcug0 hpfvmrgz qv66sw1b c1et5uql lr9zc1uh a8c37x1j keod5gw0 nxhoafnm aigsh9s9 d3f4x2em fe6kdd0r mau55g9w c8b282yb iv3no6db jq4qci2q a3bd9o3v knj5qynh oo9gr5id hzawbc8m" dir="auto"></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPUOizzek2v64zB1UVqZQ6WcDfeHtGtLu6r0fV9CWKArlhsuaZPRMdOg1dl7FSDAxDDtyU4TjT5XCJRvW3HR5DfiMcJEmhP9E-eeVOrlBm2jeJ7v6TjJvqEQHR-7iw970MGo8ZEUyw4TrH/s640/Trio2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="328" data-original-width="640" height="328" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPUOizzek2v64zB1UVqZQ6WcDfeHtGtLu6r0fV9CWKArlhsuaZPRMdOg1dl7FSDAxDDtyU4TjT5XCJRvW3HR5DfiMcJEmhP9E-eeVOrlBm2jeJ7v6TjJvqEQHR-7iw970MGo8ZEUyw4TrH/w640-h328/Trio2.jpg" width="640" /></a></div> CE SOIR à 19h sur radio p-node (<span><a class="oajrlxb2 g5ia77u1 qu0x051f esr5mh6w e9989ue4 r7d6kgcz rq0escxv nhd2j8a9 nc684nl6 p7hjln8o kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x jb3vyjys rz4wbd8a qt6c0cv9 a8nywdso i1ao9s8h esuyzwwr f1sip0of lzcic4wl py34i1dx gpro0wi8" href="https://l.facebook.com/l.php?u=https%3A%2F%2Fp-node.org%2F%3Ffbclid%3DIwAR1JLZoRSFNdiA75YHLgNvD2F-cYE-d6V20ZeDQVpOAXHgAHyFvaRXiQ1h0&h=AT2SIW2S3PriVK-EzwypgYtCMRcx4LDtFZWC2FYmr4UTJqIDULuPVl0o348vhq7PQoMvm4zW5DzOQ9fRbI4CS_xk6oxzL2pe8igOUy28qmnVUqSAPAfH5ksyACEjtTQvVgk&__tn__=-UK-R&c[0]=AT3jFG9BLCflQk2DEQHs6NrMOg1kC4Tq4KA9fFXbAp1Sv2_E2YRp13i5PUB1AtBWqLps1wbDwtWZEedM6NT1ascHdtUzzk0akMZkIz3sijhdjgZL-Ul1o7DJ_YPShDDlTm5WK-b01EaKY9O-P2niaMAAoQ" rel="nofollow noopener" role="link" tabindex="0" target="_blank">https://p-node.org/</a></span>)
<span style="font-size: large;"><b> Qalqalah - Générateur de texte #1</b></span> - La Kunsthalle Mulhouse avec organisatrice d'Ivy Writers Paris
Jennifer K Dick et Marine Ambrosini de la Kunsthalle.<p></p><p><span class="d2edcug0 hpfvmrgz qv66sw1b c1et5uql lr9zc1uh a8c37x1j keod5gw0 nxhoafnm aigsh9s9 d3f4x2em fe6kdd0r mau55g9w c8b282yb iv3no6db jq4qci2q a3bd9o3v knj5qynh oo9gr5id hzawbc8m" dir="auto"> Nous allons vous faire visiter
l’œuvre "Work on paper" de Temporary Art Platform qui fait partie de
l'expo "QAQALAH Plus d'une langue". </span></p><p><span class="d2edcug0 hpfvmrgz qv66sw1b c1et5uql lr9zc1uh a8c37x1j keod5gw0 nxhoafnm aigsh9s9 d3f4x2em fe6kdd0r mau55g9w c8b282yb iv3no6db jq4qci2q a3bd9o3v knj5qynh oo9gr5id hzawbc8m" dir="auto">Notre visite radiophonique sera
suivi par 3 propositions d'écriture: des contraintes à suivre en
écrivant vos propres poèmes contemporains à l'instar de cette l’œuvre et
dans les styles de 3 auteurs contemporains qui ont fait des lectures pour Ivy Writers Paris: <span></span>Deborah Heissler Laurent Grisel et Vanina Maestri.</span></p><p><span class="d2edcug0 hpfvmrgz qv66sw1b c1et5uql lr9zc1uh a8c37x1j keod5gw0 nxhoafnm aigsh9s9 d3f4x2em fe6kdd0r mau55g9w c8b282yb iv3no6db jq4qci2q a3bd9o3v knj5qynh oo9gr5id hzawbc8m" dir="auto"> <br /></span></p><p align="justify"> </p>Jennifer K Dickhttp://www.blogger.com/profile/14819275106754521715noreply@blogger.com0tag:blogger.com,1999:blog-2215338180310572858.post-16756988712385989782021-03-14T16:31:00.005-07:002021-03-14T23:55:58.243-07:00Nuits #IvyWritersParis avec Marco Boubille et Charles Alexander, le 20 mars 2021 sur ZOOM<p align="center" class="MsoNormal" style="text-align: center;"><br /><b><span style="font-family: arial; font-size: large;">Le 20 mars 2021 débute les NUITS d'Ivy Writers Paris !</span></b></p><p align="center" class="MsoNormal" style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-VTmZjymu2dM/YE8E5y37TMI/AAAAAAAAB5c/jI_celqS5vwH-1k9Xm8O0jP_3HlTd0UDQCLcBGAsYHQ/s940/Ivy%2Bnight%2Bevent.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="788" data-original-width="940" height="536" src="https://1.bp.blogspot.com/-VTmZjymu2dM/YE8E5y37TMI/AAAAAAAAB5c/jI_celqS5vwH-1k9Xm8O0jP_3HlTd0UDQCLcBGAsYHQ/w640-h536/Ivy%2Bnight%2Bevent.png" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><span style="font-family: arial;"><b><div style="text-align: center;"><b>Ce printemps 2021 en exclusivité sur ZOOM</b></div><div style="text-align: center;"><b>pour mettre un peu de piment dans vos week-ends; notre première soirée de lectures bilingue commencera par des lectures de</b></div><div style="text-align: center;"><b><br /></b></div><span style="color: #ffa400; font-size: x-large;"><div style="text-align: center;"><b><span style="color: #ffa400; font-size: x-large;">MARCO BOUBILLE </span></b></div><div style="text-align: center;"><b><span style="color: #ffa400; font-size: x-large;">et</span></b></div><div style="text-align: center;"><b><span style="color: #ffa400; font-size: x-large;">CHARLES ALEXANDER</span></b></div></span><span style="font-size: medium;"><div style="text-align: center;"><b><span style="font-size: medium;">à 21h heure de Paris - 16h heure de New York</span></b></div><div style="text-align: center;"><b><span style="font-size: medium;"><br /></span></b></div></span><br />Afternoons with Ivy for those of you in the USA (4pm EST), evenings if in France (9pm):<br />This spring 2021 we hope to add a little spice to your weekends with these Ivy Writers Paris bilingual readings on ZOOM.<br />Our first will be with CHARLES ALEXANDER and MARCO BOUBILLE on the 20th of March 2021.<br /><br />ZOOM link below. Full information and bios is available below. FREE and OPEN TO ALL! Find us also on EVENTBRITE.</b><br /><a href="https://www.eventbrite.fr/e/billets-nuit-divy-writers-paris-avec-charles-alexandre-et-marco-boubille-146176579083">https://www.eventbrite.fr/e/billets-nuit-divy-writers-paris-avec-charles-alexandre-et-marco-boubille-146176579083</a><br />Lecture bilingue, gratuite, ouverte à toutes et à tous.</span><div><span style="font-family: arial;"><br /></span><p class="Body" style="text-align: justify;"><span lang="DE"><b><span style="color: #ffa400; font-family: arial; font-size: large;">BIOS</span></b></span></p><p class="Body" style="text-align: justify;"><span style="font-family: arial;"><span lang="DE" style="color: #ffa400;"><b><span style="font-size: large;">CHARLES ALEXANDER:</span></b> </span><span lang="NL">Artist, Poet, Bookmaker,</span><span lang="EN-US"> Professor, founder/director of </span></span><span style="font-family: arial; text-align: left;">Chax Press. Author of 6 full-length
books of poetry and 13 brief chapbooks of poetry, editor of one critical work
on the state of the book arts in America, author of multiple essays, articles,
and reviews. Most recent books of poetry are </span><i style="font-family: arial; text-align: left;">AT the Edge OF the Sea: Pushing
Water II</i><span style="font-family: arial; text-align: left;"> (Singing Horse Press), </span><i style="font-family: arial; text-align: left;">Pushing Water</i><span style="font-family: arial; text-align: left;"> (Cuneiform Press), and
the chapbooks </span><i style="font-family: arial; text-align: left;">Some Sentences Look for Some Periods</i><span style="font-family: arial; text-align: left;">, and </span><i style="font-family: arial; text-align: left;">Two Pushing
Waters</i><span style="font-family: arial; text-align: left;">, both from Little Red Leaves Textile Series. </span><i style="font-family: arial; text-align: left;">Pushing Water III</i><span style="font-family: arial; text-align: left;">
is forthcoming from Cuneiform Press. Has taught literature and writing at
Naropa University, University of Arizona, and elsewhere, including the
University of Houston-Victoria, where he directed the MFA Creative Writing
Program and managed the UHV Center for the Arts from 2014 through 2018. He is a
past recipient of the Arizona Arts Award, and has participated in the TAMAAS
Poetry Translation Project in Paris, the US Poets in Mexico program, and the
7th and 8th International Chinese/American Poetry & Poetics Conferences in Wuhan
and Hangzhou, China. In April 2019 he was a keynote speaker and lecturer in the
Swan Shakespeare Lecture series sponsored by Southwest University in Chongqing,
China. In the works is his </span><i style="font-family: arial; text-align: left;">Selected Poems</i><span style="font-family: arial; text-align: left;">, translated into Mandarin
Chinese by Chen Du and to be published in China. During the pandemic year he
has developed and participated in various projects (reading series, poetry
videos, YouTube poetry channels, virtual conferences, virtual poetry marathons,
etc.) for our more and more virtual participation in poetry & poetics, and
he would love nothing better than to simply go to a live poetry reading again,
somewhere in this loved world. He lives in Tucson, Arizona, with his partner,
the painter Cynthia Miller.</span></p>
<p class="MsoNormal" style="text-align: justify;"><span style="font-family: arial;"><span style="color: #ffa400;"><b><span><span style="font-size: large;">MARCO BOUBILLE</span></span></b><span><b><span style="font-size: large;">:</span></b> </span></span><span style="mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Né à Nice en 1965. D'origine italienne, a vécu et fait
ses études à </span><span style="text-align: left;">Paris. De cinéma et de théâtre puis de philosophie. S'installe
avec sa famille en Ile de France où il travaille depuis 7 ans. Il est auteur,
traducteur et critique. Il a fait publié 2 </span><b style="text-align: left;">livres :</b><span style="text-align: left;"> "</span><i style="text-align: left;">Ordre
aléatoire des images</i><span style="text-align: left;">" (sept. 2020 Les presses du réel/Al Dante
Collection Pli), </span><i style="text-align: left;">"Loi N"</i><span style="text-align: left;"> (déc. 2008 Les petits matins). </span><b style="text-align: left;">Publications
en revue : </b><span style="text-align: left;"> - Extrait d'</span><i style="text-align: left;">Ordre
aléatoire des images </i><span style="text-align: left;">dans Nioques N°16 nov. 2017 - Extraits d'</span><i style="text-align: left;">Ordre
aléatoire des images</i><span style="text-align: left;"> dans PLI N°4 -"</span><i style="text-align: left;">Suppression des articles
pendant la visite"</i><span style="text-align: left;"> mars 2003 dans la Revue "Passage
d'encre" Numéro : "Impairs, passes & manques" Il a également
fait 2 </span><b style="text-align: left;">textes</b><span style="text-align: left;"> </span><b style="text-align: left;">en duo avec
Virginie Lalucq :</b><span style="text-align: left;"> "</span><i style="text-align: left;">Le costume est fourni" </i><span style="text-align: left;">pour une
lecture en 2005 et "</span><i style="text-align: left;">Contamination</i><span style="text-align: left;">" pour Scriptopolis octobre
2012. En tant que traducteur, il a fait les </span><b style="text-align: left;">traductions</b><span style="text-align: left;"> du texte italien
"</span><i style="text-align: left;">une enfance perdue</i><span style="text-align: left;">" de Liliana Segre dans L'ENFANT ET LE
GÉNOCIDE - Témoignages sur l'enfance pendant la Shoah Textes choisis et
présentés par Catherine Coquio & Aurélia Kalisky 8 nov. 2007
description de la publication Éditions Robert Laffont Collection BOUQUINS
</span><b style="text-align: left;">Critiques dans "Les Lettres françaises":</b><span style="text-align: left;"> - </span><i style="text-align: left;">"Regarder
vers sa disparition</i><span style="text-align: left;">" févr. 2006 A propos de "Comment faire
disparaître la terre ?" d’Emmanuelle Pireyre. Éditions du Seuil. - "</span><i style="text-align: left;">Automédication
par le mal</i><span style="text-align: left;">" déc. 2005 A propos de : "Électuaire du discount"
de Jérôme Mauche.Éditions Le bleu du ciel - </span><i style="text-align: left;">"Construire une
fissure"</i><span style="text-align: left;"> nov. 2005 à propos de "Trois Contes doubles"
d'Herman Melville.</span></span></p>
<p class="MsoNormal" style="text-align: justify;"><span lang="EN-US" style="font-family: arial; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"><b>ZOOM LINK FOR THE EVENT : available via Eventbrite when you let us know you are coming!</b></span></p><p class="MsoNormal" style="text-align: justify;"><span lang="EN-US" style="mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"><span style="font-family: arial;"><a href="https://www.eventbrite.fr/e/billets-nuit-divy-writers-paris-avec-charles-alexandre-et-marco-boubille-146176579083">https://www.eventbrite.fr/e/billets-nuit-divy-writers-paris-avec-charles-alexandre-et-marco-boubille-146176579083</a> </span><span style="font-family: Times New Roman, serif;"><o:p></o:p></span></span></p><p align="justify"> </p></div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2215338180310572858.post-77109268862088241602020-03-06T09:44:00.001-08:002021-03-17T16:52:17.130-07:0024 MARS 2020 >> Roxana Paez, Noah Warren, Sabine Huynh, Amy Hollowell, Moira Crone et Rodger Kamenetz liront pour Ivy au DOC.<div style="text-align: center;">
Le 24 mars 2020, à 19h30 </div>
<div style="text-align: center;">
au DOC, 26 rue du Dr Potain, 75009 Paris </div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
IVY WRITERS PARIS vous invite à une lecture
avec :</div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<span style="font-size: x-large;">Roxana Paez </span></div>
<div style="text-align: center;">
<span style="font-size: x-large;">Noah Warren </span></div>
<div style="text-align: center;">
<span style="font-size: x-large;">Sabine Huynh </span></div>
<div style="text-align: center;">
<span style="font-size: x-large;">Amy Hollowell </span></div>
<div style="text-align: center;">
<span style="font-size: x-large;">Moira Crone </span></div>
<div style="text-align: center;">
<span style="font-size: x-large;">et Rodger Kamenetz </span></div>
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<b><span style="color: orange;">Bios ci-dessous : </span></b><br />
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<b><span style="color: orange;">ROXANA PÁEZ :</span></b> The Argentinian poet, essayist and translator, RP translated texts by Klossowski, Boudjedra, M. Serres, Castoriadis, Méchonnic, Duchamp, Bataille, Darwich, J. Lapeyrère, G. Huttin. In 2019 <i>Impasse de la Baleine </i>came out in Spanish (a hybrid book that revolves around a Parisian neighborhood were human migrations converge) and <i>La Tiza</i> de Poe. She published twelve books from various presses from Cordoba to Buenos Aires. In French, <i>Lettera rarissima</i> and <i>Le journal de la china</i> were published by Fidel Anthelme X and <i>Brindilles à sa flambée</i> was published by Reflet de Lettres (bilingual editions). She’s received various grants for translation and creation by la<i> Direction du Livre</i> as well as being recognized on numerous occasions with prizes in Argentina for her poetry and her criticism on other writers. In 2016 she was a recipient of residency grant by <i>The Biennale des Poètes de Val-de-Marne</i> with the support of la Région Ile de France. The same year she supervised an annotated edition of the <i>complete works</i> of the important 20th Century poet Francisco Madariaga.
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<b><span style="color: orange;">ROXANA PÁEZ :</span></b> Poète, essayiste et traductrice argentine, RP a traduit des textes de Klossowski, Boudjedra, M. Serres, Castoriadis, Méchonnic, Duchamp, Bataille, Darwich, J. Lapeyrère, G. Huttin. En 2018 sont apparus en castillan <i>Impasse de la Baleine </i>(livre transgenre ayant comme axe un quartier de Paris où des migrations humaines convergent) et <i>La Tiza</i> de Poe. Elle a publié douze titres à Córdoba et à Buenos Aires. En français, <i>Lettera rarissima</i> et <i>Le journal de la china </i>chez Fidel Anthelme X et <i>Brindilles à sa flambée</i> chez Reflet de Lettres (éd. bilingues). Elle a reçu des bourses pour la traduction et la création de la <i>Direction du Livre</i>, ainsi que des prix dans son pays, à plusieurs reprises, pour des livres de poésie et pour des essais sur l’oeuvre d’autres écrivains. En 2016 a été en résidence à la <i>Biennale des Poètes de Val-de-Marne</i> avec le soutien de la Région Ile de France. La même année est sortie sous sa direction, l’édition annotée de l’<i>Oeuvre réunie</i> de Francisco Madariaga (poète fondamental du XX siècle). </div>
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<b><span style="color: orange;">NOAH WARREN </span></b>is the author of <i>The Complete Stories</i> (Copper Canyon, 2021) and <i>The Destroyer in the Glass</i> (2016), winner of the <i>Yale Series of Younger Poets</i>. He is a PhD student in English at UC Berkeley and a former <i>Wallace Stegner Fellow</i> at Stanford. His poems appear in <i>The Paris Review, POETRY, The American Poetry Review, Ploughshares, PEN America, The New England Review, The Southern Review, AGNI, poets.org</i>, and elsewhere. </div>
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<b><span style="color: orange;">SABINE HUYNH </span></b>writes, translates (Anne Sexton’s poetic work in particular, for the French feminist publishing house Editions Des Femmes), reviews what she reads, and teaches. She holds a Ph.D. in Linguistics from the Hebrew University of Jerusalem
and is the author of a dozen books (poetry, novel, short stories, essay, diary), including the poetry books <i>Parler peau</i> (Æncrages & Co, 2019) and<i> Kvar lo</i> (Æncrages &24 Co, 2016), and a dozen translations. With writer Haggaï Linik she runs the French-Hebrew literary translation magazine <i>Peham</i>. </div>
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<b><span style="color: orange;">SABINE HUYNH</span></b> écrit, traduit (notamment l’œuvre poétique d’Anne Sexton pour les éditions Des Femmes), rend compte de ses lectures et donne des cours. Elle détient un doctorat en linguistique de l’Université hébraïque de Jérusalem et est l’auteur d’une douzaine de livres (poésie, roman, nouvelles, essai, journal), dont les livres de poésie <i>Parler peau</i> (Æncrages & Co, 2019) et <i>Kvar lo</i> (Æncrages & Co, 2016), et d’une
douzaine de traductions. Avec l’écrivain Haggai Linik elle anime la revue de traduction littéraire français-hébreu <i>Peham</i>. </div>
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<b><span style="color: orange;">AMY HOLLOWELL</span></b> is an American poet, literary translator and Zen meditation teacher. She is the author of several poetry books, including <i>Giacomettrics</i> (Corrupt Press, 2013), <i>Here We Are / Nous Ici</i> (Presses universitaires de Rouen et du Havre, 2015), and, with the French poet Sabine Huynh, <i>Dans le tournant / Into the Turning: Poésie du rienplein / Emptyfull Poetry</i> (Christophe Chomont Editeur, 2019). For many years she worked as a journalist at the <i>International Herald Tribune</i> and has contributed writing to other publications, most recently the books <i>The Hidden Lamp: Stories from 25 Centuries of Awakened Women</i> (Wisdom, 2013), and <i>Écouter Contempler S’émerveiller</i> (Hachette, 2019). In addition to translating French fiction and poetry, she leads writing workshops in English and in French. She is a lineage holder in one of the leading <i>Zen lineages in the West, White Plum Asangha</i>, and teaches meditation within the organization that she founded in Paris in 2004, <i>Wild Flower Zen</i> (www.wildflowerzen.org). She lives in Montreuil. </div>
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<b><span style="color: orange;">AMY HOLLOWELL</span></b> est poète, traductrice littéraire, et maître zen. Elle est l’auteure de plusieurs recueils de poèmes, notamment <i>Giacomettrics</i> (Corrupt Press, 2013), <i>Here We Are / Nous Ici</i> (Presses universitaires de Rouen et du Havre, 2015), et, avec la poète française Sabine Huynh, <i>Dans le tournant / Into the Turning: Poésie du rienplein / Emptyfull Poetry</i> (Christophe Chomont Editeur, 2019). Membre de la rédaction de l’<i>International Herald Tribune</i> pendant de nombreuses années, jusqu’en 2016, elle a aussi contribué en tant que journaliste et écrivain à d’autres publications en Europe et aux États-Unis, dont les livres <i>The Hidden Lamp: Stories from 25 Centuries of Awakened Women</i> (Wisdom, 2013), et<i> Écouter Contempler S’émerveiller</i> (Hachette, 2019). Affiliée à une des principales lignées zen en occident, le <i>White Plum Asangha</i>, elle enseigne la méditation au sein de l’association qu’elle a créée à Paris en 2004, <i>Wild Flower Zen</i> (<a href="http://www.wildflowerzen.org/">www.wildflowerzen.org</a>). Elle habite à Montreuil. </div>
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In 2009, <b><span style="color: orange;">MOIRA CRONE</span></b> was given the <i>Robert Penn Warren Award</i> from the <i>Fellowship of Southern Writers</i> for the body of her work. Calling her a “writer’s writer,” Allan Gurganus wrote the prize citation, saying, “Moira Crone is a fable maker with a musical ear, a plentitude of nerve, and an epic heart.” Her work has been categorized as “Southern gnostic.” . She has published three novels and three books of stories. Her shorter pieces have appeared in the <i>New Yorker, Mademoiselle, Fantasy and Science Fiction, Oxford American</i>, and more than two dozen anthologies. Her first speculative novel, <i>The Not Yet</i>, was a finalist for the 2013<i> Philip K. Dick Award</i>, an international prize for science fiction paperback of the year. Her Southern. gothic novel <i>The Ice Garden</i>–called “a heart stopper”– won a regional 2015 Gold Medal in the Independent Publisher Book Awards USA.
She is also a painter, and has been showing her works in galleries and solo shows since 2018 in New Orleans. An interview with Her by Jim Grimsley and images of her art are included in the current (2020) issue of North Carolina Literary Review. Her writing website is <a href="http://www.moiracrone.com/">www.moiracrone.com</a>. Her paintings are on display at: <a href="http://m-crone-art.com/">m-crone-art.com</a>. </div>
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<b><span style="color: orange;">RODGER KAMENETZ</span></b> is the author of seven books of poetry, his most recent is <i>DREAM LOGIC</i> from PURH also available in a French translation by Sabine Huynh as <i>Logique onirique</i>. The poems explore the primary imagination in dreams and poetry. Kamenetz has developed a unique phenomenological approach to dreamwork known as Natural Dreamwork.
His other five books include the international best seller <i>The Jew in the Lotus</i> (Harper, 1994) and <i>The History of Last Night's Dream</i> (Harper, 2007). Find him at <a href="http://www.kamenetz.com/">www.kamenetz.com</a> @Jewinthelotus on Twitter, and at <a href="http://www.thenaturaldream.com/">www.thenaturaldream.com</a>.</div>
Unknownnoreply@blogger.com026 Rue du Dr Potain, 75019 Paris, France48.8771499 2.398015326.9545469 -38.9105787 70.7997529 43.7066093tag:blogger.com,1999:blog-2215338180310572858.post-56368584049027706612020-02-12T05:57:00.001-08:002021-03-17T16:52:36.965-07:00MARDI 25 FEVRIER 2020 >> Laure Gautier, Théo Robine-Langlois et Joe Ross liront pour nous au café de la Mairie, Place St Sulpice<div align="justify">
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Ivy Writers Paris vous invite à venir écouter </div>
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<span style="font-size: x-large;">Laure Gauthier </span></div>
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<span style="font-size: x-large;">Théo Robine-Langlois </span></div>
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<span style="font-size: x-large;">Et Joe Ross </span></div>
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Au café de la Mairie, Place St Sulpice 75006<br />
Le 25 février prochain.<br />
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<b><span style="color: orange;">Leur bios ci-dessous : </span></b><br />
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<b><span style="color: orange;">Laure Gauthier</span></b> vit et écrit à Paris. Elle écrit des textes poétiques, des récits et des essais.
Elle vient de publier Je neige (entre les mots de villon), (LansKine, 2018) et kaspar de pierre (La lettre volée, 2017). Elle écrit en ce moment Les corps caverneux dans le cadre d’une résidence d’écrivain Île-de- France.
Elle accorde une place particulière au statut de la voix. Les textes sont polyphoniques au sens d’un lyrisme transsubjectif qui maintient une tension entre une poésie sans sujet et une poésie incarnée.
Ses textes poétiques sont également publiés en revues, notamment dans Babel heureuse, PLS, Po&sie, Phoenix, Le sac du Semeur, CCP, Sarrazine et Remue.net ; mais aussi dans les revues italiennes Atelier ou insula europea, dans la revue germanophone manuskripte ou dans la revue internationale PØST.<br />
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<b><span style="color: orange;">Laure Gauthier</span></b> lives and writes in Paris. She writes poetry as well as creative (non)-fiction and essays.
She recently published Je neige (entre les mots de villon), (LansKine, 2018) and kaspar de pierre (La lettre volée, 2017). She is currently working on Les corps caverneux as part of writer’s residency supported by Île-de France.
The place and status of the poetic voice occupies a central role in her work; her texts are polyphonic in their transsubjective lyrism and maintain a tension between subjectless and embodied poetry.
Her work has appeared in numerous French journals, notably, Babel heureuse, PLS, Po&sie, Phoenix, Le sac du Semeur, CCP, Sarrazine et Remue.net as well as Italian journals such as Atelier or insula europea, the German language journal manuskripte, and international journals such as PØST.<br />
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<b><span style="color: orange;">Théo Robine-Langlois</span></b>
À vécu à Juvisy, Cergy, Taipei, Grenoble, Paris, Clamart.
Écrit sur internet dans demainjarretepas.net, dans des revues : Bétâ, Remugles, How to become, EAAPES, Octopus Notes, Vozed.
À produit des expositions dans un appartement à Cergy avec Jessica Guez : 3some, et continue dans un atelier à la Courneuve avec Blaise Parmentier : A-frame.
Est correspondant pour la radio *DUUU.
Membre d’After 8 Books, librairie et maison d’édition basée à Paris.
Visionne et remonte des films sur la construction et la représentation de la banlieue parisienne avec Stephen Loye :lavillefumee.video.
[...] est son premier livre publié aux éditions Nous.
Un nuage c’est beaux au pire c’est chiant est son premier vinyle publié aux éditions *DUUU.<br />
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<b><span style="color: orange;">Théo Robine-Langlois</span></b>
Has lived in Juvisy, Cergy, Taipei, Grenoble, Paris, Clamart.
Has written online on demainjarretepas.net, and in the journals: Bétâ, Remugles, How to become, EAAPES, Octopus Notes, Vozed.
Has produced exhibitions in an apartment in Cergy with Jessica Guez: 3some, and continues in a studio in Courneuve with Blaise Parmentier: A-frame.
Is a correspondent for *DUUU Radio.
Is a member of After 8 Books, a book store and publishing house based in Paris.
Watches and edits films on the construction and the representations of the Parisian suburbs with Stephen Loye: lavillefumee.video.
[...] is his first book published by Éditions Nous.
Un nuage c’est beaux au pire c’est chiant is his first vinyl published by *DUUU.<br />
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<b><span style="color: orange;">Joe Ross</span></b> est l’auteur de plus de quatorze livres de poésie, plus récemment, Las Days on Earth (Dusie Press, 2017) ; History and its Making – The Making of History, (Bi-lingual French/English,
Presses Universitaires de Rouen et du Havre, 2017) ; 1000 Folds, (Chax Press, 2014). Il était l’éditeur littéraire de la revue bimensuelle The Washington Review de 1991 à 1997 et le co-fondateur des cycles de lectures In Your Ear à Washinton DC et Beyond the Page à San Diego, Californie. Il a reçu un National Endowment for the Arts Fellowship Award pour son œuvre poétique en 1997 et il est trois fois le lauréat du Gertrude Stein Poetry Award en 2003, 2005 et 2006. Il habite actuellement à Paris.<br />
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<span style="color: orange;"><b>Joe Ross</b></span> is the author of over fourteen books of poetry, most recently, Last Days on Earth,
(Dusie Press, 2017); History and its Making – The Making of History, (Bi-lingual French/English,
Presses Universitaires de Rouen et du Havre, 2017); 1000 Folds, (Chax Press, 2014). He is the
former Literary Editor of the arts bi-monthly The Washington Review from 1991-1997,
and co-founder of both the In Your Ear reading series in Washington, D.C. and the
Beyond the Page reading series in San Diego, CA. He received a National Endowment for
the Arts Fellowship Award for his poetry in 1997 and is the three time winner of the
Gertrude Stein Poetry Award in 2003, 2005, and 2006. He currently resides in Paris.
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Unknownnoreply@blogger.com08 Place Saint-Sulpice, 75006 Paris, France48.8514488 2.333678700000064126.9490503 -38.974915299999935 70.7538473 43.642272700000063tag:blogger.com,1999:blog-2215338180310572858.post-22330201152544434122020-01-12T14:12:00.002-08:002021-03-17T16:52:51.902-07:0021 JANVIER 2020 >> Marie de Quatrebarbes, Yohanna My Guyen, Biswamit Dwibedy et Scott Elder liront pour nous au café de la Mairie, Place St-Sulpice<div style="text-align: center;">
LECTURE BILINGUE </div>
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Ivy Writers Paris vous invite </div>
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MARDI 21 JANVIER 2019 à 19h30
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à une soirée de LECTURES BILINGUES </div>
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avec les poètes : </div>
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<span style="font-size: x-large;"> Marie de Quatrebarbes</span><br />
<span style="font-size: x-large;">Yohanna My Nguyen</span></div>
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<span style="font-size: x-large;"> Biswamit Dwibedy </span></div>
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<span style="font-size: x-large;"> et Scott Elder </span></div>
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RDV au : Café de la Mairie<br />
8 Place St Sulpice<br />
75006 Paris<br />
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<b><span style="color: orange;">Bios en français et en anglais ci-dessous : </span></b><br />
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<b><span style="color: orange;">Marie de Quatrebarbes </span></b>a publié plusieurs livres de poésie, dont Voguer (P.O.L, 2019), Gommage de tête (Éric Pesty Éditeur, 2017) et La vie moins une minute (Lanskine, 2014). Avec Maël Guesdon, Yohanna My Nguyen et Benoît Berthelier, elle anime la revue de poésie et de traduction « La tête et les cornes ».<br />
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<b><span style="color: orange;">Marie de Quatrebarbes</span></b> has published several poetry books, including Voguer (P.O.L, 2019), Gommage de tête (Éric Pesty Éditeur, 2017) and La vie moins une minute (Lanskine, 2014). With Maël Guesdon, Yohanna My Nguyen and Benoît Berthelier, she runs the poetry and translation magazine « La tête et les cornes ».<br />
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<b><span style="color: orange;">Y.-My Nguyen</span></b>, artiste, typographe et musicienne, fabrique des formes et des sons prenant pour appui le texte dans ses différentes existences. Elle enseigne à la Haute école des Arts du Rhin (Strasbourg) depuis 2012 et anime la revue de poésie « La tête et les cornes » avec Benoît Berthelier, Maël Guesdon et Marie de Quatrebarbes.<br />
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<b><span style="color: orange;">Y.-My Nguyen</span></b>, artist, typographer and musician, makes shapes and sounds based on the text in its different existences. She has been teaching at the Haute École des Arts du Rhin (Strasbourg) since 2012 and runs the poetry review « La tête et les cornes » with Benoît Berthelier, Maël Guesdon and Marie de Quatrebarbes.<br />
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<b><span style="color: orange;">Biswamit Dwibedy</span></b> est l’auteur de Ozalid (1913 Press, 2010), Ancient Guest (HarperCollins, 2017), Hubble Gardener (Spuyten Duyvil, 2018) and MC3 (Essay Press, 2018). Il est le fondateur et l’éditeur de Anew Print, une maison d’édition indépendante qui se spécialise dans la traduction. En 2014 il a été l’éditeur d’un recueil de poèmes indiens publié chez Litmus Press à New York. Il a reçu son MFA à Bard College, New York. Né à Odisha, Inde, Biswamit vit à Paris où il enseigne l’écriture créative à l’American University of Paris.<br />
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<b><span style="color: orange;">Biswamit Dwibedy </span></b>is the author of Ozalid (1913 Press, 2010), Ancient Guest (HarperCollins, 2017), Hubble Gardener (Spuyten Duyvil, 2018) and MC3 (Essay Press, 2018). He is the founder and editor of Anew Print, a small-press devoted to translations, and in 2014 he edited a dossier of Indian poetry in translation for Litmus Press, New York. He has an MFA from Bard College, New York. Born in Odisha, India, Biswamit lives in Paris, where he teaches creative writing at the American University of Paris.<br />
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<b><span style="color: orange;">Scott Elder</span></b> vit en Auvergne. Son travail a été beaucoup publié des deux côtés de l’Atlantique et il a été reconnu par plusieurs distinctions dans de nombreux concours au Royaume Uni et en Ireland. Son premier livret Breaking Away a été publié par Poetry Salzburg en 2015. Son premier recueil Part of the Dark a été publié chez Dempsey Windle en 2017 au Royaume Uni et son dernier recueil sera publié chez Salmon Poetry en 2023 en Ireland.<br />
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<b><span style="color: orange;">Scott Elder </span></b>lives in Auvergne. His work has been widely published on both sides of the Atlantic as well as having been placed or commended in numerous competitions in the UK and Ireland. His debut pamphlet, ‘Breaking Away’, was published by Poetry Salzburg in 2015. A first collection, ‘Part of the Dark’, by Dempsey Windle 2017 (UK), and his second, ‘My Hotel’, forthcoming in Salmon Poetry 2023 (Ireland).Unknownnoreply@blogger.com08 Place Saint-Sulpice, 75006 Paris, France48.8514488 2.333678700000064126.8845513 -38.974915299999935 70.8183463 43.642272700000063tag:blogger.com,1999:blog-2215338180310572858.post-35008436594827446342019-11-24T01:30:00.001-08:002022-11-14T12:42:23.302-08:00Reminder: DEMAIN reading for IVY<div dir="ltr" style="text-align: left;" trbidi="on">
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Jennifer K Dickhttp://www.blogger.com/profile/14819275106754521715noreply@blogger.com0tag:blogger.com,1999:blog-2215338180310572858.post-9721075922614791782019-11-17T17:20:00.003-08:002021-03-17T16:53:07.993-07:0025 NOVEMBRE 2019 >> Vannina Maestri, Véronique Pittolo, Lisa Pasold et Frédéric Desmesure au Red Wheelbarrow Bookstore<div dir="ltr" style="text-align: left;" trbidi="on">
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Le 25 novembre 2019 à 19h, Ivy Writers Paris vous invite à </div>
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The Red Wheelbarrow Bookstore </div>
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pour une SOIREE de POESIE et de MUSIQUE avec </div>
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<span style="font-size: x-large;">Véronique Pittolo</span></div>
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<span style="font-size: x-large;"> Vannina Maestri </span></div>
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<span style="font-size: x-large;"> Lisa Pasold</span></div>
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<span style="font-size: x-large;">Frédéric Desmesure </span></div>
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<span style="color: orange;"><span style="caret-color: rgb(255, 165, 0);"><b>At </b></span></span><b><span style="color: orange;">The Red Wheelbarrow Bookstore</span></b> </div>
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9 Rue de Médicis, </div>
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75006 Paris</div>
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RER Luxembourg / M°Odéon ou Cluny </div>
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<a href="https://theredwheelbarrowbookstore.com/">https://theredwheelbarrowbookstore.com</a></div>
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<span style="color: orange;"><b>BIOS</b></span></div>
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Musicien <b><span style="color: orange;">Frédéric Desmesure</span></b> : À la recherche d’un équilibre tangible entre le bruit et la mélodie, l’abstraction et le lyrisme intimiste, Frédéric Desmesure instaure avec sa guitare un dialogue entre les mots et la musique. Son rapport physiologique au son quasi organique lui donne une énergie propice à l’improvisation et à l’écoute contemplative d’une poésie actuelle. Ses créations singulières pourraient se classer dans la famille du rock progressif en échappant volontiers à la rigueur du jazz. Tout en restant admiratif de la musique contemporaine, ce guitariste, aussi photographe dans une vie parallèle, cherche avant tout à être libre... et le rester.</div>
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L’écrivain <b><span style="color: orange;">Vannina Maestri</span></b> vit à Paris. Elle conçoit l’écriture comme un territoire passager en continuelle mutation où des propos s’entrecroisent sur une surface qui minerait un discours vrai ; ceci comme si le texte n’était pas vraiment dans un territoire exact ni utopique mais simplement. <span style="font-family: "helvetica neue"; font-size: 11px; text-align: center;">« </span>Une architecture du monde tout en effondrement dans sa stabilité, en continu dans le discontinu. Constructions, montages d'énoncés qui sitôt tenus s'effondrent sur eux-mêmes. » (Hortense Gauthier)</div>
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Vanina Maestri co-dirigeait la revue <i>JAVA</i>. Collabore à diverses revues françaises et étrangères (<i>Revue de Littérature Générale, Yang, Quaderno, Prospectus, Nioques, Action poétique, Tija, Cambridge conference of contemporary poetry, The Germ</i>, etc.). Participe à des lectures publiques (Paris, Cambridge, New York, Montpellier, Bordeaux, Marseille, Nantes, Stockholm, Rome, etc…) et à des émissions ou à des créations radiophoniques. Résidence château de Lavigny (Suisse), septembre 2007. Bourse de création, Centre National du Livre, 2003.</div>
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Bibliographie : Surtout connu pour ses performances et ses livres <i>MOBILES</i> et <i>MOBILES 2</i>, (éditions Al Dante, 2005 et 2010), Véronique Maestri est également l’auteure de : <i>OUVRIERS VIVANTS</i>, éditions Al Dante, 1999 (ouvrage collectif), <i>DEBRIS D’ENDROITS</i> éditions l’Atelier de l’Agneau, coll. Architextes, 1999, <i>AVEZ-VOUS RENCONTRE QUELQU’UN EN DESCENDANT L’ESCALIER</i>, éditions Derrière la Salle de Bains, 2001, <i>VIE ET AVENTURES DE NORTON OU CE QUI EST VISIBLE A L’ŒIL NU</i>, éditions Al Dante, collection Niok, 2002, <i>JOURNAL - PETITES NOTES SUR LE LAND-TEXT </i>in Poésie ? Détours (collectif) Ed. Textuel, 2004, <i>FAMILLE D’ACCUEIL</i> in Vox Hôtel (ouvrage collectif), éd. Néant, 2006, <i>IL NE FAUT PAS S’ENERVER</i>, éd. Dernier Télégramme, 2008. <i>ENVIE DE RIEN</i>, éd. Publie.net, 2008. Miss Marple has some ideas, éd. Derrière la Salle de Bains, 2008. Black blocs, éd. Derrière la Salle de Bains, 2009. <i>A STAZZONA </i>(avec Dominique Villa et Jean-Michel Battesti), éditions Al Dante, 2011.</div>
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Parmi ses publications en anthologies, on trouve : <i>Pièces détachées : une anthologie de la poésie française d’aujourd’hui</i>, éditions Pocket, coll. Poésie, 2000. <i>Anthologie Seghers 2008. Ecrivains en séries</i>, Emmanuel Rabu éditions Léo Scheer, 2009. <i>Calligrammes ; compagnie, et caetera</i>... <i>Des futuristes à nos jours, une exposition de papier</i>, éd. Al Dante, 2010. <i>Poésure et sculptrie</i>, dir. Laurent Prexl, éditions Al Dante, 2010. <i>Poezia totale 1960-2010</i>, France, éd. Fondazione Sarenco, 2015. <i>Poètes français du XXIème siècle : entretiens, Literary Criticism</i>, Nathalie Wourm, 2017</div>
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Revues récentes : <i>Montage et minage, Entretien avec Emmanuèle Jawad, Création et politique</i>,<i> Revue Diacritik</i>, 2016 ; <i>Nobody Van Gogh</i>, texte inédit, <i>Revue Sarrazine</i> n° 16, 2016 ; <i>La perception de l’espace</i>, <i>Revue PLI</i>, n° 6, 2016-2017 ; <i>Je travaille, Revue remue.net</i>, 2017.</div>
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<b><span style="color: orange;">Lisa Pasold</span></b> is a writer originally from Montreal. She is the host and co-writer of <i>Discovery World’s TV travel show</i> “<i>Paris Next Stop</i>” and the creator of “<i>Improbable Walks</i>”, story-telling walks focusing on legends and place memory. Her fifth book, a poetry collection titled <i>The Riparian</i>, came out with Frontenac House, Calgary earlier this year and she will be sharing work from it tonight, alongside new, unpublished translations of this work into French presented by poet translators Vannina Maestri and Véronique Pittolo.</div>
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Her 2012 book Any Bright Horse was shortlisted for the Governor General’s Award for poetry. Her first book of poetry, Weave, was called “a masterpiece” by <i>Geist Magazine</i>; her second book <i>A Bad Year for Journalists</i> was nominated for an <i>Alberta Book Award</i> and turned into a theatre piece the following year, premiering in Toronto. Her debut novel <i>Rats of Las Vegas</i> appeared in 2009; critics called the book “as enticing as the lit-up Las Vegas strip.” Her work has also been anthologized and has appeared in New American Writing.</div>
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In the course of research, Lisa has been thrown off a train in Belarus, has eaten the world’s best pigeon pie in Marrakech, and has been cheated in the Venetian gambling halls of Ca’Vendramin Calergi. Lisa’s journalism features have appeared in diverse publications including The Chicago Tribune, The National Post, and Billboard. For more see https://www.lisapasold.com.</div>
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<b><span style="color: orange;">Véronique Pittolo</span></b>, auteur de plus qu’une dizaine de livres entre poésie et prose, explique <span style="font-family: "helvetica neue"; font-size: 11px; text-align: center;">« </span>Je me situe dans une écriture hybride, entre poésie et prose. Mon unité est la phrase, le vers remodelé vers une possibilité narrative. J’aime les énoncés, les phrases qui ressemblent à des formules, me permettant de produire des effets de rupture. [...] Mon souci est d’inventer un mode d’écriture personnel qui correspond à un motif que tout le monde connaît (Schrek, le Chaperon rouge, un acteur célèbre, une cantatrice). J’aime travailler avec les sensations de déjà-vu, l’inconscient collectif, le patrimoine commun. Produire de la fiction là où il y en a déjà, rénover le plaisir de la fable, prolonger et modifier des émotions esthétiques. »</div>
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Née en 1960 à Douai, Véronique Pittolo vit aujourd'hui à Paris. Lauréate du prix de poésie de la SGDL en 2004, elle anime régulièrement des ateliers d'écriture pour l'Éducation nationale, des écoles d'art et tout récemment avec des enfants hospitalisés à l'Institut Gustave-Roussy de Villejuif.</div>
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Bibliographie: <i>Montage</i>, éditions Fourbis (1992) – <i>29 Poètes françaises,</i> éd. Stock (1995) – <i>XY ou la Poursuite du Bonheur</i>, Cahiers Ephémérides (1998) – <i>Héros</i>, éd. Al Dante (1998) traduit en anglais comme <i>HERO</i> par Laura Mullen, Black Square Editions, USA (2019) – <i>Schrek</i>, éd de l’Attente (2003) – <i>Chaperon Loup Farci</i>, éd La Main Courante (2003) – <i>Gary Cooper ne lisait pas de livres</i>, éd Al Dante (2004) – <i>Opéra isotherme</i>, éd Al Dante (2005) – <i>Danse à l’école</i>, éd de l’Attente (2006) un livre « qui entre poésie, littérature et performance, portent un regard singulier et volontiers irrévérencieux sur le monde de l'art » (France Culture) – <i>Hélène mode d’emploi</i>, éd Al Dante (2008) que France Culture explique est un « poème sonore pour deux comédiens, réalisé par l'ACR à France Culture en 2006 » – <i>Ralentir Spider</i>, éd de l’Attente (2008) – <i>La Révolution dans la poche</i>, éd. Al Dante (2010) – <i>Toute Résurrection commence par les pieds</i>, éd de l’Attente (2012) – <i>On sait pourquoi les renards sont roux</i>, éd Le temps des cerises (2012) – <i>Une Jeune fille dans tout le royaume</i>, éd de l’Attente (2014) – <i>Monomère ; Maxiplace</i>, éd de l'Attente, 2017.</div>
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Œuvres sonores et multimédia : <i>Pièces sonores et multimédia</i> – Peinture/Écriture, DVD réalisé avec Bernard Giraudeau, Institut Gustave Rouss 2007– Peinture/Écriture à l’hôpital, Sur les Docks, France Culture 2008 – <i>Hélène mode d’emploi</i>, ACR, France Culture 2006 – <i>Hélène mode d’emploi, mise en espace</i>, Théâtre au Fil de L’eau, Pantin 2010 – <i>Toute Résurrection commence par les pieds, Perspectives contemporaines</i>, France Culture 2008 – <i>Clé USB Révolution dans la poche</i>, Dicream 2010 – Fondation Ricard, Chartreuse de Villeneuve Lez Avignon : spectacle/performance <i>Révolution dans la poche</i> 2011 – CinémaTati, Tremblay, performance <i>Et toi aussi tu as des armes</i> 2011– <i>De tout temps les couples n’ont pas formé un tout</i>, Microfiction, France Culture 2012 – <i>La Nuit rêvée de…</i>, France Culture, entretiens avec Geneviève Huttin 2013.</div>
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Jennifer K Dickhttp://www.blogger.com/profile/14819275106754521715noreply@blogger.com0tag:blogger.com,1999:blog-2215338180310572858.post-13531479323855776452019-10-05T03:53:00.001-07:002021-03-17T16:53:23.258-07:00MARDI 8 OCTOBRE 2019 >> Heather Hartley, Pascale Petit et Françoise Favretto liront pour nous au Delaville Café<div style="text-align: center;">
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à 19h30 Ivy Writers vous invite
à une soirée de</div>
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LECTURES BILINGUES</div>
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le 8 Octobre 2019 à 19h30</div>
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<span style="font-size: large;">avec les poètes </span></div>
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<span style="font-size: large;">Heather HARTLEY, </span></div>
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<span style="font-size: large;">Pascale PETIT et
Françoise FAVRETTO </span></div>
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<a href="https://1.bp.blogspot.com/-JZGAGwtW4as/XZhzLUTnYYI/AAAAAAAABx0/7D5QuQDxw3stHMQe5gtumZtRDS7bwuNOwCLcBGAsYHQ/s1600/1.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="789" data-original-width="940" height="536" src="https://1.bp.blogspot.com/-JZGAGwtW4as/XZhzLUTnYYI/AAAAAAAABx0/7D5QuQDxw3stHMQe5gtumZtRDS7bwuNOwCLcBGAsYHQ/w640-h536/1.png" width="640" /></a></div>
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Au : Delaville Café
34 bvd bonne nouvelle
75010<br />
<b>Paris
M° Bonne nouvelle (ligne 8 ou 9) </b><br />
<a href="https://ivywritersparis.blogspot.com/2019/10/8-oct-2019-pascale-petit-heather.html">https://ivywritersparis.blogspot.com/2019/10/8-oct-2019-pascale-petit-heather.html</a><br />
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<span style="color: orange;"><b>BIOS : </b></span><br />
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<b><span style="color: orange;">PASCALE PETIT</span></b> a écrit plus de vingt livres aux genres les plus divers, romans, poèmes, nouvelles et contes. Elle est à la recherche d’une forme personnelle pour chacun de ses projets. Elle travaille à la re-création d’un réel qui aurait subi un décalage – de temps, de lieu, de point de vue. Dans ce décalage qui crée l’écart, elle joue l’intermédiaire. Elle a chroniqué des livres parus pour le Cahier Critique de Poésie publié par le cipM de Marseille. Par ailleurs, elle anime régulièrement des rencontres en milieu scolaire et des ateliers d’écriture. Son livre Le parfum du jour est fraise vient de faire l’objet d’une co-production du Festival international de littérature (FIL) et de la Société des arts technologiques (SAT), en collaboration avec Carte blanche, présentée dans la Satosphère de Montréal. Son prochain livre, L’Audace, paraîtra en début d’année prochaine aux éditions Nous.<br />
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<b>Publications : </b><br />
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• Paris-Barcelone, éd. Noir & Blanc, 1997.<br />
• La Ligne d'horizon, éd. du Rouergue, 1997. (Edition japonaise 1998 + dessin animé allemand).<br />
• Les Habitants des rêves, éd. Grandir, 1999.<br />
• Salto solo, éd. L'Inventaire, 2001. Illustrations de Benoît Jacques.<br />
• L'homme en question, (Der man um den es geht)<br />
Ed. Sisyphos (Cologne, Allemagne. Site Web bilingue français-allemand. www.edition-sisyphos.de). 2002.<br />
• Monsieur Jones, L'École des loisirs, 2005.<br />
• Tom premier, L'École des loisirs, 2005.<br />
• Tom II, L'École des loisirs, 2006.<br />
• Tu es un bombardier en piqué surdoué, éd. Le Bleu du ciel, 2006.<br />
• Manière d'entrer dans un cercle & d'en sortir, Seuil, 2007.<br />
• Nous devons attendre que le jour se lève. Publie.net (site d'édition numérique/projet de François Bon.) 2007.<br />
• Du coq à l'âne (avec Hervé Tullet), éd. Sarbacane, 2009.<br />
• Sharawadji. Manuel du jardinier platonique, éd. L'Inventaire, 2010.<br />
• Les Côtés cachés, Action Poétique. BIPVAL. 2011.<br />
• Comment faire avec le rhinocéros, éd. du Rouergue, 2011.<br />
• Made in Oulipo, L'Ecole des Loisirs, 2013.<br />
• Histoir d'ouf, L'Ecole des Loisirs. 2013.<br />
• Pool! (illustrations de Renaud Perrin) Editions du Rouergue, 2014.<br />
• Per fare il ritratto di un pesce (Illustrations de Maja Celija) Editions Orecchio Acerbo [archive] 2015.<br />
• Le douk-douk. L'Ecole des Loisirs, 2015.<br />
• Le parfum du jour est fraise. Editions de L'attente, 2015.<br />
• L'équation du nénuphar. Editions Louise Bottu, 2015.<br />
• Le corbeau et le renard et compagnie, L'Ecole des Loisirs. 2016.<br />
• Le corbeau sans le renard, Editions Notari. 2018.<br />
• La volpe senza il corvo. Editions Orecchio Acerbo [archive] 2018.<br />
• I love you mon biniou. L'Ecole des Loisirs, 2018.<br />
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<b>Pour plus d’informations sur l’auteure Pascale Petit, nous vous invitons à voir :</b> <a href="http://www.m-e-l.fr/pascale-petit,ec,199%20ou%20https://fr.wikipedia.org/wiki/Pascale_Petit_(%C3%A9crivain)" target="_blank">http://www.m-e-l.fr/pascale-petit,ec,199 ou https://fr.wikipedia.org/wiki/Pascale_Petit_(%C3%A9crivain)</a><br />
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<b><span style="color: orange;">HEATHER HARTLEY</span></b> is the author of the poetry collections Adult Swim (2016) and Knock Knock (2010) both from Carnegie Mellon University Press and Paris Editor for Tin House magazine. Her short fiction, poems, essays and interviews have appeared in or on PBS Newshour, The Guardian, Slice, The Literary Review, Post Road and other venues. She has presented writers at Shakespeare and Company Bookshop and has taught creative writing at the American University of Paris and the University of Texas El Paso MFA program. For more information, please visit her website: <a href="https://www.heatherhartleyink.com/">https://www.heatherhartleyink.com/</a></div>
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<b><span style="color: orange;">FRANÇOISE FAVRETTO</span></b> est auteure, éditrice, organisatrice, critique littéraire et enseignante. Elle a fait des études littéraires, s’est spécialisée dans la critique de poésie. Enseignante de Français, elle a aussi donné des ateliers de créations de livres en lycée. Elle réalise des livres d’artistes à la main pour l’Atelier de l’agneau, collection framboises foulées par les biches.
Publie surtout en revues textes ou photos et a publié des livres de nouvelles et de proses poétiques. Prochainement : un livre de photos éd. Le petit véhicule et des poèmes en livre d’artiste “le pré” chez Jean-Paul Ruiz, un essai « Aragon critique ». Elle écrit des critiques de livres, dirige la revue l’intranquille depuis 2011 et a repris en 1996 les éditions ATELIER DE L’AGNEAU. Elle aime découvrir de nouveaux auteurs de tous pays. Organise des lectures publiques. Elle a fait connaître l’auteure autrichienne FRIEDERIKE MAYROCKER (6 livres à ce jour).</div>
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<b>Pour en savoir plus sur le « portrait d’une éditrice », consulter Poézibao, revue en ligne : </b><a href="https://poezibao.typepad.com/poezibao/2005/02/portrait_dune_d.html">https://poezibao.typepad.com/poezibao/2005/02/portrait_dune_d.html</a> et le vidéo entretien de radio RcJ : <a href="https://www.youtube.com/watch?v=szuUEoOeZcU">https://www.youtube.com/watch?v=szuUEoOeZcU</a>Unknownnoreply@blogger.com034-36 Boulevard de Bonne Nouvelle, 75010 Paris, France48.8707718 2.349147099999981925.6880938 -38.959446900000017 72.0534498 43.657741099999981tag:blogger.com,1999:blog-2215338180310572858.post-1038603582912307392019-10-02T15:04:00.004-07:002022-11-14T12:43:00.961-08:008 Oct 2019 Pascale Petit, Heather Hartley et Françoise Favretto liront pour Ivy<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-size: large;"><b>MARDI 8 OCTOBRE 2019 à 19h30 Ivy Writers Paris </b></span></div>
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<span style="font-size: large;"><b>vous
invite </b><b>à une soirée de LECTURES BILINGUES </b></span></div>
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<span style="font-size: large;"><b>avec les poètes
: </b></span><b style="mso-bidi-font-weight: normal;"><span style="mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></b><span style="font-size: x-large;"><b> </b></span><span style="font-size: x-large;">
</span></div>
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<span style="font-size: x-large;"><b><span style="color: #92d050;">Heather
Hartley, Pascale Petit et </span></b></span></div>
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<span style="font-size: x-large;"><b><span style="color: #92d050;">Françoise
Favretto</span></b></span><b style="mso-bidi-font-weight: normal;"><span style="color: #92d050; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></b></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_JuOZoZufou8-_DNtX5Ju9-49j8H0xtl4N9mRJEk7ng9jeKrPzC9SOfn23-G-9CwY1PhnPzUh_6-vqjua916ycjJUI2R1kXmzyztP1LYiCyB88KbMeryQ7B4mCu5A3DDFPsnKByykgdk_/s1600/919swTkZjHL._SL1500_OK23.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1043" data-original-width="1088" height="611" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_JuOZoZufou8-_DNtX5Ju9-49j8H0xtl4N9mRJEk7ng9jeKrPzC9SOfn23-G-9CwY1PhnPzUh_6-vqjua916ycjJUI2R1kXmzyztP1LYiCyB88KbMeryQ7B4mCu5A3DDFPsnKByykgdk_/s640/919swTkZjHL._SL1500_OK23.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><h1 class="a-size-large a-spacing-none" id="title">
<span style="font-size: xx-small;"><span class="a-size-large" id="productTitle">Image is a modified Roderick Stevens, full size work available on Amazon</span></span></h1>
</td></tr>
</tbody></table>
<b><span style="font-size: 14.0pt; letter-spacing: 1.0pt;">mardi le 8 Octobre 2019</span></b>
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<b><span style="font-size: 14.0pt; letter-spacing: 1.0pt;">à
19h30</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 14.0pt; letter-spacing: 1.0pt;">Au : Delaville Café</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 14.0pt; letter-spacing: 1.0pt;">34 bvd bonne nouvelle </span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 14.0pt; letter-spacing: 1.0pt;">75010 Paris</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="letter-spacing: 1.0pt;">M° Bonne nouvelle (ligne 8 ou 9)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="letter-spacing: 1.0pt;">Notre blog: <span style="color: cyan;"><span class="MsoHyperlink">http://ivywritersparis.blogspot.fr/</span><span style="mso-spacerun: yes;"> </span></span></span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="letter-spacing: 1.0pt;">Notre groupe FB—devenez MEMBRE du groupe ! <a href="https://www.facebook.com/groups/101898279922603/" target="_blank"><span style="color: cyan;"><span class="MsoHyperlink">https://www.facebook.com/groups/101898279922603/</span><span style="mso-spacerun: yes;"> </span></span></a></span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="letter-spacing: 1.0pt;">Notre « community » page sur
FB—rejoignez-nous !</span></b></div>
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<span style="color: cyan;"><span class="MsoHyperlink"><b style="mso-bidi-font-weight: normal;"><span style="font-size: 11.0pt; letter-spacing: 1.0pt;">https://www.facebook.com/ivywritersparis?fref=ts</span></b></span></span><b style="mso-bidi-font-weight: normal;"><u><span style="color: #0563c1; font-size: 11.0pt; letter-spacing: 1.0pt;"></span></u></b></div>
<span class="MsoHyperlink"><b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: "cambria" , serif; font-size: 11.0pt; letter-spacing: 1.0pt;"></span></b></span><b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: "cambria" , serif; font-size: 11.0pt; letter-spacing: 1.0pt;"> <span class="MsoHyperlink"></span></span></b>
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<b style="mso-bidi-font-weight: normal;"><u><span lang="EN-US" style="color: #ffc000; font-family: "cambria" , serif; font-size: 18.0pt;"><span style="text-decoration: none;"><br /></span></span></u></b></div>
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<b style="mso-bidi-font-weight: normal;"><u><span style="color: #ffc000; font-family: "cambria" , serif; font-size: 18.0pt;">BIOS :</span></u></b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoudii-cdAaoWAD5g4QCIp5QjqcuAK3NSBPALLeXoXNCt5BIaSgEzloty0Pz88qktjypOV-Klmx1ILDSbB4dwEMGMjee140cgn0oeQTSShe4dWuOOyZXgl5GmoU3Cls6I8EYP0uhUiXU4k/s1600/photo+pp+%25282%2529+%2528Large%2529.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1080" data-original-width="1440" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoudii-cdAaoWAD5g4QCIp5QjqcuAK3NSBPALLeXoXNCt5BIaSgEzloty0Pz88qktjypOV-Klmx1ILDSbB4dwEMGMjee140cgn0oeQTSShe4dWuOOyZXgl5GmoU3Cls6I8EYP0uhUiXU4k/s320/photo+pp+%25282%2529+%2528Large%2529.jpg" width="320" /></a></div>
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<span style="color: #ffd966; font-size: 18.0pt;">PASCALE PETIT</span><span style="color: #ffd966; mso-themecolor: accent4; mso-themetint: 153;"> </span><span style="mso-spacerun: yes;"> </span>a écrit plus de vingt livres aux genres les
plus divers, romans, poèmes, nouvelles et contes. Elle est à la recherche d’une
forme personnelle pour chacun de ses projets. Elle travaille à la re-création
d’un réel qui aurait subi un décalage – de temps, de lieu, de point de vue.
Dans ce décalage qui crée l’écart, elle joue l’intermédiaire. Elle a chroniqué
des livres parus pour le <i>Cahier Critique de Poésie</i> publié par le cip<i>M</i>
de Marseille. Par ailleurs, elle anime régulièrement des rencontres en milieu
scolaire et des ateliers d’écriture. Son livre<em><span style="font-family: "cambria" , serif; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;"> Le parfum du jour est fraise</span></em> vient de faire l’objet
d’une co-production du Festival international de littérature (FIL) et de la
Société des arts technologiques (SAT), en collaboration avec Carte blanche,
présentée dans la Satosphère de Montréal. Son prochain livre, <em><span style="font-family: "cambria" , serif; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">L’Audace</span></em>, paraîtra en début d’année
prochaine aux éditions Nous. Publications : </div>
<ul style="margin-top: 0cm;" type="disc">
<li class="MsoNormal" style="mso-list: l0 level1 lfo1; tab-stops: list 36.0pt; text-align: justify;"><i>Paris-Barcelone</i>, éd. Noir & Blanc, 1997.
</li>
<li class="MsoNormal" style="mso-list: l0 level1 lfo1; tab-stops: list 36.0pt; text-align: justify;"><i>La Ligne d'horizon</i>, <span class="MsoHyperlink"><a href="https://fr.wikipedia.org/wiki/%C3%89ditions_du_Rouergue" target="_blank" title="Éditions du Rouergue">éd. du Rouergue</a></span>,
1997. (Edition japonaise 1998 + dessin animé allemand). </li>
<li class="MsoNormal" style="mso-list: l0 level1 lfo1; tab-stops: list 36.0pt; text-align: justify;"><i>Les Habitants des rêves</i>, éd. Grandir, 1999. </li>
<li class="MsoNormal" style="mso-list: l0 level1 lfo1; tab-stops: list 36.0pt; text-align: justify;"><i>Salto solo</i>, éd. L'Inventaire, 2001.
Illustrations de <span class="MsoHyperlink"><a href="https://fr.wikipedia.org/wiki/Beno%C3%AEt_Jacques" target="_blank" title="Benoît Jacques">Benoît Jacques</a></span>. </li>
<li class="MsoNormal" style="mso-list: l0 level1 lfo1; tab-stops: list 36.0pt; text-align: justify;"><i>L'homme en question, (Der man um den es geht)</i>
Ed. Sisyphos (Cologne, Allemagne. Site Web bilingue français-allemand. <span class="MsoHyperlink"><a href="http://www.edition-sisyphos.de/" target="_blank">www.edition-sisyphos.de</a></span>).
2002. </li>
<li class="MsoNormal" style="mso-list: l0 level1 lfo1; tab-stops: list 36.0pt; text-align: justify;"><i>Monsieur Jones</i>, <span class="MsoHyperlink"><a href="https://fr.wikipedia.org/wiki/L%27%C3%89cole_des_loisirs" target="_blank" title="L'École des loisirs">L'École des loisirs</a></span>,
2005. </li>
<li class="MsoNormal" style="mso-list: l0 level1 lfo1; tab-stops: list 36.0pt; text-align: justify;"><i>Tom premier</i>, L'École des loisirs, 2005. </li>
<li class="MsoNormal" style="mso-list: l0 level1 lfo1; tab-stops: list 36.0pt; text-align: justify;"><i>Tom II</i>, L'École des loisirs, 2006. </li>
<li class="MsoNormal" style="mso-list: l0 level1 lfo1; tab-stops: list 36.0pt; text-align: justify;"><i>Tu es un bombardier en piqué surdoué</i>, éd. Le
Bleu du ciel, 2006. </li>
<li class="MsoNormal" style="mso-list: l0 level1 lfo1; tab-stops: list 36.0pt; text-align: justify;"><i>Manière d'entrer dans un cercle & d'en
sortir</i>, <span class="MsoHyperlink"><a href="https://fr.wikipedia.org/wiki/%C3%89ditions_du_Seuil" target="_blank" title="Éditions du Seuil">Seuil</a></span>, 2007. </li>
<li class="MsoNormal" style="mso-list: l0 level1 lfo1; tab-stops: list 36.0pt; text-align: justify;"><i>Nous devons attendre que le jour se lève</i>.
Publie.net (site d'édition numérique/projet de François Bon.) 2007. </li>
<li class="MsoNormal" style="mso-list: l0 level1 lfo1; tab-stops: list 36.0pt; text-align: justify;"><i>Du coq à l'âne</i> (avec <span class="MsoHyperlink"><a href="https://fr.wikipedia.org/wiki/Herv%C3%A9_Tullet" target="_blank" title="Hervé Tullet">Hervé Tullet</a></span>), <span class="MsoHyperlink"><a href="https://fr.wikipedia.org/wiki/%C3%89ditions_Sarbacane" target="_blank" title="Éditions Sarbacane">éd. Sarbacane</a></span>, 2009.
</li>
<li class="MsoNormal" style="mso-list: l0 level1 lfo1; tab-stops: list 36.0pt; text-align: justify;"><i>Sharawadji. Manuel du jardinier platonique</i>,
éd. L'Inventaire, 2010. </li>
<li class="MsoNormal" style="mso-list: l0 level1 lfo1; tab-stops: list 36.0pt; text-align: justify;"><i>Les Côtés cachés</i>, Action Poétique. BIPVAL.
2011. </li>
<li class="MsoNormal" style="mso-list: l0 level1 lfo1; tab-stops: list 36.0pt; text-align: justify;"><i>Comment faire avec le rhinocéros</i>, <span class="MsoHyperlink"><a href="https://fr.wikipedia.org/wiki/%C3%89ditions_du_Rouergue" target="_blank" title="Éditions du Rouergue">éd. du Rouergue</a></span>,
2011. </li>
<li class="MsoNormal" style="mso-list: l0 level1 lfo1; tab-stops: list 36.0pt; text-align: justify;"><i>Made in Oulipo</i>, L'Ecole des Loisirs, 2013. </li>
<li class="MsoNormal" style="mso-list: l0 level1 lfo1; tab-stops: list 36.0pt; text-align: justify;"><i>Histoir d'ouf</i>, L'Ecole des Loisirs. 2013. </li>
<li class="MsoNormal" style="mso-list: l0 level1 lfo1; tab-stops: list 36.0pt; text-align: justify;"><i>Pool!</i> (illustrations de Renaud Perrin)
Editions du Rouergue, 2014. </li>
<li class="MsoNormal" style="mso-list: l0 level1 lfo1; tab-stops: list 36.0pt; text-align: justify;"><i>Per fare il ritratto di un pesce </i>(Illustrations
de Maja Celija) <span class="MsoHyperlink"><a href="http://www.orecchioacerbo.com/editore/" target="_blank">Editions
Orecchio Acerbo</a></span> [<span class="MsoHyperlink"><a href="http://archive.wikiwix.com/cache/?url=http%3A%2F%2Fwww.orecchioacerbo.com%2Feditore%2F" target="_blank" title="archive sur Wikiwix">archive</a></span>] 2015. </li>
<li class="MsoNormal" style="mso-list: l0 level1 lfo1; tab-stops: list 36.0pt; text-align: justify;"><i>Le douk-douk</i>. L'Ecole des Loisirs, 2015. </li>
<li class="MsoNormal" style="mso-list: l0 level1 lfo1; tab-stops: list 36.0pt; text-align: justify;"><i>Le parfum du jour est fraise</i>. Editions de
L'attente, 2015. </li>
<li class="MsoNormal" style="mso-list: l0 level1 lfo1; tab-stops: list 36.0pt; text-align: justify;"><i>L'équation du nénuphar</i>. Editions Louise
Bottu, 2015. </li>
<li class="MsoNormal" style="mso-list: l0 level1 lfo1; tab-stops: list 36.0pt; text-align: justify;"><i>Le corbeau et le renard et compagnie</i>,
L'Ecole des Loisirs. 2016. </li>
<li class="MsoNormal" style="mso-list: l0 level1 lfo1; tab-stops: list 36.0pt; text-align: justify;"><i>Le corbeau sans le renard</i>, Editions Notari.
2018. </li>
<li class="MsoNormal" style="mso-list: l0 level1 lfo1; tab-stops: list 36.0pt; text-align: justify;"><i>La volpe senza il corvo</i>. <span class="MsoHyperlink"><a href="http://www.orecchioacerbo.com/editore/" target="_blank">Editions Orecchio Acerbo</a></span> [<span class="MsoHyperlink"><a href="http://archive.wikiwix.com/cache/?url=http%3A%2F%2Fwww.orecchioacerbo.com%2Feditore%2F" target="_blank" title="archive sur Wikiwix">archive</a></span>] 2018. </li>
<li class="MsoNormal" style="mso-list: l0 level1 lfo1; tab-stops: list 36.0pt; text-align: justify;"><i><span lang="EN-US" style="mso-ansi-language: EN-US;">I
love you mon biniou</span></i><span lang="EN-US" style="mso-ansi-language: EN-US;">. </span>L'Ecole des Loisirs, 2018.</li>
</ul>
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<span style="mso-bidi-font-family: Calibri;">Pour plus d’informations sur l’auteure Pascale Petit, nous vous
invitons de voir : <span style="color: cyan;"><span class="MsoHyperlink">http://www.m-e-l.fr/pascale-petit,ec,199</span>
<span style="color: #f3f3f3;">ou</span> <span class="MsoHyperlink">https://fr.wikipedia.org/wiki/Pascale_Petit_(%C3%A9crivain)</span></span></span></div>
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<br /></div>
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<span lang="EN-US" style="color: #ffd966; font-size: 18.0pt;">HEATHER HARTLEY</span><span lang="EN-US" style="color: #ffd966; mso-ansi-language: EN-US; mso-bidi-font-family: Arial; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #FFD966; mso-style-textfill-fill-colortransforms: "lumm=60000 lumo=40000"; mso-style-textfill-fill-themecolor: accent4; mso-themecolor: accent4; mso-themetint: 153;"> </span><span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-family: Arial;">is the author of the
poetry collections <i>Adult Swim </i>(2016) and</span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8bcd0YOMC66MmzANC9qQjMSniVwjzq03S_ioR90TZeoJEWj2KFKpqhEoKRL_xgU5K4tERiu362a5Ncejy8hcApLfgV6gsf5wLi2WqRLcalX5hqPFYE-n6X10GKLxd5IDP1iSfKgw0o6oh/s1600/Heather_Hartley_headshot_.1jpg+%2528Large%2529.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1080" data-original-width="946" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8bcd0YOMC66MmzANC9qQjMSniVwjzq03S_ioR90TZeoJEWj2KFKpqhEoKRL_xgU5K4tERiu362a5Ncejy8hcApLfgV6gsf5wLi2WqRLcalX5hqPFYE-n6X10GKLxd5IDP1iSfKgw0o6oh/s320/Heather_Hartley_headshot_.1jpg+%2528Large%2529.jpg" width="280" /></a></div>
<i>Knock Knock </i>(2010) both
from Carnegie Mellon University Press and Paris Editor for <i>Tin House </i>magazine.
Her short fiction, poems, essays and interviews have appeared in or on <i>PBS
Newshour, The Guardian, Slice, The Literary Review, Post Road </i>and other
venues. She has presented writers at Shakespeare and Company Bookshop and has
taught creative writing at the American University of Paris and the University
of Texas El Paso MFA program. For more information, please visit her website: <a href="https://www.heatherhartleyink.com/"><span style="color: cyan;"><span style="mso-bidi-font-family: Arial;"><span lang="EN-US" style="mso-ansi-language: EN-US;">https://www.heatherhartleyink.<wbr></wbr>com/</span></span></span></a><span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-family: Arial;"></span><br />
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<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGkZWrzebz4nnreN5znW9ZiQlBPzxynYjrPp-yKioS95YccMxmG5d81QzOiQMpDs7gcpRsoUoIcYXgPLgS39XadyZ5e9NNpooAkTDIufixdAuPvMj6jxgHGs5LsmkfVri9LMF_3TG-O_NQ/s1600/IMG_6705.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="997" data-original-width="954" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGkZWrzebz4nnreN5znW9ZiQlBPzxynYjrPp-yKioS95YccMxmG5d81QzOiQMpDs7gcpRsoUoIcYXgPLgS39XadyZ5e9NNpooAkTDIufixdAuPvMj6jxgHGs5LsmkfVri9LMF_3TG-O_NQ/s320/IMG_6705.jpg" width="306" /></a></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="color: #ffd966; font-size: 18.0pt;">FRANÇOISE FAVRETTO</span><span style="color: #ffd966; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR; mso-themecolor: accent4; mso-themetint: 153;"> </span><span style="color: #f3f3f3;">est auteure, éditrice, organisatrice, critique
littéraire et enseignante. Elle a fait des études littéraires, s’est
spécialisée dans la critique de poésie. Enseignante de Français, elle a aussi
donné des ateliers de créations de livres en lycée. Elle réalise des livres
d’artistes à la main pour l’Atelier de l’agneau, collection <i style="mso-bidi-font-style: normal;">framboises foulées par les biches.</i></span></div>
<span style="color: #f3f3f3;">
</span><br />
<div class="MsoNormal" style="text-indent: 35.4pt;">
<span style="color: #f3f3f3;">Publie surtout en revues textes ou photos et a publié
des livres de nouvelles et de proses poétiques. Prochainement : un livre de
photos éd. <i>Le petit véhicule</i> et des poèmes en livre d’artiste “le
pré” chez <i>Jean-Paul Ruiz,</i><span style="mso-bidi-font-style: italic;">
un essai<i> </i>« Aragon critique ».</span> Elle écrit des critiques
de livres, dirige la revue <i>l’intranquille</i> depuis 2011 et a
repris en 1996 les éditions ATELIER DE L’AGNEAU. Elle aime découvrir de
nouveaux auteurs de tous pays. Organise des lectures publiques. Elle a fait
connaître l’auteure autrichienne FRIEDERIKE MAYROCKER (6 livres à ce jour).</span></div>
<span style="color: #f3f3f3;">
</span><br />
<div class="MsoNormal" style="text-indent: 35.4pt;">
<span style="color: #f3f3f3;">Pour plus, voir le « portrait d’une
éditrice » sur Poézibao : <a href="https://poezibao.typepad.com/poezibao/2005/02/portrait_dune_d.html"><span style="color: cyan;"><span class="MsoHyperlink"><span style="mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">https://poezibao.typepad.com/poezibao/2005/02/portrait_dune_d.html</span></span></span></a></span><span style="color: black; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"><span style="color: #f3f3f3;"> et le viédo entretien de radio RcJ :</span><a href="https://www.blogger.com/goog_203663637"><span style="color: cyan;">
</span></a></span><a href="https://www.youtube.com/watch?v=szuUEoOeZcU"><span style="color: cyan;"><span class="MsoHyperlink"><span style="mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">https://www.youtube.com/watch?v=szuUEoOeZcU</span></span></span></a><span style="color: black; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> </span></div>
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Jennifer K Dickhttp://www.blogger.com/profile/14819275106754521715noreply@blogger.com0tag:blogger.com,1999:blog-2215338180310572858.post-74939943309160012112019-09-03T09:02:00.001-07:002021-03-17T16:53:39.161-07:00MARDI 10 SEPTEMBRE 2019 >> Ian Monk, Virginie Poitrasson et Alison Koehler liront pour nous au Delaville Café<div style="text-align: center;">
<b>« Ivy Writers Paris » Bilingual Reading Series</b></div>
<div style="text-align: center;">
<b>Mardi 10 Septembre 2019</b></div>
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<b>à 19h30 :</b></div>
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<b>soirée bilingue</b></div>
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<b>anglais-français avec</b></div>
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<span style="font-size: large;">Ian MONK </span></div>
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<span style="font-size: large;">Virginie POITRASSON </span></div>
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<span style="font-size: large;">Alison KOEHLER</span></div>
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<span style="font-size: large;"><br /></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-VMJAnTqbMec/XW6NtBBe4GI/AAAAAAAABxg/Bbf12sG9DPwBXQ9xqiYq2kuyTYC9OwJ8ACLcBGAs/s1600/I%2Blove%2Byou%2Bmorethan%2Bthere%2Bare%2Bstarsin%2Bthe%2Bsky.%2B%25281%2529.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="789" data-original-width="940" height="536" src="https://1.bp.blogspot.com/-VMJAnTqbMec/XW6NtBBe4GI/AAAAAAAABxg/Bbf12sG9DPwBXQ9xqiYq2kuyTYC9OwJ8ACLcBGAs/w640-h536/I%2Blove%2Byou%2Bmorethan%2Bthere%2Bare%2Bstarsin%2Bthe%2Bsky.%2B%25281%2529.png" width="640" /></a></div>
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organisée et animée par Jennifer K. Dick</div>
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<b><span style="color: orange;">Upstairs at 7:30pm at:</span></b></div>
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<b><span style="color: orange;">DELAVILLE CAFE, </span></b></div>
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<b><span style="color: orange;">34 bvd bonne nouvelle, </span></b></div>
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<b><span style="color: orange;">75010 Paris </span></b></div>
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<b><span style="color: orange;">M°ligne 8 Bonne Nouvelle</span></b></div>
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<b><span style="color: orange;">Bios here bellow:</span></b></div>
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<b><span style="color: orange;">Ian Monk</span></b> was born in London, but now lives in Paris, where he works as a writer and translator (of, among others, Georges Perec, Raymond Roussel and Jacques Roubaud). After contributing to the Oulipo Compendium (Atlas Press) he became a member of the Oulipo in 1988. He has published books in English such as Family Archaeology and Writings for the Oulipo (Make Now), in French (Plouk Town, Là, Vers de l’infini (Cambourakis)), and even both languages N/S (with Frédéric Forte) and Les Feuilles de Yucca / Leaves of the Yucca, a bilingual ebook (www.contre-mur.com/). A new collection of his French poetry Aujourd’hui le soleil has recently been published by Les Venterniers.</div>
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<b><span style="color: orange;">Ian Monk</span></b> est né à Londres, mais vit actuellement à Paris, où il écrit et traduit (parmi d’autres, Georges Perec, Raymond Roussel et Jacques Roubaud). Après avoir contribué à Oulipo Compendium (Atlas Press) il est devenu un membre de l’Oulipo en 1988. Il a publié des livres en anglais, par exemple Family Archaeology et Writings for the Oulipo (Make Now), en français (Plouk Town, Là, Vers de l’infini (Cambourakis)), et même les deux langues à la fois N/S (avec Frédéric Forte) et Les Feuilles de Yucca / Leaves of the Yucca, un ebook bilingue (www.contre-mur.com/). Un nouveau recueil de sa poésie française Aujourd’hui le soleil vient d’être publié par Les Venterniers.</div>
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***</div>
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<b><span style="color: orange;">Virginie Poitrasson</span></b> (née en 1975), écrivain, performeuse et traductrice, explore les frontières entre les langues, les genres et les modes d'expression plastiques (sons, vidéos, sérigraphie). Originaire de Lyon, elle a vécu à la Nouvelle-Orléans, à New York et vit aujourd’hui à Paris. </div>
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Passionnée par la pluralité des langues et par la recherche universitaire transdisciplinaire, elle a fait un DEA sur le processus créatif dans la peinture et l’écriture dramaturgique de Valère Novarina (Université Lyon II). </div>
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En Louisiane, à Tulane University, elle a étudié les différences et similitudes linguistiques existantes entre le cajun et le créole et s’est passionnée pour les auteurs francophones des Caraïbes (Le territoire élémentaire chez Aimé Césaire dans Cadastre et Ferrements, essai, International Journal of Francophone Studies, 2002).</div>
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Elle traduit de nombreux poètes américains : Ben Lerner, Michaël Palmer, Lyn Hejinian, Cole Swensen, Mei Mei Berssenbrugge, Marylin Hacker, Charles Bernstein, Jennifer K.Dick, Michelle Noteboom, Shanxing Wang, Rodrigo Toscano, Laura Elrick. </div>
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Elle collabore régulièrement à des séminaires de traduction à la Maison des écrivains (dans le cadre du cycle « PARIS-TIRET-U.S.A. » en 2008) et à Reid Hall (Université américaine de Paris) dans le cadre de READ 2010 et READ 2015. Elle est intervenue lors du colloque Le corps du traducteur organisé par l’Université Paris 8 en novembre 2017.</div>
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Son livre Il faut toujours garder en tête une formule magique a été adapté en pièce radiophonique, et a été diffusée dans l’émission Micro fiction sur France Culture (2012). Elle a été invitée par la Maison des Écrivains (MEL) à donner une conférence sur « le féminisme, approches des genres » au Petit Palais en 2012. </div>
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Comme performeuse, elle a été invitée dans de nombreux festivals en Europe et aux États-Unis : MidiMinuitPoésie, Nantes (2013), Scène poétique /ENS, Lyon (2012), Festival Relectures 8, Khiasma, Les Lilas (2009), Poezia presente, Milan (2009), In/Out Poetry, Théâtre de la Comédie, Saint Etienne, (2007), Espace Agora-Tête d'or, Lyon (2007), Expoésie, festival de poésie, Périgueux (2011 et 2006), TEXT/styles, Bowery Poetry Club, New York (2005), Winds, Haim Chanin Fine Arts gallery, New York (2004). </div>
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En 2007, elle a présenté Salle d’eau, une performance alliant danse, vidéo et lecture, à New York, Caen et Lyon avec Olivier Gabrys (danseur chorégraphe) et Alice Robert (vidéo-actrice). </div>
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Elle a aussi été invitée par la SGDL, la Maison de la Poésie de Paris, le CNEAI (Pantin), la Fondation Ricard à Paris, la Kunsthalle (centre d’art contemporain) de Mulhouse, la Nuit remue, Rencontre à lire à Dax, la Galerie L’Ollave à Apt, par la galerie Poggi & Bertoux associés, la galerie Paul Frèches, la Galerie EOF à Paris, au Carré d’art de Nîmes et au Centre d'études poétiques, ENS Lyon. </div>
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Elle a animé des ateliers d’écriture auprès de femmes migrantes à la Cimade Ile de France dans le cadre d’une résidence d’écrivains financée par la Région Ile de France, et dans le cadre des contrats territoire lecture (Détournement poétique), au sein de l’association socio-linguistique Aspir à la médiathèque de l’Haÿ-les-Roses dans le Val-de-Marne. Elle a aussi animé des ateliers auprès d’étudiants de l’université américaine UPenn en séjour à Tours, auprès d’étudiants d’art à l’école des Beaux-Arts de Rouen, à l’ENSCI (école de design) dans le cadre d’une résidence d’écrivain financée par la Région Ile de France et dans des collèges du Val-de-Marne organisé par la Biennale Internationale de la Poésie ainsi que dans le département de Seine-Saint-Denis dans le cadre d’une résidence d’écrivains avec le collectif VEGA (http://vega.metaproject.net/fr/Accueil/).</div>
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Elle a co-organisé à Paris, les soirées de poésie trilingues (anglais, arabe, français) Lettre : L'autre (I/II), au Point Éphémère et à l’Institut du Monde Arabe en 2006-2007.</div>
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Spécialiste du français langue étrangère, elle a enseigné la langue et la littérature française à des publics très variés à l’étranger (universités, Alliance Française, école primaire, etc).</div>
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***</div>
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<span style="color: orange;"><b>Alison Grace Koehler</b></span> is a stained glass poet. In addition to making permanent and transient stained glass art, she has performed at various festivals, spaces, and events, including The Edinburgh Art Festival, Galerie Arnaud Lefebvre, The Meeting Point Project, Irruzinoi, The Poetry Brothel, Espace Christiane Peugeot, Les Nocturnes de l'Aude, Paris Lit Up, and The Bloomsday Festival. Alison lives in Paris, and was voted Best Expat Aritst of 2018 by Expatriates Magazine. Visit her at alisonkoehler.com.</div>
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Education:</div>
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2016 Formation Complémentaire de Peinture sur Verre, Lucas de Nehou Paris, FR </div>
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2014 Diplôme de Métiers d’Art, Olivier de Serres (ENSAAMA) Paris, FR </div>
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2010 Diplôme de Langue & Civilisation Francaise (niveau avancee), La Sorbonne, Paris, FR </div>
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2008 Bachelor of Arts, Macalester College, Saint Paul, USA </div>
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Exhibitions:</div>
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2019 Le manège, Centre Equestre aux Sources d’Apolline, Steinbrunn-le-Bas, FR </div>
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2019 Progressions, Espace Christiane Peugeot, Paris, FR </div>
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2018 Livres/Artistes/Objets, Atelier d’A Espace Hubert Lefrançois, Gravigny, FR </div>
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2017 Des Ailes, Isapocket, Paris, FR </div>
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2017 Watercolor and glass on stage, solo show, Tennessee-Paris, Paris, FR </div>
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2017 Stained glass, solo show, The Brklyn, Paris, FR </div>
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2016 Stained glass installation, Berkeley Books, Paris, FR </div>
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2016 Stained glass, solo show, Centre d’Animation Censier, Paris, FR </div>
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2016 Glass installation for 1000 Poets for Change, Culture Rapide, Paris, FR </div>
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2015 Elles Disent Non, Association de Culture Berbère, Paris, FR </div>
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2015 Stained glass installation & demonstration, Marie du XIII, Paris, FR </div>
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2015 Installation for Paris Lit Up Magazine Launch, La Petite Maison, Paris, FR </div>
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2015 Stained glass, solo show, Simpl, Paris, FR </div>
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2015 Stained glass, solo show, L’Assiette, Paris, FR </div>
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2014 Les Pierres se battent entre elles, Auvers-Saint-Georges, FR </div>
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2011 Fur and Feathers, Schuler School of Fine Arts, Baltimore, USA </div>
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2010 This is Not a Studio, Chicago, USA </div>
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2009 Opening Exhibition, Galleri 2012, Copenhagen, DK </div>
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2008 Book Arts Juried Exhibition, Minneapolis Public Library, </div>
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Minneapolis. USA </div>
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Live Performances and Festivals</div>
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2019 Bloomsday Festival, Dublin, Ireland</div>
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2019 Irruzioni Festival, Padova, Italy</div>
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2018 Bespoke Soiree, Paris, FR</div>
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2018 Miroir de Nature, Eglise St.Jospeh, Montgeron, FR</div>
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2018 Meeting Point Project, Les Nocturnes de l’Aude, Paris, FR 2018 Paris Lit Up Featured Reading, Culture Rapide, Paris, FR 2017 Seymour Space, Paris, FR</div>
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2017 Spoken Word Paris Featured Reading, Paris, FR </div>
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2017 Piety/Vandalism, St.Margaret’s House, Edinburgh Art Festival, Edinburgh, Scotland 2017 Body Calligraphy, Carbone 17, Aubervilliers, FR</div>
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2017 Live Painting at Tapis Theatre, Paris, FR</div>
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2016 Open Secret Featured Reading, Bistrot des Artistes, Paris, FR </div>
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2016 Election in Putingrad, Paris, FR </div>
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2015-2019 The Poetry Brothel (Bordel de la Poesie) Paris, FR; San Francisco, USA; Utrecht, </div>
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The Netherlands; Dublin, Ireland </div>
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2015 Peacock Palace, La Bellevilleoise, Paris, FR </div>
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Bibliography:</div>
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2018 Expatriates Magazine </div>
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Unknownnoreply@blogger.com034-36 Boulevard de Bonne Nouvelle, 75010 Paris, France48.8707718 2.349147099999981926.9481453 -38.959446900000017 70.7933983 43.657741099999981tag:blogger.com,1999:blog-2215338180310572858.post-4132570500266624622019-08-30T06:29:00.001-07:002022-11-14T12:43:14.566-08:00La nouvelle saison 2019-2020!<div dir="ltr" style="text-align: left;" trbidi="on">
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<b><i><span style="color: #f4cccc;">Ivy is thrilled to announce the fall season's dates and some of the readers. We are looking forward to a wonderful new year of readings and encounters and hope you will mark your calendars and come out and join us to hear and meet these authors! ///</span></i></b></div>
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<b><i><span style="color: #b4a7d6;">Ivy se réjouit d'annoncer ces dates et lecteurs pour l’automne 2019. On attend avec impatience cette belle rentrée poétique, et on espère que vous viendriez nous rejoindre pour ces soirées de lectures et de rencontres avec des poètes de la France et des pays anglophones.</span></i></b></div>
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<span style="color: lime;"><span style="font-size: large;"><b>10 SEPT 2019</b></span></span></div>
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19h30</div>
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DELAVILLE CAFE 24 bvd bonne nouvelle 75010<br />
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<span style="color: lime;"><span style="font-size: large;"> <b>Ian Monk</b></span></span> (de l'OULIPO, lecture de textes en anglais et en français)</div>
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avec</div>
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<span style="color: lime;"><span style="font-size: large;"><b>Virginie Poitrasson</b> et </span></span><b><span style="color: lime;"><span style="font-size: large;">Alison Koehler</span></span> </b>(projection d'images et lecture bilingue des leurs textes traduits à quatre mains pendant le séminaire annuel READ, organisé par TAMASS en juillet 2019.)<br />
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<span style="font-size: large;"><span style="color: yellow;"><b>8 OCT 2019</b></span></span></div>
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19h30 </div>
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DELAVILLE CAFE 24 bvd bonne nouvelle 75010</div>
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Lectures par des écrivains:</div>
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<b><span style="color: yellow;"><span style="font-size: large;">Pascale Petit</span></span> </b>(FR)<b><br /></b></div>
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<span style="color: yellow;"><span style="font-size: large;"><b>Françoise Favretto</b></span></span> (FR)<b><br /></b></div>
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et <span style="color: yellow;"><span style="font-size: large;"><b>Heather Hartley</b> </span></span> (USA)</div>
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<b><span style="color: lime;"><span style="font-size: large;">26 NOV 2019</span></span></b></div>
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19h30 </div>
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lieu encore à confirmer</div>
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Lecture par <span style="color: lime;"><span style="font-size: large;"><b>Véronique Pittolo</b></span></span></div>
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Performance par auteure française<span style="color: lime;"><b> <span style="font-size: large;">Vannina Maestri</span></b></span><span style="font-size: large;"> <span style="font-size: small;">en collaboration avec musicien</span> <span style="color: lime;"><b>Fréderic Desmesure</b></span></span></div>
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Lecture par <span style="color: lime;"><span style="font-size: large;"><b>Lisa Pasold</b></span></span>, auteure canadienne, ainsi qu'une présentation pour la première fois des nouveaux traductions, encore inédites, de son travail par <span style="color: lime;"><b>Véronique Pittolo et Vannina Maestri</b></span></div>
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<span style="font-size: large;"><span style="color: yellow;"><b>10 DEC 2019</b></span></span></div>
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19h30</div>
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lieu encore à confirmer</div>
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Lectures par des écrivains</div>
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<span style="color: yellow;"><span style="font-size: large;"><b>Marie de Quatrebarbes</b></span></span> (FR)</div>
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<span style="color: yellow;"><span style="font-size: large;"><b>Lisa Samuels</b></span></span> (USA/N-Zealande)</div>
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et </div>
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<span style="color: yellow;"><span style="font-size: large;"><b>Scott Elder</b> </span></span>(UK) </div>
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Jennifer K Dickhttp://www.blogger.com/profile/14819275106754521715noreply@blogger.com0tag:blogger.com,1999:blog-2215338180310572858.post-80472510645091111562019-06-03T17:04:00.002-07:002022-11-14T12:43:11.340-08:00MARDI 11 JUIN 2019 >> Liliane Giraudon, Michael Heller et Travis Cebula, liront pour nous au Café de la Mairie (Place St-Sulpice)<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-size: 12pt;">« Ivy Writers Paris » Bilingual Reading Series</span></div>
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<span style="font-size: 12pt;">Mardi 11 juin 2019</span></div>
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<span style="font-size: 12pt;">à 19h30 :</span></div>
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<span style="font-size: 12pt;">Soirée de clôture de la saison 2018-2019</span></div>
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<span style="font-size: 12pt;">Lecture en français et en anglais avec :</span></div>
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<span style="font-size: x-large;">Liliane GIRAUDON</span></div>
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<span style="font-size: x-large;">Michael HELLER</span></div>
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<span style="font-size: x-large;">Travis CEBULA</span></div>
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<span style="font-size: 12pt;">organisée et animée par Jennifer K. Dick</span></div>
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<a href="https://1.bp.blogspot.com/-rVqHouVFSPY/XPW1Nu1e-hI/AAAAAAAABwY/o7nNla_oprIvnwipWaO1zpHXBUTEk67OQCLcBGAs/s1600/10453917-7C88-406A-95B9-CD65906986DD.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="789" data-original-width="940" height="536" src="https://1.bp.blogspot.com/-rVqHouVFSPY/XPW1Nu1e-hI/AAAAAAAABwY/o7nNla_oprIvnwipWaO1zpHXBUTEk67OQCLcBGAs/s640/10453917-7C88-406A-95B9-CD65906986DD.png" width="640" /></a></div>
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<b style="font-size: 12pt;"><span style="color: orange;">RDV à 19h30 au</span></b><span style="font-size: 12pt;"></span></div>
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<span style="font-size: 12pt;"><b><span style="color: orange;">CAFÉ DE LA MAIRIE</span></b></span></div>
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<span style="font-size: 12pt;"><b><span style="color: orange;">8 place St-Sulpice,</span></b></span></div>
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<span style="font-size: 12pt;"><b><span style="color: orange;">75006 Paris </span></b></span></div>
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<i>Dans leur nouvelles salle, à gauche de l'entrée principale</i><br />
M° St Supplice ou Mabillon, RER Luxembourg<br />
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<span style="font-size: 12pt;"><span style="color: orange;"><span style="font-size: x-large;"><b>**BIOS</b></span></span> in English AFTER the French**</span></div>
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<span style="font-size: 12pt;">Née en 1946, <b><span style="color: orange;">LILIANE GIRAUDON</span></b> vit à marseille. Son travail d’écriture, situé entre prose (la prose n’existe pas) et poème (un poème n’est jamais seul) semble une traversée des genres. Entre ce qu’elle nomme « littérature de combat » et « littérature de poubelle », ses livres, publiés pour l’essentiel aux éditions P.O.L dressent un spectre accidenté. A son travail de « revuiste » (Banana Split, Action Poétique, If, la gazette des jockeys camouflés…) s’ajoute une pratique de la lecture publique et de ce qu’elle appelle son « écriredessiner » (tracts, livres d’artiste, expositions, ateliers de traduction, feuilletons, video (Akram Zaatari Patrick Laffont, Marc Antoine Serra), théâtre (Hubert Colas, Geoffrey Coppini, Yves Noel Genot, Robert Cantarella), radio (ACR et Fictions France Culture), actions minuscules)… « Une existence tordue » pourrait être le titre de son laboratoire d’écriture où circulent des voix. </span></div>
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<span style="font-size: 12pt;">Publications récentes :</span></div>
<div style="font-family: Helvetica; font-size: 12px; font-stretch: normal; line-height: normal;">
<span style="font-size: 12pt;">« le garçon cousu », P.O.L, 2014</span></div>
<div style="font-family: Helvetica; font-size: 12px; font-stretch: normal; line-height: normal;">
<span style="font-size: 12pt;">« L’amour est plus froid que le lac », P.O.L, 2017</span></div>
<div style="font-family: Helvetica; font-size: 12px; font-stretch: normal; line-height: normal;">
<span style="font-size: 12pt;">« Donne-moi une banane » L’âne qui butine (Belgique), 2017</span></div>
<div style="font-family: Helvetica; font-size: 12px; font-stretch: normal; line-height: normal;">
<span style="font-size: 12pt;">« point aime virgule » Petit Va (Centre Création pour l’Enfance), 2018</span></div>
<div style="font-family: Helvetica; font-size: 12px; font-stretch: normal; line-height: normal;">
<span style="font-size: 12pt;">« Le pistolet » ekphr@sis, 2018</span></div>
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<span style="font-size: 12pt;">« pour tenir debout on invente » avec Edith Azam, éd. Atelier de l’agneau, 2019</span></div>
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<span style="font-size: 12pt;">On pourra en savoir plus sur ces liens :</span></div>
<div style="font-family: Helvetica; font-size: 12px; font-stretch: normal; line-height: normal;">
<a href="http://www.pol-editeur.com/"><span style="font-size: 12pt;">www.pol-editeur.com</span></a></div>
<div style="font-family: Helvetica; font-size: 12px; font-stretch: normal; line-height: normal;">
<a href="http://wwww.lilianegiraudon.com/"><span style="font-size: 12pt;">wwww.lilianegiraudon.com</span></a><br />
<span style="font-size: 12pt;">Crédit photographique pour la photo dans l'affiche ci-dessus: Marc-Antoine Serra</span></div>
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<span style="font-size: 12pt;"><b><span style="color: orange;">MICHAEL HELLER</span></b> est né le 11 mai 1937. Poète, mais aussi essayiste et critique, il vit et enseigne à New York. Spécialiste reconnu des poètes dits Objectivistes, il a entretenu avec George Oppen et Carl Rakosi en particulier des relations suivies et publié "Conviction’s Net of Branches : Essays on the Objectivist Poets and Poetry" en 1985, étude critique qui a reçu le Di Castagnola Prize from the Poetry Society of America. Michael Heller a en outre reçu de nombreux prix tout au long de sa carrière, tels que le NEH Poet/Scholar grant, New York Foundation for the Arts Fellowship (NYFA), National Endowment for the Humanities award, et The Fund for Poetry. Michael Heller a, depuis le début de son travail, été proche des mouvements d’avant-garde, suivant tout autant les représentants de la poésie d’après-Holocauste que les novateurs tels que Williams et Pound, sans s’interdire pour autant des rapprochements avec les mouvements européens tels que surréalisme et structuralisme, ou avec des individualités marquantes (Lorca, Rilke ou Mallarmé), avec lesquelles il entretient un dialogue de nature poétologique. Cherchant, pour l’essentiel, dans son travail poétique à conjoindre matière personnelle et souci historique général, il aborde des thèmes tels que la nature du langage, de la poésie, de la religion et de la mémoire. Ce livre présente une anthologie de la poésie de Michael Heller, de ses débuts en 1972 à nos jours. En envisageant aussi bien les premiers poèmes de l’auteur, que ses compositions plus récentes, qui se présentent comme de lentes ruminations poétiques explorant la tradition, le langage, l’histoire et le moi, ce volume a l’ambition de faire découvrir au lecteur français l’une des œuvres poétiques américaines les plus conséquentes des dernières décennies. Marquée par une approche phénoménologique des paysages, des faits du monde et de ceux de l’esprit, la poésie de Heller explore les possibilités de la représentation linguistique au sein d’une époque caractérisée par une forte incertitude, tant psychique que culturelle. Cette incertitude se trouve thémtisée en tant que telle par certains des poèmes présentés. L’auteur convoque un large ensemble de références artistiques, philosophiques et littéraires et travaille à l’articulation de nos expériences de vie et des traditions culturelles par rapport auxquelles elles prennent sens. Les formes qu’il sollicite peuvent ainsi être variées, mais toutes sont au service de cet effort pour produire une poésie qui allie expérience et pensée.</span></div>
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<span style="font-size: 12pt;"><b><span style="color: orange;">TRAVIS CEBULA</span></b> est l'auteur de plusieurs ouvrages, de sept recueils de poèmes dont, plus récemment, Refugee, une série de poèmes écrits tout au long d’un parcours de six heures vécu de manière intenses, lors d’une exposition rétrospective de l’œuvre de Marc Chagall au Musée du Luxembourg (et, grâce à Internet, disponible dès à présent chez <a href="http://www.blazevox.org/" target="_blank">BlazeVOX [Books])</a>. Parmi ses autres ouvrages on trouve: </span><br /><span style="font-size: 12pt;"><span style="font-family: Arial; font-size: 14pt;"><i>Dangerous Things to Please a Girl</i>, </span><i><span style="font-family: Arial; font-size: 14pt;"> </span></i></span><br />
<span style="font-size: 12pt;"><i><span style="font-family: Arial; font-size: 14pt;">et</span></i></span><br />
<span style="font-size: 12pt;"><i><span style="font-family: Arial; font-size: 14pt;">The Sublimation of Frederick Eckert</span></i><span style="font-family: Arial; font-size: 14pt;">from <a href="https://www.blacklawrence.com/" target="_blank">Black Lawrence Press</a></span><span style="font-family: Arial; font-size: 14pt;">,</span></span></div>
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<span style="font-size: 12pt;">Il est également diplômé en arts visuels de Naropa, et Pavel Srut Fellow finaliste. Il dirige les ateliers de poésie à Paris pour Left Bank Writers Retreat. S’il a pu essuyé plusieurs refus ou connu des déceptions par le passé, il tente aujourd’hui d’être un bon garçon ; ce qui lui offre quelques excuses. La plupart du temps vous pourrez le trouver quelque part, ici ou là, dans les marges. Certains jours, pas.</span><br />
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<span style="color: orange;"><span style="font-size: x-large;"><b><span style="font-size: 12pt;">BIOS in ENGLISH;</span></b></span></span><br />
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<span style="font-family: Arial; font-size: 14pt;">Once upon a time, </span><span style="font-family: Arial; font-size: 14pt;"><span style="color: orange;"><span style="font-size: large;"><b>Travis Cebula</b></span></span> </span><span style="font-family: Arial; font-size: 14pt;">was a classically trained chef and </span></div>
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sommelier, and before that he studied philosophy, but now he<span style="font-family: Arial; font-size: 14pt;">lives in Colorado with his wife and trusty dogs, where he writes, edits, photographs</span><span style="font-family: Arial; font-size: 14pt;">, builds things,</span><span style="font-family: Arial; font-size: 14pt;">and teaches creative writing. His poems, </span><span style="font-family: Arial; font-size: 14pt;">short </span><span style="font-family: Arial; font-size: 14pt;">stories</span><span style="font-family: Arial; font-size: 14pt;">,</span><span style="font-family: Arial; font-size: 14pt;">essays, </span><span style="font-family: Arial; font-size: 14pt;">b<wbr></wbr>ook reviews, </span><span style="font-family: Arial; font-size: 14pt;">and photographs have appeared internationally in various print and online journals. </span><span style="font-family: Arial; font-size: 14pt;"></span><br />
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<span style="font-family: Arial; font-size: 14pt;"> He has</span><span style="font-family: Arial; font-size: 14pt;"></span><span style="font-family: Arial; font-size: 14pt;"> authored six chapbooks and seven </span><span style="font-family: Arial; font-size: 14pt;">full-length collections of poetry, including <b><i>Dangerous Things to Please a Girl</i>,</b> </span><span style="font-family: Arial; font-size: 14pt;">a sequence of Parisian poetry, </span><b><i><span style="font-family: Arial; font-size: 14pt;">The Sublimation of Frederick Eckert</span></i></b><span style="font-family: Arial; font-size: 14pt;"><b>from</b> <a href="https://www.blacklawrence.com/" target="_blank">Black Lawrence Press</a></span><span style="font-family: Arial; font-size: 14pt;">, and, most recently, <b><i>Refugee</i>,</b>
a series of poems written over the course of six rather intense hours
inside a retrospective exhibition of Marc Chagall’s work at the Musée du
Luxembourg—and, thanks to the internet, available this very instant
from <a href="http://www.blazevox.org/" target="_blank">BlazeVOX [Books]</a>.</span></div>
<span style="font-family: Arial; font-size: 14pt;"> He is </span><span style="font-family: Arial; font-size: 14pt;">the on again/off again</span><span style="font-family: Arial; font-size: 14pt;">host of the <a href="https://www.facebook.com/pages/biz/Ham-on-Rye-Reading-Series-449697482048498/" target="_blank">Ham </a></span><a href="https://www.facebook.com/pages/biz/Ham-on-Rye-Reading-Series-449697482048498/" target="_blank"><span style="font-family: Arial; font-size: 14pt;">on Rye reading series </span></a><span style="font-family: Arial; font-size: 14pt;"><a href="https://www.facebook.com/pages/biz/Ham-on-Rye-Reading-Series-449697482048498/" target="_blank">in Denver</a>. He is also a graduate of Naropa’s MFA program in Writing and Poetics, </span><span style="font-family: Arial; font-size: 14pt;">AKA The Jack Kerouac School of Disembodied Poetics, </span><span style="font-family: Arial; font-size: 14pt;">a
member of the writing faculty at <a href="https://leftbankwriters.com/" target="_blank">Left Bank Writers Retreat in Paris, France</a>; a Pavel Srut Fellow, a finalist, an honorable mention, several
rejections, and generally tries to be a nice guy—which offers him a few
excuses. On most days, you can find him somewhere between the margins.
On some days, you can’t.</span></div>
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<span style="font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;"><span style="font-size: small;"><span lang="EN-US"><span style="font-size: large;"><span style="color: orange;"><b>Michael
Heller</b></span></span> has published over twenty-five volumes of poetry, essays, memoir </span></span></span></div>
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<span style="font-size: small;">and
fiction. His most recent books are <i>Dianoia </i>(2016), <i>This
Constellation Is A Name: Collected Poems 1965-2010</i> (2012),<i> Beckmann
Variations & other poems </i>(2010) and <i>Eschaton</i> (2009). A
Selected Poems in French translation, <i>Dans le signe</i>,<i> </i>appeared in
2016. Two volumes of his work are forthcoming in 2019: <i>Constellations
of Waking</i>, his libretto/poem based on the life and work of Walter Benjamin
(Dos Madres Press) and <i>Telescope: Selected Poems</i> (New York Review
Books). His collection of essays on George Oppen, <i>Speaking the
Estranged</i> (2008), was republished in 2012 in an expanded edition. <i>Uncertain
Poetries: Essays on Poets, Poetry and Poetics</i><u>,</u> was reissued in 2012.
His memoir, <i>Living Root</i>, published by the State University of New York
Press, appeared in 2000. <i>Two Novellas: Marble Snows & The Study</i>,
a collection of fiction<u>,</u> was published in 2009. Among his many
collaboration with the composer Ellen Fishman Johnson are the libretto for the
opera, <i>Constellations of Waking</i> and the multi-media work, <i>This Art
Burning</i>,<i> </i>both of which premiered at the Philadelphia Fringe
Festival. His poetry and criticism have appeared in numerous magazines
and anthologies including <i>The Paris Review</i>, <i>Conjunctions</i>, <i>Harpers</i>,
<i>New Letters</i>, <i>The Nation, American Poetry Review, Jewish American
Poetry, Pequod, The New York Times Book Review, Parnassus: Poetry in Review</i>
and many others. His prize-winning critical study, <i>Conviction's Net of
Branches: Essays on the Objectivist Poets and Poetry</i><u>,</u> was published
by Southern Illinois University Press. His many awards and honors include
prizes from The New School for Social Research, Poetry in Public Places, the
New York State CAPS Fellowship in Poetry, the Alice Fay Di Castagnola Prize of
the Poetry Society of America, a New York Foundation on the Arts Fellowship,
the National Endowment for the Humanities and the Fund for Poetry. He has
given many poetry readings in America and Europe at such places as Yale, CUNY,
SUNY Purchase and Buffalo, Temple, Rensselaer, NYU and the University of
Wyoming, the Sorbonne, Cambridge, Warwick and Durham Universities. For
many years, he was on the faculty of New York University and has taught at The
Naropa Institute, The New School, San Francisco State, Notre Dame and other
universities in the US and Europe. A critical work, <i>The Poetry and
Poetics of Michael Heller: A Nomad Memory </i>was published by Fairleigh
Dickinson University Press in 2015. More information on Michael Heller is
available at <a href="http://www.michaelhellerpoetry.com/" target="_blank"><span lang="EN-US">www.michaelhellerpoetry.com</span></a><span lang="EN-US"> (under construction).</span></span><br />
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<span style="font-size: small;"><b><span style="color: orange; font-family: "Helvetica","sans-serif";">LILIANE GIRAUDON</span></b><span style="font-family: "Helvetica","sans-serif";"> resides in Marseille. </span><span lang="EN-US" style="font-family: "Helvetica","sans-serif"; mso-ansi-language: EN-US;">Her
writing, which falls between the categories of</span></span></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcxWRgnDOFFK6tWv7Ct4T1aqxaHgvJUexOuxomprhvR-M3ugoyVfpIsRnsYQHZ5g0QFP06rBe3E8hC_UVBxTjBTzxWcDVuTJsoNkeLi8mLU40Mz9VgCYnrPLRmjVeaonT2XqK8VAZeGyL6/s1600/Capture-d%2525u2019%25C3%25A9cran-2018-06-14-%25C3%25A0-18.41.05.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="338" data-original-width="367" height="294" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcxWRgnDOFFK6tWv7Ct4T1aqxaHgvJUexOuxomprhvR-M3ugoyVfpIsRnsYQHZ5g0QFP06rBe3E8hC_UVBxTjBTzxWcDVuTJsoNkeLi8mLU40Mz9VgCYnrPLRmjVeaonT2XqK8VAZeGyL6/s320/Capture-d%2525u2019%25C3%25A9cran-2018-06-14-%25C3%25A0-18.41.05.png" width="320" /></a></span></div>
<span style="font-size: small;"> prose (about which she says « prose
doesn’t exist ») and poem (about which she states “ a poem is never alone”)
seems a crossing of genres. Her work, between “combat lit” and “trash lit”.
has primarily been published by the publishing house éditions P.O.L. Her work
has also appeared in reviews (Banana Split, Action Poétique, If, la gazette des
jockeys camouflés…) and she calls her oral reading/performances « writingdrawings »
« écriredessiner » She also has or has participated in the
writing/reading/making/showing of chapbooks, tracts, artist books, art shows,
translation workshops, comics, videos (Akram Zaatari Patrick Laffont, Marc
Antoine Serra), theater pieces (Hubert Colas, Geoffrey Coppini, Yves Noel
Genot, Robert Cantarella), radio appearances (ACR et Fictions France Culture),
actions minuscules)… All in all, a “twisted life »she says could be the
title for her writing laboratory where voices circulate. <span lang="EN-US" style="font-family: "Helvetica","sans-serif"; font-size: 9.0pt; mso-ansi-language: EN-US;"></span><br />
<div style="margin-bottom: .0001pt; margin: 0cm;">
<span lang="EN-US" style="font-family: "Helvetica","sans-serif"; mso-ansi-language: EN-US;"> Among her recent
publications, ending with the most current, we can find :</span><span lang="EN-US" style="font-family: "Helvetica","sans-serif"; font-size: 9.0pt; mso-ansi-language: EN-US;"></span></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<span style="font-family: "Helvetica","sans-serif";"> «
le garçon cousu », P.O.L, 2014 </span><span style="font-family: "Helvetica","sans-serif"; font-size: 9.0pt;"></span></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<span style="font-family: "Helvetica","sans-serif";"> «
L’amour est plus froid que le lac », P.O.L, 2017</span><span style="font-family: "Helvetica","sans-serif"; font-size: 9.0pt;"></span></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<span style="font-family: "Helvetica","sans-serif";"> «
Donne-moi une banane » L’âne qui butine (Belgique), 2017 </span><span style="font-family: "Helvetica","sans-serif"; font-size: 9.0pt;"></span></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<span style="font-family: "Helvetica","sans-serif";"> «
point aime virgule » Petit Va (Centre Création pour l’Enfance), 2018</span><span style="font-family: "Helvetica","sans-serif"; font-size: 9.0pt;"></span></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<span style="font-family: "Helvetica","sans-serif";"> «
Le pistolet » ekphr@sis, 2018</span><span style="font-family: "Helvetica","sans-serif"; font-size: 9.0pt;"></span></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<span style="font-family: "Helvetica","sans-serif";"> «
pour tenir debout on invente » avec Edith Azam, éd. Atelier de l’agneau,
2019</span><span style="font-family: "Helvetica","sans-serif"; font-size: 9.0pt;"></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span lang="EN-US" style="mso-ansi-language: EN-US;">For
more, see </span><span style="font-family: "Helvetica","sans-serif"; font-size: 9.0pt;"><a href="http://www.pol-editeur.com/"><span lang="EN-US" style="font-size: 11.0pt; mso-ansi-language: EN-US;">www.pol-editeur.com</span></a></span><span lang="EN-US" style="mso-ansi-language: EN-US;"></span></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<span style="font-family: "Helvetica","sans-serif"; font-size: 9.0pt;"><a href="http://wwww.lilianegiraudon.com/"><span style="font-size: 12.0pt;">wwww.lilianegiraudon.com</span></a></span></div>
</span><br />
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;"><span style="font-size: small;"><span lang="EN-US">Photo credit: <b>Radio Universe</b>: <a href="https://www.radio-univers.com/liliane-giraudon-lamour-est-plus-froid-que-le-lac/">https://www.radio-univers.com/liliane-giraudon-lamour-est-plus-froid-que-le-lac/</a> Capture during a radio intervention at </span></span></span></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2215338180310572858.post-29429204687837176582019-05-20T14:33:00.000-07:002019-05-21T03:17:56.035-07:00MARDI 28 MAI 2019 >> Peter Gizzi, Stéphane Bouquet et Chris Tysh liront pour nous au Delaville Café<div style="text-align: center;">
« Ivy Writers Paris » Bilingual Reading Series </div>
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Mardi 28 mai 2019
à 19h30 : </div>
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soirée bilingue
anglais-français </div>
<br />
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<b><span style="font-size: large;">avec
Peter GIZZI </span></b></div>
<div style="text-align: center;">
<b><span style="font-size: large;">Stéphane BOUQUET </span></b></div>
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<b><span style="font-size: large;">Chris TYSH </span></b></div>
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organisée et animée par Jennifer K. Dick </div>
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<a href="https://2.bp.blogspot.com/-VohrAFU8zOQ/XOPQKXD0TgI/AAAAAAAABwE/LM76TEa3QI00YQuhNDvpn-dQrWRY_87rACLcBGAs/s1600/I%2Blove%2Byou%2Bmorethan%2Bthere%2Bare%2Bstarsin%2Bthe%2Bsky.%2B%252814%2529.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="789" data-original-width="940" height="335" src="https://2.bp.blogspot.com/-VohrAFU8zOQ/XOPQKXD0TgI/AAAAAAAABwE/LM76TEa3QI00YQuhNDvpn-dQrWRY_87rACLcBGAs/s400/I%2Blove%2Byou%2Bmorethan%2Bthere%2Bare%2Bstarsin%2Bthe%2Bsky.%2B%252814%2529.png" width="400" /></a></div>
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<span style="color: orange;"><b>Upstairs at 7:30pm </b></span><br />
<span style="color: orange;"><b>at:
DELAVILLE CAFE,
34 bvd bonne nouvelle,
75010 Paris </b></span><br />
<span style="color: orange;"><b>M°ligne 8 Bonne Nouvelle </b></span><br />
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BIOS in English and French here bellow:<br />
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<span style="color: orange;"><b>PETER GIZZI</b></span> is the author of seven collections of poetry, most recently, Archeophonics (finalist for the 2016 National Book Award), In Defense of Nothing: Selected Poems 1987-2011, and Threshold Songs. His honors include the Lavan Younger Poet Award from the Academy of American Poets, and fellowships in poetry from The Rex Foundation, The Howard Foundation, The Foundation for Contemporary Arts, The John Simon Guggenheim Memorial Foundation, and The Judith E. Wilson Visiting Fellowship in Poetry at the University of Cambridge. His editing projects have included o-blek: a journal of language arts, The Exact Change Yearbook, The House That Jack Built: The Collected Lectures of Jack Spicer and, with Kevin Killian, My Vocabulary Did This to Me: The Collected Poetry of Jack Spicer. He was also Poetry Editor for The Nation from 2007 to 2012. He has held residencies at The MacDowell Colony, Yaddo, The Foundation of French Literature at Royaumont, Un Bureau Sur L’Atlantique, the Centre International de Poesie Marseille (cipM), and Tamaas. He has been on the faculty at Brown University (1993-94), the University of California, Santa Cruz (1995-2001), the Jack Kerouac School of Disembodied Poetics Summer Program at Naropa (1998, 2007), The University of New Orleans Summer Program in Madrid (2004), Summer Literary Seminars in St. Petersburg (2006), The Writer’s Workshop at The University of Iowa (Fall 2008), and the University of Cambridge (2011; 2015-16). He currently works at the University of Massachusetts, Amherst. </div>
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For more information: </div>
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<a href="https://www.petergizzi.org/" target="_blank">https://www.petergizzi.org </a></div>
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<a href="https://en.wikipedia.org/wiki/Peter_Gizzi" target="_blank">https://en.wikipedia.org/wiki/Peter_Gizzi</a></div>
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<span style="color: orange;"><b>PETER GIZZI</b></span> est l'auteur de sept recueils de poèmes, dont les plus récents sont : Archeophonics (finaliste du Prix national du livre 2016), In Defense of Nothing: Selected Poems 1987-2011 et Threshold Songs. Il a reçu le prix Lavan Younger Poet de l'Academie des Poètes Américains, ainsi que des bourses de poésie de la Rex Foundation, de la Howard Foundation, de la Foundation for Contemporary Arts, de la John Simon Guggenheim Memorial Foundation ainsique le Judith E. Wilson Visiting Fellowship in Poetry de l'Université de Cambridge. Parmi ses projets de montage, citons o-blek: un journal d'art langagier, The Exact Change Yearbook, The House That Jack Built: The Collected Lectures of Jack Spicer et, avec Kevin Killian, My Vocabulary Did This to Me: The Collected Poetry of Jack Spicer. Il a également été éditeur de poésie pour The Nation de 2007 à 2012. Il a effectué des résidences à La MacDowell Colony, à Yaddo, à La Fondation de la littérature française de Royaumont, au Bureau Sur l'Atlantique, au Centre international de poésie de Marseille (cipM), et à Tamaas. Il a été professeur à la Brown University (1993-1994), à l'Université de Californie à Santa Cruz (1995-2001), au programme d'été de la Jack Kerouac School of Disembodied Poetics à Naropa (1998, 2007), a également enseigné à l’University of New Orleans Summer Program in Madrid (2004), aux séminaires littéraires d'été à Saint-Pétersbourg (2006), au Writer's Workshop à l'Université de l'Iowa (automne 2008) et à l'Université de Cambridge (2011; 2015-16). Il travaille actuellement à l'Université du Massachusetts, à Amherst. </div>
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On peut en savoir plus en consultant ces liens : </div>
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<a href="https://www.petergizzi.org/" target="_blank">https://www.petergizzi.org </a></div>
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<a href="https://en.wikipedia.org/wiki/Peter_Gizzi">https://en.wikipedia.org/wiki/Peter_Gizzi</a><br />
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** </div>
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<span style="color: orange;"><b>STEPHANE BOUQUET</b></span> has written six collections of poems (including Nos amériques, 2010, Les amours suivants, 2013 and Vie Commune, 2016). He has also published a collection of essays on poetry (La Cité de Paroles, 2018). He has translated into French collections of the American poets Robert Creeley, Paul Blackburn, James Schuyler and three books by Peter Gizzi.
As a screenwriter, he has worked with Sébastien Lifshitz on all his movies so far. In La Traversée (aka The Crossing), an autobiographical movie, he also played his own part. He wrote screenplays for Valérie Mréjen, Yann Dedet, Robert Cantarella.
Redactor for The Cahiers du Cinéma, he has also published three essays on filmmakers : Gus Van Sant (éd . Cahiers du cinéma, 2009) ; Eisenstein (éd. Cahiers du cinéma, 2008) and Il Vangelo secondo Matteo (éd. Cahiers du cinéma, 2003).
Though not a dancer at all, he worked with Mathilde Monnier for two of her shows : Déroutes, frère&sœur. He co-hosted during three years a program on contemporary dance for France-culture, a national radio broadcast. </div>
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<span style="color: orange;"><b>STEPHANE BOUQUET</b></span> a publié plusieurs livres de poésie chez Champ Vallon (Les derniers en date, Les Amours suivants et Vie commune, Champ Vallon, 2013 et 2016). Il a proposé une traduction de divers poètes américains dont Paul Blackburn, James Schuyler et trois livres de Peter Gizzi. Son tout dernier livre paraît en avril 2018 : La Cité de Paroles, méditations sur la poésie dans la collection « en lisant, en écrivant » de José Corti.
Il est par ailleurs co-scénariste après avoir été longtemps critique aux Cahiers du cinéma. Il a publié des études sur Clint Eastwood, Gus Van Sant, Eisenstein et Pasolini.
Il a participé – en tant que danseur ou dramaturge – aux créations chorégraphiques de Mathilde Monnier, Déroutes (2002) et frère&sœur (2005). Et collabore régulièrement au théâtre avec Robert Cantarella.<br />
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Poet and playwright, <span style="color: orange;"><b>CHRIS TYSH</b></span> is the author of several collections of poetry and drama. Her latest publications are Hotel des Archives: A Trilogy (Station Hill Press, 2018), Our Lady of the Flowers, Echoic (Les Figues, 2013); Molloy: The Flip Side (BlazeVox, 2012) and Night Scales: A Fable for Klara K (United Artists, 2010).
She is on the creative writing faculty at Wayne State University. Her play, Night Scales, a Fable for Klara K was produced at the Studio Theatre in Detroit under the direction of Aku Kadogo in 2010. She holds fellowships from The National Endowment for the Arts and the Kresge Foundation. In collaboration with Oren Goldenberg, she authored and produced Alms of the Night: A Cine-Poem, 2016 <a href="https://vimeo.com/195006136" target="_blank">https://vimeo.com/195006136 </a></div>
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Poète et dramaturge, <span style="color: orange;"><b>CHRIS TYSH</b></span> est l’auteur de plusieurs recueils de poèmes et de pièces de théâtre. Ses dernières publications sont Hotel des Archives: Une trilogie (Station Hill Press, 2018), Our Lady of the Flowers, Echoic (Les Figues, 2013); Molloy: The Flip Side (BlazeVox, 2012) et Night Scales: A Fable for Klara K (United Artists, 2010).
Elle fait partie de la faculté d'écriture créative de la Wayne State University. Sa pièce, Night Scales, une fable pour Klara K, a été produite au Studio Theatre de Detroit sous la direction d'Aku Kadogo en 2010. Elle a été boursière du National Endowment for the Arts et de la Kresge Foundation. En collaboration avec Oren Goldenberg, elle a écrit et produit Alms of the Night: A Cine-Poem, 2016 <a href="https://vimeo.com/195006136">https://vimeo.com/195006136</a></div>
Unknownnoreply@blogger.com034-36 Boulevard de Bonne Nouvelle, 75010 Paris, France48.8707718 2.349147099999981923.3487373 -38.959446900000017 74.3928063 43.657741099999981